Marian Goodman Gallery

Explore Selected Works

Francesca Woodman, Leda and Swan, 1978, gelatin silver print, Gift of the Collectors Committee and R. K. Mellon Family Foundation, 2010.60.3

Leda and Swan

Francesca Woodman · 1978 · gelatin silver print ·  Accession ID  2010.60.3

Francesca Woodman, Untitled, 1980, printed 2003, inkjet print, The Sarah and William L Walton Fund and Gift of the Collectors Committee, 2010.60.1

Untitled

Francesca Woodman · 1980, printed 2003 · inkjet print ·  Accession ID  2010.60.1

""

City Deep

William Kentridge · 2020 · single-channel digital video, black and white animation with color additions, sound, 9:15 minutes ·  Accession ID  2021.20.1

Three still images from a video installation show the faces of four pale-skinned age children wearing school uniforms against white backgrounds. The uniforms consist of white dress shirts, red ties, and gray vests or sweaters. From left to right, the first image shows a boy gaping, mouth open. The middle picture shows two boys, one of whom slings an arm onto the other’s shoulder. One looks steadily on, the other with brows furrowed. The image to our right shows a girl wearing glasses, her hair in thin braids. She also looks steadily at something out of our view. The shoulders and elbows of students sitting next to or standing behind those we see are visible. The three images are printed close together in a row, like a sideways piece of film.
Rineke Dijkstra, I See a Woman Crying (Weeping Woman), 2009, three-channel HD video with sound, 12 minutes, Purchased with funds donated by Joseph M. Cohen Family Collection and Gift of the Collectors Committee, 2013.138.1

I See a Woman Crying (Weeping Woman)

Rineke Dijkstra · 2009 · three-channel HD video with sound, 12 minutes ·  Accession ID  2013.138.1

Francesca Woodman, Untitled, c. 1977–1978, gelatin silver print, Gift of the Collectors Committee and R. K. Mellon Family Foundation, 2010.60.2

Untitled

Francesca Woodman · c. 1977–1978 · gelatin silver print ·  Accession ID  2010.60.2

Streaks of vibrant lemon yellow, plum purple, cobalt blue, spring and mint green, cotton candy pink, and crimson red are layered and blended in loose columns in this vertical abstract painting. The artist created this by pulling a long squeegee—as tall as this canvas—across from our left to right to smear and expose layers of paint. Vertical bands of contrasting color suggest that the squeegee was paused or pressed down at intervals. For instance, in a field dominated by bright yellow on the right half of the composition, one vertical band exposes underlayers of bubblegum pink and azure blue. The left half of the painting is mostly blues, greens, and purples, with touches of the same yellow that covers much of the right half. Separating the two halves, a wide streak with slate blue, turquoise, plum purple, white, and yellow blend in some areas to almost make brown.
Gerhard Richter, Abstract Painting 780-1, 1992, oil on canvas, Gift of the Collectors Committee, 1993.62.1

Abstract Painting 780-1

Gerhard Richter · 1992 · oil on canvas ·  Accession ID  1993.62.1

""

The Krazyhouse (Megan, Simon, Nicky, Philip, Dee), Liverpool, UK

Rineke Dijkstra · 2009 · four-channel digital video installation, projected, color, sound, 32 minutes ·  Accession ID  2014.136.417