HOME
What's New Subscribe to our Electronic Newsletters Calendar of Events Recent Acquisitions Videos and Podcasts About the Gallery The Darker Side of Light: Arts of Privacy, 1850–1900 The Robert and Jane Meyerhoff Collection: Selected Works
Global Navigation Collection Exhibitions Planning a Visit Programs Online Tours Education Resources Gallery Shop Support the Gallery NGA Kids
National Gallery of Art - THE COLLECTION
image of Moses Striking the Rock
Joachim Anthonisz Wtewael (artist)
Dutch, c. 1566 - 1638
Moses Striking the Rock, 1624
oil on panel
Overall: 44.6 x 66.7 cm (17 9/16 x 26 1/4 in.) framed: 58.7 x 80.7 cm (23 1/8 x 31 3/4 in.)
Ailsa Mellon Bruce Fund
1972.11.1
On View

Wtewael's lifelong commitment to mannerism is apparent in this depiction of Moses Striking the Rock. This miraculous event, drawn from the Old Testament Book of Numbers, occurred during the Israelites' journey out of Egypt. While in the wilderness, the Israelites suffered from a critical lack of water. God miraculously granted them relief through the actions of Moses who, accompanied by his brother Aaron, struck the rock and produced water.

The mannerists' use of alternating patterns of light and dark, elongated figures, contorted poses, and pastel colors created elegant, yet extremely artificial, scenes. Wtewael here depicts many figures who feverishly use pots, pans, and other drinking utensils to capture the precious water.

This religious subject was a favorite one for mannerist artists. Such paintings were often produced in cooperation with humanist scholars and had allegorical implications. Moses, in his role as leader of the Israelites, was often seen as a forerunner of Christ; more specifically for the Dutch, however, were the parallels that could be drawn between Moses and their national hero William the Silent. Both led their people against an oppressive foreign rule, but neither of them lived to witness the formation of the new nation they had foreseen.

Full Screen Image
Artist Information
Bibliography
Conservation Notes
Detail Images
Exhibition History
Inscription
Location
Provenance