Émile Louis Dominique Calando

French, 1840 - 1898

Explore Selected Works

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Man on a Ladder [Study for the Martyrdom of Saint Andrew] (verso)

Jean-Baptiste Jouvenet · before 1698 · red chalk on brown paper ·  Accession ID  2017.86.1.b

Jean-Baptiste Jouvenet, Man Reaching Down and Two Studies of Heads (recto), before 1698, red and black chalks heightened with white on brown paper, Joseph F. McCrindle Endowment Fund and Ailsa Mellon Bruce Fund, 2017.86.1.a

Man Reaching Down and Two Studies of Heads (recto)

Jean-Baptiste Jouvenet · before 1698 · red and black chalks heightened with white on brown paper ·  Accession ID  2017.86.1.a

Giovanni Battista Tiepolo, The Meeting of Antony and Cleopatra, mid 1740s, pen and brown ink with brown wash over black chalk on buff paper, Woodner Collection, 1991.182.2

The Meeting of Antony and Cleopatra

Giovanni Battista Tiepolo · mid 1740s · pen and brown ink with brown wash over black chalk on buff paper ·  Accession ID  1991.182.2

Willem van de Velde the Younger, View of a Dutch Town (Delft?), graphite and gray wash on laid paper, incised with stylus, Ailsa Mellon Bruce Fund, 1972.58.2

View of a Dutch Town (Delft?)

Willem van de Velde the Younger · · graphite and gray wash on laid paper, incised with stylus ·  Accession ID  1972.58.2

Claude Gillot, The Triumph of Marriage, pen and brown ink on laid paper, Ailsa Mellon Bruce Fund, 1986.5.1

The Triumph of Marriage

Claude Gillot · · pen and brown ink on laid paper ·  Accession ID  1986.5.1

Drawn with brown ink and shaded with tan washes on cream-white paper, two bearded men wearing robes, with a smaller, nude, winged boy between them, fill this vertical drawing. At the center top of the paper, the angel faces us, gazing down to our left with open mouth and eyebrows drawn together. He has curly hair and lifts his muscular right arm, on our left, with his index finger pointed upward. Crosshatched lines define his body, and quick, curved lines shade his outstretched wings. To our right, one man stands with his body facing the center of the sheet but he turns his head to look up off the top right corner. He has curling hair, a wide mustache, and perhaps a goatee, though his chin is partially hidden by a dark spot on the paper. He has broad shoulders, a thick neck, large hands, and a hint of a muscular leg under his flowing, voluminous robes. He holds a flat, oblong object, possibly a stone tablet, perched on his slightly bent left knee. Seated to our left, the other man faces and looks at us. He also grasps a flat, tablet-like object but holds it up, braced on his right thigh, to our left, and points to it with his other hand. This man also is solidly built and swathed in robes, with a hood over his curly hair. He leans forward, knees apart, and stares out with his brows deeply furrowed. His downturned mouth is set in a bushy, curly beard. Near the bottom of the picture, the bare feet of the two men emerge from the folds of their robes. Touches of white washes on the folds of the robes create a sense of light coming from above and to our right, and charcoal lines reinforce the shadows. A grid is lightly drawn in red chalk lines over the composition. A black stamp in the lower left has the letters “E.C” and another at the center reads, “H de T. STAT.”
Raphael, The Prophets Hosea and Jonah, c. 1510, pen and brown ink with brown wash over charcoal and blind stylus, heightened with white gouache and squared for transfer with blind stylus and red chalk, on laid paper, The Armand Hammer Collection, 1991.217.4

The Prophets Hosea and Jonah

Raphael · c. 1510 · pen and brown ink with brown wash over charcoal and blind stylus, heightened with white gouache and squared for transfer with blind stylus and red chalk, on laid paper ·  Accession ID  1991.217.4

Jan Boeckhorst, The Risen Christ Surrounded by Saints, c. 1660, colored wash with heightening, Julius S. Held Collection, Ailsa Mellon Bruce Fund, 1984.3.3

The Risen Christ Surrounded by Saints

Jan Boeckhorst · c. 1660 · colored wash with heightening ·  Accession ID  1984.3.3

Bibliography

1921

  • Ref Number: 837
    Lugt, Frits. Les marques de collections de dessins & d'estampes; marques estampillees et ecrites de collections. Amsterdam: Vereenigde drukkerijen, 1921.