HOME
What's New Subscribe to our Electronic Newsletters Calendar of Events Recent Acquisitions Videos and Podcasts About the Gallery The Darker Side of Light: Arts of Privacy, 1850–1900 The Robert and Jane Meyerhoff Collection: Selected Works
Global Navigation Collection Exhibitions Planning a Visit Programs Online Tours Education Resources Gallery Shop Support the Gallery NGA Kids
National Gallery of Art - THE COLLECTION
image of Still Life with Sweets and Pottery
Juan van der Hamen y León (artist)
Spanish, 1596 - 1631
Still Life with Sweets and Pottery, 1627
oil on canvas
84.5 x 112.7 cm (33 1/4 x 44 3/8 in.) framed: 106 x 136.2 x 7.6 cm (41 3/4 x 53 5/8 x 3 in.)
Samuel H. Kress Collection
1961.9.75
On View

Canvases like this one earned Van der Hamen his reputation as the greatest Spanish still-life painter of the seventeenth century, when that form was revived as a worthy subject in and of itself rather than as an adjunct to a symbolic or narrative work. Concerned simply with the harmonious arrangement of objects and the accurate representation of texture and light, Van der Hamen established the ringlike stoneware bottle as the center of the composition around which other circles and spheres play. Marzipan boxes foreshortened into ovals, spherical jars of honey and preserved cherries, a circular tray of round, sugared donuts, serpentine cakes, and plump, glazed figs -- delicacies found on the refined tables of the aristocracy in Spain -- contrast with the geometric severity of the setting. The artist arranged the objects on stepped stone ledges, thus varying their distances from the light source. Braided straw, wood, terra cotta, and crystal are masterfully described. These carefully rendered textures reach a pinnacle in the water-filled glass finger bowl that casts a shadow and, at the same time, reflects the light. The calculated distribution of a single color, red in various tones, weaves the forms into a harmonious whole whose simplicity, at first glance, belies its careful structure.

Full Screen Image
Artist Information
Bibliography
Conservation Notes
Exhibition History
Inscription
Location
Narratives
Provenance
Tour