National Gallery of Art - THE COLLECTION
image of Saint Peter [left panel] Nardo di Cione (artist)
Florentine, active from c. 1340; died 1365/1366
Saint Peter [left panel], c. 1360
tempera on panel
painted surface: 45.1 × 12.5 cm (17 3/4 × 4 15/16 in.) overall: 49 × 16.9 × 1.8 cm (19 5/16 × 6 5/8 × 11/16 in.)
Samuel H. Kress Collection
On View
From the Tour: Byzantine Art and Painting in Italy during the 1200s and 1300s
Object 8 of 8

1907Gronau, Hans Dietrich. "Nardo di Cione." In Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. Edited by Ulrich Thieme and Felix Becker. 37 vols. Leipzig, 1907-1950: 26(1932):40.
1923Marle, Raimond van. The Development of the Italian Schools of Painting. 19 vols. The Hague, 1923-1938: 3(1924):655.
1924Offner, Richard. "Nardo di Cione and His Triptych in the Goldman Collection." Art in America 12 (1924): 99, 101, 105-106, 111, fig. 1.
1927Offner, Richard. Studies in Florentine Painting: The Fourteenth Century. New York, 1927: 97, 100, 101, 103-105, fig. 1.
1927Gommosi, Gyorgy. "Nardo di Cione és a Szépművészeti Múzeum somzée-féle Madaonnaja." Az Országos Magyar Szépművészeti Múzeum. Évkönyvei 5 (1927-1928): 16.
1927Offner, Richard. Italian Primitives at Yale University: Comments and Revisions. New Haven, 1927: 16.
1931Venturi, Lionello. Pitture italiane in America. Milan, 1931: no. 44, repro.
1932Berenson, Bernard. Italian Pictures of the Renaissance: A List of the Principal Artists and their Works with an Index of Places. Oxford, 1932: 384.
1933Venturi, Lionello. Italian Paintings in America. Translated by Countess Vanden Heuvel and Charles Marriott. 3 vols. New York and Milan, 1933: 1:no. 54, repro.
1936Berenson, Bernard. Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere con un indice dei luoghi. Translated by Emilio Cecchi. Milan, 1936: 330.
1937Gronau, Hans Dietrich. Andrea Orcagna und Nardo di Cione: eine stilgeschichtliche Untersuchung. Berlin, 1937: 86 n. 152, 89.
1940Suida, Wilhelm. "Die Sammlung Kress: New York." Pantheon 26 (1940): 274.
1941Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 138, no. 372.
1941National Gallery of Art. Book of Illustrations. Washington, 1941: 154 (repro.), 241.
1942Book of Illustrations. National Gallery of Art, Washington, 1942: 247, repro. 157.
1944Frankfurter, Alfred M. The Kress Collection in the National Gallery. New York, 1944: 52, repro. no. 83
1945Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 14, repro., as Madonna and Child with Saints.
1947Offner, Richard. A Critical and Historical Corpus of Florentine Painting. The Fourteenth Century. Sec. III, Vol. V: Master of San Martino alla Palma; Assistant of Daddi; Master of the Fabriano Altarpiece. New York, 1947: 150, 296.
1949Coletti, Luigi. "Il Maestro colorista di Assisi." Critica d’arte 8-9 (1949-1950): 447.
1951Toesca, Pietro. Il Trecento. Storia dell’arte italiana, 2. Turin, 1951: 638 n. 159.
1958Offner, Richard. A Critical and Historical Corpus of Florentine Painting. The Fourteenth Century. Sec. III, Vol. VIII: Workshop of Bernardo Daddi. New York, 1958: 99, 115.
1959Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 21, repro.
1960Offner, Richard. A Critical and Historical Corpus of Florentine Painting. The Fourteenth Century. Sec. IV, Vol. II: Nardo di Cione. New York, 1960: iv, v, xiii, 23–25, 27, 83, 98, pls. IIIa–c.
1963Berenson, Bernard. Italian Pictures of the Renaissance. Florentine School. 2 vols. London, 1963: 1:152.
1965Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 95.
1966Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 34, fig. 75.
1967Klesse, Brigitte. Seidenstoffe in der italienischen Malerei des 14. Jahrhunderts. Bern, 1967: 294, 371.
1968European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 84, repro.
1972"Nardo di Cione." In Dizionario Enciclopedico Bolaffi dei pittori e degli Incisori italiani: dall’XI al XX secolo. Edited by Alberto Bolaffi and Umberto Allemandi. 11 vols. Turin, 1972-1976: 8(1975):85.
1972Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972: 146, 312, 418, 440, 645, 661.
1975European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 252, repro.
1978Gealt, Adelheid Medicus. "Nardo di Cione’s Standing Madonna with the Child." The Minneapolis Institute of Art Bulletin 64 (1978-1980): 79 n. 7.
1979Shapley, Fern Rusk. Catalogue of the Italian Paintings. National Gallery of Art. 2 vols. Washington, 1979: 1:342; 2:pl. 249.
1980de Botton, Judith. "Notes sur Bartolomeo Bulgarini." Revue de l’art 48 (1980): 29 n. 5.
1982Ladis, Andrew. Taddeo Gaddi: Critical Reappraisal and Catalogue Raisonné. Columbia, 1982: 75 fig. 43.
1983Cole, Bruce. "Some Thoughts on Orcagna and the Black Death Style." Antichità viva 22, no. 2 (1983): 27-28, 36, fig. 1.
1984Kotalíka, Jiřího, ed. Národní Galerie v Praze. Prague, 1984: 52.
1985European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 290, repro.
1991Petrocchi, Stefano. "Nardo di Cione." In Enciclopedia dell’arte medievale. Edited by Istituto della Enciclopedia italiana. 12 vols. Rome, 1991-2002: 8(1997):650.
1992Kreytenberg, Gert. "Cione, Nardo di." In Allgemeines Künstlerlexikon: Die bildenden Künstler aller Zeiten und Völker. Edited by Günter Meißner. 87+ vols. Munich and Leipzig, 1992+: 19(1998):262.
1992Ladis, Andrew. "The Reflective Memory of a Late Trecento Painter: Speculations on the Origins and Development of the Master of San Martino a Mensola." Arte cristiana 80 (1992): 328-329.
1994Skaug, Erling S. Punch Marks from Giotto to Fra Angelico: Attribution, Chronology, and Workshop Relationships in Tuscan Panel Painting with Particular Consideration to Florence, c. 1330-1430. 2 vols. Oslo, 1994: 1:176-178; 2:punch chart 6.10.
1995Skerl Del Conte, Serena. Antonio Veneziano e Taddeo Gaddi nella Toscana della seconda metà del Trecento. Pasian di Prato (Udine), 1995: 108, fig. 63.
1996Kreytenberg, Gert. "Cione." In The Dictionary of Art. Edited by Jane Turner. 34 vols. New York and London, 1996: 7:336.
1998Frinta, Mojmír S. Punched Decoration on Late Medieval Panel and Miniature Painting. Prague, 1998: 50, 509.
1998Ladis, Andrew. "Richard Offner: The Unmaking of a Connoisseur " In A Discerning Eye: Essays on Early Italian Painting. Edited by Andrew Ladis. University Park, PA, 1998: 12.
1998Offner, Richard. “Nardo di Cione.” In A Discerning Eye: Essays on Early Italian Painting. Edited by Andrew Ladis. University Park, PA, 1998: 189-208.
2000Kreytenberg, Gert. Orcagna, Andrea di Cione: ein universeller Künstler der Gotik in Florenz. Mainz, 2000: 173.
2001Tartuferi, Angelo. Dal Duecento agli Orcagna: il restauro della Madonna col Bambino di ignoto fiorentino del Duecento e del trittico di Santa Maria degli Angeli di Nardo di Cione. Livorno, 2001: 68, 75 n. 32.
2004Secrest, Meryle. Duveen: A Life in Art. New York, 2004: 466.
2004Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 13, no. 8, color repro.
2005Schmidt, Victor M. Painted Piety: Panel Paintings for Personal Devotion in Tuscany, 1250-1400. Florence, 2005: 68 n. 76.
2008Tartuferi, Angelo, ed. L’eredità di Giotto: arte a Firenze 1340-1375. Exh. cat. Galleria degli Uffizi, Florence, 2008: 16 (repro.), 168, repro. 169.
2009Kanter, Laurence B. "Riconsiderazioni orcagnesche: due pannelli della collezione Crespi attribuiti al Maestro della Predella dell’Ashmolean Museum." In I fondi oro della collezione Alberto Crespi al Museo Diocesano: Questioni iconografiche e attributive. Edited by Museo Diocesano di Milano. Cinisello Balsamo (Milan), 2009: 55.

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