National Gallery of Art - THE COLLECTION
image of Family of Saltimbanques Pablo Picasso (artist)
Spanish, 1881 - 1973
Family of Saltimbanques, 1905
oil on canvas
overall: 212.8 x 229.6 cm (83 3/4 x 90 3/8 in.) framed: 240.4 x 256.3 cm (94 5/8 x 100 7/8 in.)
Chester Dale Collection
© 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York
1963.10.190
On View
From the Tour: Selections from the Modern and Contemporary Collections
Object 1 of 8

1936Bulliet, C. J. The Significant Moderns and Their Pictures. New York, 1936: repro. no. 103.
1942Zervos, Christian. Pablo Picasso. 33 vols. Paris, 1942-: 1(1957): no. 285, pl. 123.
1943Dale 1943a, 48, repro.
1952Twentieth Century French Paintings from the Chester Dale Collection. National Gallery of Art. Washington, 1952 (2nd ed., 1960; rev. ed., 1965): 51, repro.
1960The National Gallery of Art and Its Collections. Foreword by Perry B. Cott and notes by Otto Stelzer. National Gallery of Art, Washington (undated, 1960s): 24, color repro. 18.
1960Twentieth Century French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, D.C., 1960 (2nd ed.): 53, repro.
1965Twentieth Century French Paintings & Sculpture of the French School in the Chester Dale Collection. National Gallery of Art, Washington, 1965 (rev. ed.): 72, repro.
1965Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 101
1966Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 2:512, color repro.
1966Michener, James A. “Four Miracles—And A Masterpiece.” Reader’s Digest 89 (November 1966): 164.
1968Ishikawa, Joseph. "Moderne Malgré Lui: The Phenomenon of Puvis de Chavannes." Art Journal XXVII/4 (Summer 1968): 385, repro.
1968European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 89, repro.
1975European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 264, repro.
1978King, Marian. Adventures in Art: National Gallery of Art, Washington, D.C. New York, 1978: 112, pl. 73.
1979Watson, Ross. The National Gallery of Art, Washington. New York, 1979: 128, pl. 116.
1984Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 600, no. 932, color repro.
1985European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 306, repro.
1991Kopper, Philip. America's National Gallery of Art: A Gift to the Nation. New York, 1991: 240, 246, 247, color repro.
1992National Gallery of Art, Washington. National Gallery of Art, Washington, 1992: 254, repro.
1992Fitzgerald, Michael Cowan. "Skin Games," Art in America 80 (February 1992):70-83, repro.
1993Great French Paintings from the Barnes Foundation: Impressionist, Post-Impressionist, and Early Modern (Exh. cat. Washington 1993). New York, 1993: 194, 197, fig. 1.
1997Le miroir noir: Picasso,sources photographiques 1900-1928. Exh. cat. Réunion des Musées Nationaux, 1997, p. 128, no. 115, repro.
1998Shefer, Elaine. "Masks/Personae." In Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art, edited by Helene E. Roberts. 2 vols. Chicago, 1998: 2:581.
1998Román, Lydia Vélez. Sigamos, Lecturas Literarias y Culturales. 1998: 62, repro.
2004Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 406-407, no. 337, color repro.
2005Honour, Hugh and John Fleming. A World History of Art. 7th ed. New York, 2005: 782, color fig. 19.21
2008Bois, Yve-Alain, ed. Picasso Harlequin 1917-1937. Exh. cat. Complesso del Vittoriano, Rome, 2008-2009. Milan, 2008: 19, 20 fig. 2.
2012Kennicott, Philip. "French Rooms Reopen, With Different Accents." Washington Post 135, no. 55 (January 29, 2012): E25.
2014Cras, Sophie. "Wie verkauft man ein Bärenfell? Ein früher Fall von Kunstspekulation" = How to Sell a Bearskin: An Early Case of Art Speculation." Texte zur Kunst (March 2014): 96-99, color fig.

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