National Gallery of Art - THE COLLECTION
image of Madonna and Child with Saint Peter and Saint John the Evangelist [left panel] Nardo di Cione (artist)
Florentine, active 1343 - 1365/1366
Madonna and Child with Saint Peter and Saint John the Evangelist [left panel], probably c. 1360
tempera on panel
painted surface (left panel): 45.1 × 12.5 cm (17 3/4 × 4 15/16 in.) overall (left panel): 49 × 16.9 × 1.8 cm (19 5/16 × 6 5/8 × 11/16 in.) overall (entire triptych): 76 x 66.4 cm (29 15/16 x 26 1/8 in.)
Samuel H. Kress Collection
1939.1.261.a
On View
From the Tour: Byzantine Art and Painting in Italy during the 1200s and 1300s
Object 8 of 8

Provenance

Gustav Adolf Wilhelm von Ingenheim [1789-1855], who acquired it in the first half of the nineteenth century, probably in Italy;[1] Ingenheim family, Schloss Reisewitz, Silesia; sold 1922 to (A.S. Drey, Munich); sold 1923 to Henry Goldman [1856-1937], New York;[2] sold January 1937 to (Duveen Brothers, Inc., London, New York, and Paris);[3] sold 1937 to the Samuel H. Kress Foundation, New York;[4] gift 1939 to NGA.

[1] According to Richard Offner (A Critical and Historical Corpus of Florentine Painting. The Fourteenth Century, Section IV, Vol. II, Nardo di Cione, New York, 1960: 24), who obtained the information from Dr. Manfred Graf von Ingenheim, a descendant of the collector, Count von Ingenheim “had acquired some of his paintings during his stay in Italy (1820–1840), and had received others as gifts from the king of Prussia.” Indeed, the center panel of the National Gallery’s triptych has a label on the reverse that reads, “Kaiser Friedrich Palais / Zimmer No. 251 / Lfde No. 39,” but the painting has not yet been located in an early catalogue of the Prussian royal collections. According to a contemporary report (Carl August Böttiger, “Gemäldesammlung des Grafen von Ingenheim.” Artistisches Notizenblatt [appendix to Abend Zeitung] 7 [1927]: 26-28), by 1827 the count had no fewer than seventy-eight select Italian Old Masters (“auserwählte Stücke italienischer Meister”) in his collection, which at that time was housed in Munich but was about to be transferred to Paris. Böttiger, who quotes the collector’s words, claims these paintings were purchased in Italy in the years 1816-1817 and 1822-1824.

[2] Offner 1960, 24.

[3] Letter, Henry Goldman to Duveen Brothers, 5 January 1937; copy in NGA curatorial files. Goldman confirms the sale to the company of nine paintings and one sculpture; Duveen Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los Angeles: reel 312, box 457, folder 4.

[4] Fern Rusk Shapley, Catalogue of the Italian Paintings, National Gallery of Art, 2 vols., Washington, D.C., 1979, 1:342.

Associated Names

Full Screen Image
Artist Information
Bibliography
Exhibition History
Location
Narratives
Related Objects

«back to gallery