Browse Images
The following images are associated with the early history of the Accademia di San Luca and with its members during the 16th and 17th centuries.

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Claude Lorrain
River Landscape, c. 1635/1638
pen and brown ink with brown wash and black and red chalk on laid paper
National Gallery of Art, Washington
Ailsa Mellon Bruce Fund
1971.92.1
Claude Lorrain
The Roman Forum (Le Campo Vaccino), 1636
etching
National Gallery of Art, Washington
Rosenwald Collection
1964.8.460
Claude Lorrain
Shepherd and Shepherdess Conversing in a Landscape (Berger et bergère conversant), c. 1651
etching
National Gallery of Art, Washington
Rosenwald Collection
1943.3.4614
Claude Lorrain
Shepherd with Four Goats (Les quatre chèvres), c. 1630/1633
etching
National Gallery of Art, Washington
Rosenwald Collection
1947.7.61
1. 2. 3. 4.
Claude Lorrain
Shepherd with Goats (Les chèvres), c. 1630/1633
etching from two plates on two sheets of laid paper; attached
National Gallery of Art, Washington
Ailsa Mellon Bruce Fund
1987.6.1
Claude Lorrain
The Shipwreck (Le naufrage), c. 1638/1641
etching
National Gallery of Art, Washington
Ailsa Mellon Bruce Fund
1986.1.1
Claude Lorrain
Time, Apollo, and the Seasons (Le Temps, Apollon et les Saisons), 1662
etching
National Gallery of Art, Washington
Andrew W. Mellon Fund
1978.56.1
Claude Lorrain
Torione Anticho Fori di Roma, c. 1630/1635
red chalk on laid paper
National Gallery of Art, Washington
Gift of Jean and Kahlil Gibran
1990.138.1
5. 6. 7. 8.
Claude Lorrain
Two Women in Classical Dress, mid-1640s
black chalk and pen and brown ink and brown wash, heightened with white gouache on apricot-prepared paper, with later framing line in black ink
National Gallery of Art, Washington
Andrew W. Mellon Fund
1978.108.1
Claude Lorrain
Villa di Papa Giulio, c. 1635
pen and brown ink with gray wash on laid paper
National Gallery of Art, Washington
Andrew W. Mellon Fund
1975.71.2
Claude Lorrain
The Vision (L'apparition), c. 1630
etching with drypoint
National Gallery of Art, Washington
Andrew W. Mellon Fund
1975.62.1
Claude Lorrain
The Vision (L'apparition), c. 1630
etching with drypoint
National Gallery of Art, Washington
Ailsa Mellon Bruce Fund
1975.32.7
9. 10. 11. 12.
248-259 of 455 Total images

Images:

  1. Claude Lorrain, River Landscape, c. 1635/1638, pen and brown ink with brown wash and black and red chalk on laid paper, National Gallery of Art, Washington, Ailsa Mellon Bruce Fund, 1971.92.1
  2. Claude Lorrain, The Roman Forum (Le Campo Vaccino), 1636, etching, National Gallery of Art, Washington, Rosenwald Collection, 1964.8.460
  3. Claude Lorrain, Shepherd and Shepherdess Conversing in a Landscape (Berger et bergère conversant), c. 1651, etching, National Gallery of Art, Washington, Rosenwald Collection, 1943.3.4614
  4. Claude Lorrain, Shepherd with Four Goats (Les quatre chèvres), c. 1630/1633, etching, National Gallery of Art, Washington, Rosenwald Collection, 1947.7.61
  5. Claude Lorrain, Shepherd with Goats (Les chèvres), c. 1630/1633, etching from two plates on two sheets of laid paper; attached, National Gallery of Art, Washington, Ailsa Mellon Bruce Fund, 1987.6.1
  6. Claude Lorrain, The Shipwreck (Le naufrage), c. 1638/1641, etching, National Gallery of Art, Washington, Ailsa Mellon Bruce Fund, 1986.1.1
  7. Claude Lorrain, Time, Apollo, and the Seasons (Le Temps, Apollon et les Saisons), 1662, etching, National Gallery of Art, Washington, Andrew W. Mellon Fund, 1978.56.1
  8. Claude Lorrain, Torione Anticho Fori di Roma, c. 1630/1635, red chalk on laid paper, National Gallery of Art, Washington, Gift of Jean and Kahlil Gibran, 1990.138.1
  9. Claude Lorrain, Two Women in Classical Dress, mid-1640s, black chalk and pen and brown ink and brown wash, heightened with white gouache on apricot-prepared paper, with later framing line in black ink, National Gallery of Art, Washington, Andrew W. Mellon Fund, 1978.108.1
  10. Claude Lorrain, Villa di Papa Giulio, c. 1635, pen and brown ink with gray wash on laid paper, National Gallery of Art, Washington, Andrew W. Mellon Fund, 1975.71.2
  11. Claude Lorrain, The Vision (L'apparition), c. 1630, etching with drypoint, National Gallery of Art, Washington, Andrew W. Mellon Fund, 1975.62.1
  12. Claude Lorrain, The Vision (L'apparition), c. 1630, etching with drypoint, National Gallery of Art, Washington, Ailsa Mellon Bruce Fund, 1975.32.7