Portrait of a Nobleman
1529
Artist, German, c. 1500 - 1553

Artwork overview
-
Medium
oil on panel
-
Credit Line
-
Dimensions
overall: 59.7 x 44.1 cm (23 1/2 x 17 3/8 in.)
framed: 84.4 x 71.1 cm (33 1/4 x 28 in.) -
Accession
1947.6.3
Artwork history & notes
Provenance
Madame de L. de L., Paris; (her sale, Théodore Fischer, Lucerne [with A. Mak, Amsterdam], 27 July 1926, no. 139, as Nicolas Kirberger).[1] Otto B. Schuster, Amsterdam; (sale, Sotheby's, London, 15 July 1931, no. 109, as Master N.K.); Means. Mrs. Jacob H. Schiff; (her sale, American Art Association-Anderson Galleries, New York, 7-9 December 1933, no. 77, as Hans Kirberger [?], bought in [?]).[2] (Dr. Siegfried F. Aram, New York);[3] sold to Mrs. Ralph Harman Booth [Mary Batterman Booth, d. 1951], Grosse Pointe, Michigan, by 1938; gift 1947 to NGA.
[1] It has not been possible to verify the earliest, apparently traditional portion of the provenance which puts the picture first in the possession of a Baron Rechberg, Hohenlöwen, then with a Count von Leutzner. These names may have been derived from the coat-of-arms on the seal on the reverse of the panel, and appear in the Curatorial Records Provenance card file. The arms on the seal are unidentified; Walter Angst, letter to John Hand of 27 May 1989, in curatorial files, states it is not Rechberg or Leutzner, although it could be a collector's seal.
[2] Handwritten annotation, probably by Fern Rusk Shapley, of "no buyer" on the card for this sale in the NGA curatorial records provenance card file.
[3] Siegfried F. Aram (b. 1891), a German lawyer-turned-art collector and dealer, left Nazi Germany in 1934 and established a gallery on 57th Street in New York in 1935.
Associated Names
Exhibition History
1939
Masterpieces of Art. European Paintings and Sculpture from 1300-1800, New York World's Fair, 1939, no. 207.
Bibliography
1936
Kremer, Niclaus. A Portrait of A Nobleman by Niclaus Kremer. New York, 1936: unpaginated, repro.
Kuhn, Charles L. A Catalogue of German Paintings of the Middle Ages and Renaissance in American Collections. Cambridge, Mass., 1936: 94, no. 449.
1938
Wescher, Paul. "Nicolas Kremer of Strassburg." The Art Quarterly 1 (1938): 204, 208.
1948
Recent Additions to the Ralph and Mary Booth Collection. Washington, 1948: unpaginated, repro.
1950
"Old Masters in America: Important Gifts to the National Gallery, Washington" The Illustrated London News (September 16, 1950): 449, repro.
1959
Hans Baldung Grien. Exh. cat. Staatliche Kunsthalle, Karlsruhe, 1959: 123. (The NGA portrait was not in the exhibition.)
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 72.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 63, repro.
1973
Finley, David Edward. A Standard of Excellence: Andrew W. Mellon Founds the National Gallery of Art at Washington. Washington, 1973: 126.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 155, repro.
Walker, John. National Gallery of Art, Washington. New York, 1975: 155, no. 172, color repro. (In rev. ed. Washington 1985, 155, no. 166, color repro.)
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 155, no. 156, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 217, repro.
Butts, Barbara Rosalyn. "'Dürerschüler' Hans Süss von Kulmbach." Ph.D. dissertation, Harvard University, Cambridge, 1985: 147, 200-204, fig. 146.
1990
Grimm, Claus, and Bernd Konrad. Die Fürstenberg Sammlungen Donaueschingen. Altdeutsche und schweizerische Malerei des 15. und 16. Jahrhunderts. Munich, 1990: 200, under no. 51, fig. 51.1.
1993
Hand, John Oliver, with the assistance of Sally E. Mansfield. German Paintings of the Fifteenth through Seventeenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, 1993: 115-119, color repro. 117.
1995
Löcher, Kurt. Review of German Paintings of the Fifteenth through Seventeenth Centuries, by John Oliver Hand with the assistance of Sally E. Mansfield. Kunstchronik 43 no. 1 (January 1995): 17-18.
Inscriptions
upper left: 1529 / .NK. (in monogram); reverse, a resinous seal bearing a coat-of-arms
Wikidata ID
Q20175943