François, comte Taillepied de Bondy

French, born 1875

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Shown from the knees up, a pale-skinned woman wearing an off-the-shoulder, black gown stands in front of a maroon-red wall in this vertical portrait painting. Her body is angled to our left, but she turns her round face to us. Her dark gray eyes seem out of focus, looking slightly off to either side of us, under faint brows. Her nose is straight, her pink lips closed over a pillowy chin, and her cheeks are lightly blushed. Her black hair is parted down the middle and smoothed to each side, pulled back and framed by a garland of flowers that drapes from the crown of her head down to either side of her chin like parentheses. The garland is made of peach-colored roses, burgundy-red flowers, and sage-green leaves. Her sloping shoulders are pale and smooth. The sleeves of the black dress wrapping around her upper arms are edged with a wide band of lace. The edge of a white undergarment is visible along the top of the black dress, which has a tightly fitting bodice. The skirt billows out at the narrow waist to fall in thick, heavy folds off the bottom edge of the painting. A large, oval, red jewel is set into a silvery-gold brooch at the front center of her neckline. Dimples are visible across the backs of both pudgy hands. With her right hand, on our left, she holds the end of a long strand of pearls encircling her neck. On that wrist is a gold bracelet with coin-like disks hanging from thick, gold links, and she wears a gold ring with a pearl and blue and red jewels on that ring finger. Her other arm hangs by her side. There, she wears two bracelets, one of gold and pearl, the other with a medallion of celestial blue enamel surrounding a pearl, also set in gold. Two gold rings with red stones are on the third finger of that hand, and a silver ring with a crest is on her pinky finger. With that hand she holds a closed fan with silver and gold sticks, and the end of a sheer black shawl that wraps up across her back and over the other shoulder. The top two-thirds of the wall behind her is covered by a pattern of stylized wine-red flowers against a muted maroon-red background. A wooden rail divides the top section of the wall from the gray paneling below. A few objects in the lower left corner, seen beyond the edge of her skirt, are difficult to make out, but could include a richly decorated gold and upholstered chair, a glove, and a white, lace-edged handkerchief. The artist signed and dated the painting in the lower left corner of the red patterned wall: “I.A.D. INGRES P.XIT ANO 1851.” The woman’s name appears in the upper right, “M.E INES MOITESSIER NÉE DE FOUCAULD.”
Jean-Auguste-Dominique Ingres, Madame Moitessier, 1851, oil on canvas, Samuel H. Kress Collection, 1946.7.18

Madame Moitessier

Jean-Auguste-Dominique Ingres · 1851 · oil on canvas ·  Accession ID  1946.7.18

Bibliography

1966

  • Foucauld, Charles de. Lettres à Mme. de Bondy. Paris, 1966.

1968

  • Hamilton, Elizabeth. The Desert My Dwelling Place: A Study of Charles de Foucauld, 1858-1916. London, 1968: 80.

1974

  • Révérend, Vte. A. Armorial du Premier Empire. Paris, 1974: 3:277-78.