Browse Images
The following images are associated with the early history of the Accademia di San Luca and with its members during the 16th and 17th centuries.

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Valentin de Boulogne
Soldiers Playing Cards and Dice (The Cheats), c. 1618/1620
oil on canvas
National Gallery of Art, Washington
Patrons' Permanent Fund
1998.104.1
Francesco Villamena
The Annunciation, 1598
engraving
National Gallery of Art, Washington
Ailsa Mellon Bruce Fund
1979.2.4
Francesco Villamena
Brutto Buono Stoned by His Enemies, date unknown
engraving
National Gallery of Art, Washington
Ailsa Mellon Bruce Fund
1974.54.16
Francesco Villamena
The Penitent Magdalene, first quarter 17th century
engraving on laid paper
National Gallery of Art, Washington
Ailsa Mellon Bruce Fund
1999.64.4
1. 2. 3. 4.
Francesco Villamena
Saint Jerome, date unknown
engraving on laid paper
National Gallery of Art, Washington
Gift of Lesley Hill and Alan Stone
2005.7.2
Simon Vouet
A Bearded Man with a Staff, date unknown
black chalk and graphite, heightened with white on tan laid paper
National Gallery of Art, Washington
Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art
1991.150.88
Simon Vouet
Creusa Carrying the Gods of Troy, c. 1635
black chalk heightened with white chalk on blue laid paper, with later framing line in brown ink
National Gallery of Art, Washington
Ailsa Mellon Bruce Fund
1971.17.3
Simon Vouet
The Muses Urania and Calliope, c. 1634
oil on panel
National Gallery of Art, Washington
Samuel H. Kress Collection
1961.9.61
5. 6. 7. 8.
Simon Vouet
Saint Jerome and the Angel, c. 1622/1625
oil on canvas
National Gallery of Art, Washington
Samuel H. Kress Collection
1961.9.52
9.
443-451 of 455 Total images

Images:

  1. Valentin de Boulogne, Soldiers Playing Cards and Dice (The Cheats), c. 1618/1620, oil on canvas, National Gallery of Art, Washington, Patrons' Permanent Fund, 1998.104.1
  2. Francesco Villamena, The Annunciation, 1598, engraving, National Gallery of Art, Washington, Ailsa Mellon Bruce Fund, 1979.2.4
  3. Francesco Villamena, Brutto Buono Stoned by His Enemies, date unknown, engraving, National Gallery of Art, Washington, Ailsa Mellon Bruce Fund, 1974.54.16
  4. Francesco Villamena, The Penitent Magdalene, first quarter 17th century, engraving on laid paper, National Gallery of Art, Washington, Ailsa Mellon Bruce Fund, 1999.64.4
  5. Francesco Villamena, Saint Jerome, date unknown, engraving on laid paper, National Gallery of Art, Washington, Gift of Lesley Hill and Alan Stone, 2005.7.2
  6. Simon Vouet, A Bearded Man with a Staff, date unknown, black chalk and graphite, heightened with white on tan laid paper, National Gallery of Art, Washington, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.88
  7. Simon Vouet, Creusa Carrying the Gods of Troy, c. 1635, black chalk heightened with white chalk on blue laid paper, with later framing line in brown ink, National Gallery of Art, Washington, Ailsa Mellon Bruce Fund, 1971.17.3
  8. Simon Vouet, The Muses Urania and Calliope, c. 1634, oil on panel, National Gallery of Art, Washington, Samuel H. Kress Collection, 1961.9.61
  9. Simon Vouet, Saint Jerome and the Angel, c. 1622/1625, oil on canvas, National Gallery of Art, Washington, Samuel H. Kress Collection, 1961.9.52