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Byzantine 13th Century Byzantine Enthroned Madonna and Child, 13th century tempera on panel, 131.1 x 76.8 cm (51 5/8 x 30 1/4 in.) Gift of Mrs. Otto H. Kahn 1949.7.1 |
Object 1 of 8
Certain aspects of technique suggest that the artist who painted this panel was a Greek, trained as an icon painter. However, its blend of Byzantine and Western elements indicates that he was probably working in Italy or, at least, for a Western patron. The delicate gold striations defining the folds of cloth are a Byzantine convention, and the composition itself is closely modeled on one of the most enduring icon types, the Hodegetria—the Virgin who, by indicating the Child, “shows the way.” Yet Jesus gives the Western, not Eastern, sign of blessing, and the halos are not the plain burnished disks found in Byzantium but are decorated with the floral patterns popular in Italy. The three-dimensional view of the Virgin’s throne may also reflect Western influence. With her red shoes and the archangels’ imperial regalia, the elaborate throne underscores Mary’s role as queen of Heaven.
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