National Gallery of Art - THE COLLECTION
image of The Calling of the Apostles Peter and Andrew Duccio di Buoninsegna (painter)
Sienese, c. 1255 - 1318
The Calling of the Apostles Peter and Andrew, 1308/1311
tempera on panel
painted surface: 42.7 × 45.5 cm (16 13/16 × 17 15/16 in.) overall: 43.3 × 46.2 × 4.4 cm (17 1/16 × 18 3/16 × 1 3/4 in.) framed: 53.3 x 55.9 x 4.4 cm (21 x 22 x 1 3/4 in.)
Samuel H. Kress Collection
1939.1.141
On View
From the Tour: Byzantine Art and Painting in Italy during the 1200s and 1300s
Object 4 of 8

1894Portfolio of Photographic Reproductions of Pictures in the Early Italian Art Exhibition. London, 1894: pl. 42.
1894Ulmann, Hermann. "Photographische Reproductionen der in der New Gallery 1894 aus englishem Privatbesitz ausgestellten italienischen Bilder." Repertorium für Kunstwissenschaft 17 (1894): 489.
1894Richter, Jean Paul. "Die Ausstellung italienischer Renaissancewerke in der New Gallery in London." Repertorium für Kunstwissenschaft 17 (1894): 238.
1894Foulkes, Costanza Jocelyn. "Le esposizioni d’arte italiana a Londra." Archivio storico d’arte 7 (1894): 154.
1897Berenson, Bernard. The Central Italian Painters of the Renaissance. New York, 1897: 140.
1902Douglas, Robert Langton. A History of Siena. London, 1902: 345, 349.
1903Crowe, Joseph Archer, and Giovan Battista Cavalcaselle. A History of Painting in Italy from the Second to the Sixteenth Century. 6 vols. Edited by Robert Langton Douglas (vols. 1-4) and Tancred Borenius (vols. 5-6). Vol. 3, The Sienese, Umbrian, and North Italian Schools. London, 1903-1914: 3(1908):10-11 n. 2.
1903Douglas, Robert Langton. "Duccio and the Early History of Italian Painting." The Monthly Review 35, no. 2 (1903): 142-143.
1904Frizzoni, Gustavo. "L’esposizione d’arte senese al Burlington Fine Arts Club." L’Arte 7 (1904): 257-258, fig. 1.
1904Fry, Roger. "La mostra d’arte senese al Burlington Club di Londra." Rassegna d’arte 4 (1904): 116.
1905Reinach, Saloman. Répertoire de peintures du Moyen Age et de la Renaissance (1280-1580). 6 vols. Paris, 1905-1923: 1(1905):463.
1906Pératé, André. "La peinture italienne au XIV siècle." In Histoire de l’art, vol. 2: formation, expansion et évolution de l'art gothique. Edited by André Michel. Paris, 1906: 828.
1907Venturi, Adolfo. Storia dell’arte italiana. Vol. 5, La pittura del Trecento e le sue origini. Milan, 1907: 560, 566, 568-570, figs. 458, 459, 460, 463.
1907Weigelt, Curt H. "Duccio di Buoninsegna." In Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. Edited by Ulrich Thieme and Felix Becker. 37 vols. Leipzig, 1907-1950: 10(1914):26-27.
1907Cust, Lionel. "La collection de M. R. H. Benson (Londres)." Les Arts 70 (1907): 24.
1907Jacobsen, Emil. Sienesische Meister des Trecento in der Gemäldegalerie zu Siena. Strasbourg, 1907: 27 n. 1.
1908Crowe, Joseph Archer, and Giovanni Battista Cavalcaselle. A New History of Painting in Italy from the Second to the Sixteenth Century. 3 vols. Edited by Edward Hutton. Vol. 2, Sienese School of the Fourteenth Century; Florentine School of the Fifteenth Century. London and New York, 1908-1909: 2(1909):10 n. 5.
1909Weigelt, Curt H. "Contributo alla ricostruzione della Maestà di Duccio di Buoninsegna, che si trova nel Museo della Metropolitana di Siena." Bullettino senese di storia patria 16 (1909): 191, 192, 195, 201, 202 n. 1, 210-212.
1909Berenson, Bernard. The Central Italian Painters of the Renaissance. 2nd ed. New York, 1909: 162, 163.
1911Lusini, Vittorio. Il Duomo di Siena. Siena, 1911: 73, 75 n. 77, 113, 115, 141.
1911Weigelt, Curt H. Duccio di Buoninsegna: Studien zur Geschichte der frühsienesischen Tafelmalerei. Leipzig, 1911: 89, 94, 232, 238, 280, pls. 12, 18.
1911Fry, Roger. "Exhibition of Old Masters at the Grafton Galleries, 1." The Burlington Magazine for Connoisseurs 20 (1911): 71.
1912Howe, William Norton. Animal Life in Italian Painting. London, 1912: 49.
1913Vasari, Giorgio, Arturo Jahn Rusconi (into. and notes). Vita di Duccio di Buoninsegna. Le vite dei più eccellenti pittori, scultori e architettori 17. Florence, 1913: 20-22.
1914Benson, Robert Henry. Catalogue of Italian Pictures at 16 South Street, Park Lane, London and Buckhurst in Sussex. London, privately printed, 1914: no. 4.
1914Borenius, Tancred. Catalogue of Italian Pictures at 16 South Street, Park Lane, London and Buckhurst in Sussex Collected by Robert and Evelyn Benson. London, 1914: no. 4.
1916Berenson, Bernard. "Ugolino Lorenzetti." Art in America 5 (1916-1917): 264, 267 fig. 1.
1923Marle, Raimond van. The Development of the Italian Schools of Painting. 19 vols. The Hague, 1923-1938: 2(1924):21, 28-31, 33.
1924Vitzthum, Georg Graf, and Wolgang Fritz Volbach. Die Malerei und Plastik des Mittelalters in Italien. Handbuch der Kunstwissenschaft 1. Wildpark Potsdam, 1924: 239-240.
1926Gielly, Louis. Les primitifs siennois. Paris, 1926: 9, 11 n. 106.
1927Washburn Freund, Frank E. "Die Sammlung Benson." Der Cicerone 19 (1927): 499.
1927Douglas, Robert Langton. "I dipinti senesi della Collezione Benson passati da Londra in America." Rassegna d’arte senese e del costume 1, no. 5 (1927): 99, 100 (repro.), 103 n.
1927Comstock, Helen. "Panels from Duccio’s Majestas for America." International Studio 88, no. 364 (1927): 63, 65, 67-68.
1927Borenius, Tancred. "The Benson Collection." Apollo 6 (1927): 66 (repro.), 68.
1928Cecchi, Emilio. Trecentisti senesi. Rome, 1928: 35-36, 41, 42, 43, 127, pl. 25.
1928Washburn Freund, Frank E. "Die Vier Duccios der Sammlung Benson." Der Cicerone 20 (1928): 333-336, repro. 335.
1929Toesca, Pietro. "Duccio di Buoninsegna." In Enciclopedia italiana di scienze, lettere ed arti. Edited by Istituto Giovanni Treccani. 36 vols. Rome, 1929-1939: 13(1932):245.
1930Weigelt, Curt H. Die sienesische Malerei des vierzehnten Jahrhunderts. Pantheon Edition. Florence and Munich, 1930: 10, 15, 69 n. 16, 71.
1931Venturi, Lionello. Pitture italiane in America. Milan, 1931: no. 15, repro.
1931Hautecoeur, Louis. Les primitifs italiens. Paris, 1931: 119, 120.
1932Marle, Raimond van. Le scuole della pittura italiana. 2 vols. The Hague and Florence, 1932-1934: 2(1934):32-34, fig. 21.
1932Edgell, George Harold. A History of Sienese Painting. New York, 1932: 49.
1932Berenson, Bernard. Italian Pictures of the Renaissance: A List of the Principal Artists and their Works with an Index of Places. Oxford, 1932: 176.
1933Venturi, Lionello. Italian Paintings in America. 3 vols. Translated by Countess Vanden Heuvel and Charles Marriott. New York and Milan, 1933: 1:no. 18, repro.
1935Tietze, Hans. Meisterwerke europäischer Malerei in Amerika. Vienna, 1935: 30, repro.
1936Berenson, Bernard. Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere con un indice dei luoghi. Translated by Emilio Cecchi. Milan, 1936: 152.
1939Tietze, Hans. Masterpieces of European Painting in America. New York, 1939: 30, repro.
1940Suida, Wilhelm. "Die Sammlung Kress: New York." Pantheon 26 (1940): 274.
1941Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 60, no. 252, pl. IV.
1941Richter, George Martin. "The New National Gallery in Washington." The Burlington Magazine for Connoisseurs 78 (June 1941): 177.
1941Frankfurter, Alfred M. "On the Italian Renaissance Painters in the National Gallery." Art News 40 (15-31 March 1941): 16, 26.
1941Duveen Brothers. Duveen Pictures in Public Collections of America. New York, 1941: nos. 8-10, repros.
1942Book of Illustrations. National Gallery of Art, Washington, 1942: 244, repro. 100.
1944Cairns, Huntington, and John Walker, eds., Masterpieces of Painting from the National Gallery of Art. New York, 1944: 16, color repro.
1944Frankfurter, Alfred M. The Kress Collection in the National Gallery. New York, 1944: 19, repro.
1945Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 8, repro.
1947Carli, Enzo. I capolavori dell’arte senese. 2nd ed. Florence, 1947: 17.
1950Papi, Vittorio. Duccio’s Majestas: The History and Poetry of a Famous Picture. Siena, 1950: 70.
1951Galetti, Ugo, and Ettore Camesasca. Enciclopedia della pittura italiana. 3 vols. Milan, 1951: 1:862.
1951Toesca, Pietro. Il Trecento. Storia dell’arte italiana, 2. Turin, 1951: 501 n. 37.
1951Einstein, Lewis. Looking at Italian Pictures in the National Gallery of Art. Washington, 1951: 16, repro. 14.
1951Brandi, Cesare. Duccio. Florence, 1951: 60, 144, pls. 42, 51.
1951Davies, Martin. National Gallery Catalogues. The Earlier Italian Schools. London, 1951: 134-135.
1952Cecchini, Giovanni. L’opera metropolitana e il suo museo. Siena, 1952: 26.
1952Carli, Enzo. Duccio. Astra Arengarium. Collection de Monographies d’Art Peintres 31. Milan, 1952: figs. 63, 73.
1953Brandi, Cesare. Duccio di Buoninsegna (La Maestà). Milan, 1953: 10.
1953Oertel, Robert. Die Frühzeit der italienischen Malerei. Stuttgart, 1953: 123, 226 n. 218.
1955DeWald, Ernest T. "Observations on Duccio’s Maestà." In Late Classical and Mediaeval Studies in Honor of Albert Mathias Friend Jr. Edited by Kurt Weitzmann. Princeton, 1955: 373, 374, 379.
1955Carli, Enzo. La pittura senese. Milan, 1955: 46.
1955Stubblebine, James H. "Duccio and His Collaborators on the Cathedral Maestà." The Art Bulletin 55 (1973): 185, 190, 203, fig. 1.
1956D’Ancona, Paolo. Duccio. Milan, 1956: 11, repro. 22.
1956Walker, John. National Gallery of Art, Washington. New York, 1956: 14, repro.
1959Brandi, Cesare, ed. Il restauro della Maestà di Duccio. Rome, 1959: 8, 9, 11, 12.
1959Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 14, repro.
1960Bologna, Ferdinando. "Duccio di Buoninsegna." In Dizionario biografico degli italiani. 79+ vols. Edited by Alberto Maria Ghisalberti. Rome, 1960+: 41(1992):747.
1961DeWald, Ernest T. Italian Painting 1200-1600. New York, 1961: 112, 117.
1961Walker, John, Guy Emerson, and Charles Seymour. Art Treasures for America: An Anthology of Paintings and Sculpture in the Samuel H. Kress Collection. London, 1961: 6, repro. 8.
1961Carli, Enzo. Duccio di Buoninsegna. Milan, 1961: 22, 31, pls. 15, 16, 26.
1963Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 66, repro.
1965Cooper, Frederick A. "A Reconstruction of Duccio’s Maestà." The Art Bulletin 47 (1965): 156 n. aa, 168 n. 116, figs. 2, 3.
1965Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 44.
1966Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 1:6, color repro.
1966Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 13-14, fig. 28.
1966Parronchi, Alessandro. "Segnalazione Duccesca." Antichità viva 5 (1966): 5 n. 1.
1968Ruhemann, Helmut. The Cleaning of Paintings: Problems and Potentialities. London, 1968: 41, fig. 1.
1968Berenson, Bernard. Italian Pictures of the Renaissance. Central Italian and North Italian Schools. 3 vols. London, 1968: 2:118, pl. 34.
1968European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 37, repro.
1968The Frick Collection: An Illustrated Catalogue, vol. 2, Paintings, French, Italian and Spanish. New York, 1968: 226.
1968Oertel, Robert. Early Italian Painting to 1400. London, 1968: 358 n. 7.
1969Stubblebine, James H. "The Angel Pinnacles on Duccio’s Maestà." Art Quarterly 32 (1969): 137, figs. 11 & 14.
1971Carli, Enzo. I pittori senesi. Siena, 1971: 56.
1972Cattaneo, Giulio and Edi Baccheschi. L’opera completa di Duccio. 1st ed. Milan, 1972: 7, 92, 93, pls. 22, 27, 61, figs. 68-70, 82.
1972Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972: 68, 268, 277, 645, 660.
1973White, John. "Measurement, Design and Carpentry in Duccio’s Maestà, 2." The Art Bulletin 55 (1973): 562, 566, fig. 78.
1973White, John. "Measurement, Design and Carpentry in Duccio’s Maestà, 1." The Art Bulletin 55 (1973): 335, 336, 343, 346, 348, 349, fig. 4.
1973Preiser, Arno. Das Entstehen und die Entwicklung der Predella in der italienischen Malerei. Hildesheim and New York, 1973: 78.
1974Pesenti, Franco Renzo. "Dismembered works of art - Italian painting." In An Illustrated Inventory of Famous Dismembered Works of Art: European Painting. Paris, 1974: 20, 26-27, repro.
1975European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 112, repro.
1976Fowles, Edward. Memories of Duveen Brothers. London, 1976: 183.
1976Stoichita, Victor Ieronim. Ucenicia lui Duccio di Buoninsegna. Bucharest, 1976: 39, 40, figs. 55, 59.
1977Stubblebine, James H. "The Back Predella of Duccio’s Maestà." In Studies in Late Medieval and Renaissance Painting in Honor of Millard Meiss. 2 vols. Edited by Irving Lavin and John Plummer. New York,1977: 1:430, 435, 436 n. 26.
1979Amico, Leonard N. "Reconstructing an Early Fourteenth Century Pentaptych by Ugolino di Nerio: St. Catherine Finds Her Niche." Bulletin Krannert Art Museum 5, no. 1 (1979): 13.
1979Sutton, Denys. "Robert Langton Douglas. Part I." Apollo 109 (April 1979): 295 [49], 296 [50] fig. 3.
1979Carli, Enzo. Il Duomo di Siena. Genoa, 1979: 67-69.
1979Gardner von Teuffel, Christa. "The Buttressed Altarpiece: A Forgotten Aspect of Tuscan Fourteenth-Century Altarpiece Design." Jahrbuch der Berliner Museen 21 (1979): 36-41.
1979Hartt, Frederick. History of Italian Renaissance Art: Painting, Sculpture, Architecture. 2nd ed. New York, 1979: 104-105, fig. 99.
1979Stubblebine, James H. Duccio di Buoninsegna and His School. 2 vols. Princeton, 1979: 1:10, 31, 32, 36, 37, 55, 56, 62, 100, 107, pls. 581, 582, figs. 74, 93.
1979White, John. Duccio: Tuscan Art and the Medieval Workshop. New York, 1979: 57, 86, 89, 93, 102, 123, 125, pls. 11, 20, figs. 5, 27, 52.
1979Shapley, Fern Rusk. Catalogue of the Italian Paintings. National Gallery of Art. 2 vols. Washington, 1979: 1:172; 2:pl. 120.
1979Watson, Ross. The National Gallery of Art, Washington. New York, 1979: 17, pl. 1.
1980Conti, Alessandro. "Review of Duccio, Tuscan Art and the Medieval Workshop by John White." Prospettiva 23 (1980): 99-101.
1981Carli, Enzo. La pittura senese del Trecento. 1st ed. Milan, 1981: 49.
1981Seidel, Max. "Das Frühwerk von Pietro Lorenzetti." Städel Jahrbuch 8 (1981): 105.
1983Brink, Joel. "From Carpentry Analysis to the Discovery of Symmetry in Trecento Painting." In La pittura nel XIV e XV secolo, il contributo dell’analisi tecnica alla storia dell’arte. Edited by Hendrik W. van Os and J. R. J. van Asperen de Boer. Bologna, 1983: 347.
1983Schmidt, Victor M. "Duccio di Buoninsegna." In Allgemeines Künstlerlexikon: die bildenden Künstler aller Zeiten und Völker. Edited by Günter Meissner. 83+ vols. Munich and Leipzig, 1983+: 30(2001):157.
1983Pope-Hennessy, John. "Some Italian Primitives." Apollo 118 (1983): 10.
1984Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 68, no. 9, color repro.
1984Os, Hendrik W. van. Sienese Altarpieces 1215-1460. Form, Content, Function. 2 vols. Groningen, 1984-1990: 1(1984):43, 46, figs. 41, 42.
1984Brown, Howard Mayer. "Catalogus. A Corpus of Trecento Pictures with Musical Subject Matter, pt. 1." Imago Musicae 1 (1984): 242-243.
1984Deuchler, Florens. Duccio. Milan, 1984: 73, 74, 76, 77, 214, 78 (repro.), pls. 134-136, 157.
1985Sutton, Denys. "Aspects of British Collecting, pt. 4." Apollo 122 (1985): 123, 124 repro.
1985European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 137, repro.
1985Wilkins Sullivan, Ruth. "The Anointing in Bethany and Other Affirmations of Christ’s Divinity on Duccio’s Back Predella." The Art Bulletin 67 (1985): 33, 34, 35, 46-47, figs. 1, 2, 25.
1986Leoncini, Monica. "Duccio di Boninsegna." In La Pittura in Italia. Il Duecento e il Trecento. Edited by Enrico Castelnuovo. 2 vols. Milan, 1986: 2:569.
1987Simpson, Colin. The Partnership: The Secret Association of Bernard Berenson and Joseph Duveen. London, 1987: 236.
1987White, John. Art and Architecture in Italy, 1250 to 1400. The Pelican History of Art. 2nd (integrated) ed. Harmondsworth, Middlesex, 1987: 291, 627, figs. 173-174.
1988Tronzo, William. "Between Icon and the Monumental Decoration of a Church: Notes on Duccio’s Maestà and the Definition of the Altarpiece." In Icon: Four Essays. Washington, DC; Baltimore, 1988: repro. 38-39.
1988Sebag-Montefiore, Charles. "Three Lost Collections of London." National Art Collections Fund Magazine 38 (Christmas 1988): 54.
1988Davies, Martin, and Dillian Gordon. National Gallery Catalogues. The Earlier Italian Schools. Rev. ed. London, 1988: 17, 20.
1988Wilkins Sullivan, Ruth. "Duccio’s Raising of Lazarus Reexamined." The Art Bulletin 70 (1988): 375 n. 6.
1989Carli, Enzo. Il Museo dell’Opera del Duomo. Opera della Metropolitana di Siena. Siena, 1989: 22.
1989"Duccio di Buoninsegna." In Dizionario della pittura e dei pittori. Edited by Enrico Castelnuovo and Bruno Toscano. 6 vols. Turin, 1989-1994: 2(1990):139.
1989Bomford, David, Jill Dunkerton, Dillian Gordon, Ashok Roy, and Jo Kirby. Art in the Making: Italian Painting before 1400. Exh. cat. National Gallery, London, 1989: 73-74 (repro.), 190, fig. 40.
1989Vos, Rik, and Hendrik W. van Os, eds. Aan de oorsprong van de schilderkunst: vroege italiaanse schilderijen in Nederlands bezit. The Hague, 1989: repro. 126.
1989Ragionieri, Giovanna. Duccio: catalogo completo dei dipinti. Florence, 1989: 12, 13, 14, 16, 88, 89, 104, repros.
1990Boskovits, Miklós, and Serena Padovani. The Thyssen-Bornemisza Collection: Early Italian Painting 1290-1470. London, 1990: 72, 73, 74 fig. 2.
1991Jannella, Cecilia. Duccio di Buoninsegna. Antella (Florence), 1991: 22, 24, 30, 31, 36, 38, pls. 28, 43.
1991Zeri, Federico. Giorno per giorno nella pittura: scritti sull’arte toscana dal Trecento al primo Cinquecento. Turin, 1991: 520, 521.
1991Riedl, Helmut Philipp. Das Maestà-Bild in der sieneser Malerei des Trecento unter besonderer Berücksichtigung der Darstellung im Palazzo Comunale von San Gimignano. Tübingen, 1991: 16, figs. 8, 11.
1991Bellosi, Luciano. "Duccio di Buoninsegna." In Enciclopedia dell’arte medievale. Edited by Istituto della Enciclopedia italiana. 12 vols. Rome, 1991-2002: 5(1994):746.
1992Hall, Nicholas H. J., ed. Colnaghi in America: A Survey to Commemorate the First Decade of Colnaghi, New York. New York, 1992: 9, 10, fig. 2.
1992Landi, Alfonso, and Enzo Carli (commentary). “Racconto” del Duomo di Siena (1655). Florence, 1992: 106-107 n. 21.
1992National Gallery of Art. National Gallery of Art, Washington. New York, 1992: 11, repro.
1993Harpring, Patricia. The Sienese Trecento Painter Bartolo di Fredi. London and Toronto, 1993: 70, repro. 72.
1996Gordon, Dillian. “Duccio (di Buoninsegna).” In The Dictionary of Art. Edited by Jane Turner. 34 vols. New York and London, 1996: 9:344-345.
1996Popp, Dietmar. Duccio und die Antike: Studien zur Antikenvorstellung und zur Antikenrezeption in der sieneser Malerei am Anfang des 14. Jahrhunderts. Munich, 1996: fig. 41.
1996Apostolos Cappadona, Diane. Encyclopedia of Women in Religious Art. New York, 1996: 47, fig. 14.
1997Moskowitz, Anita Fiderer. "A Late Dugento Male Nude Studied from Life." Source 16 (1997): 7 n. 11.
1998Bellosi, Luciano. Duccio, la Maestà. Milan, 1998: 17, 22, 264, 268, repro. 274.
1998Wheeler, Marion, ed. His Face: Images of Christ in Art, New York, 1998: 126, no. 45, color repro.
1999Schmidt, Victor M. "A Duccesque Fragment of the Coronation of the Virgin." Bulletin du Musée Hongrois des Beaux-Arts 90-91 (1999): 42 n. 10.
2001Strehlke, Carl Brandon. "Carpentry and Connoisseurship: The Disassembly of Altarpieces and the Rise in Interest in Early Italian Art." In Rediscovering Fra Angelico: A Fragmentary History. Edited by Laurence B. Kanter and Carl Brandon Strehlke. Exh. cat. Yale University Art Gallery, New Haven, 2001: 41-42, repro.
2002Seiler, Peter. "Duccio’s Maestà: The Function of the Scenes from the Life of Christ on the Reverse of the Altarpiece." In Italian Panel Painting of the Duecento and Trecento. Edited by Victor M. Schmidt. Studies in the History of Art 61 (2002): repros. 252 and 253, 271-272 n. 26.
2002Schmidt, Victor M. "Duccesque Painting Representing St John the Baptist Bearing Witness in the Museum of Fine Arts." Bulletin du Musée Hongrois des Beaux-Arts 96 (2002): 54, repro. 55.
2003Bagnoli, Alessandro, Roberto Bartalini, Luciano Bellosi, and Michel Laclotte, eds. Duccio: Siena fra tradizione bizantina e mondo gotico. Exh. cat. Santa Maria della Scala, Siena; Museo dell’Opera del Duomo, Siena. Cinisello Balsamo (Milan), 2003: 218-220.
2004Eclercy, Bastian. Suis manibus? Studien zur Beteiligung von Mitarbeitern am Entwurfsprozess von Duccios Maestà. Munich, 2004: 53, 74.
2004Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 10, no. 5, color repro.
2004Secrest, Meryle. Duveen: A Life in Art. New York, 2004: 337.
2004Strehlke, Carl Brandon. Italian Paintings, 1250-1450, in the John G. Johnson Collection and the Philadelphia Museum of Art. Philadelphia, 2004: 130-131 repro.
2006Sander, Jochen, Matthias Theodore Kloft, Rita Sauer, and Stefan Weppelmann. Kult Bild: das Altar- und Andachtsbild von Duccio bis Perugino. Exh. cat. Städelsches Kunstinstitut, Frankfurt am Main. Petersberg, 2006: 70, 71, 74.
2006Hartt, Frederick and David G. Wilkins. History of Italian Renaissance Art: Painting, Sculpture, Architecture. 6th ed. Upper Saddle River, 2006: 106, color fig. 4.6, no. 12.
2010Sahaydachny, Antonina. "The Madonna Protectress of Siena in the Maestà Altarpiece by Duccio (1308-1311)." In 1308: eine Topographie historischer Gleichzeitigkeit. Edited by Andreas Speer and David Wirmer. Berlin, 2010: 664.
2011Gordon, Dillian. The Italian Paintings Before 1400. National Gallery Catalogues. London, 2011: 175-176, under no. NG1330, color fig. 2.
2013Cappelletti, Lorenzo. "La vocazione dei santi Pietro e Andrea, o piuttosto l’imposizione del nome di Cefa (Pietro) a Simone." Arte cristiana 101, no. 877 (2013): repro. 274.
2013"Vasari and the National Gallery of Art." National Gallery of Art Bulletin 48 (Spring 2013): 10-11, repro.

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