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Giovanni Bellini and Titian Giovanni Bellini (painter) Italian, c. 1430/1435 - 1516 Titian (painter) Italian, c. 1490 - 1576 The Feast of the Gods, 1514/1529 oil on canvas overall: 170.2 x 188 cm (67 x 74 in.) framed: 203.8 x 218.4 x 7.6 cm (80 1/4 x 86 x 3 in.) Widener Collection 1942.9.1 On View |
Object 1 of 2
| 1865 | Hartshorne, Rev. C.H. A Guide to Alnwick Castle. London, 1865: 62. |
| 1923 | Paintings in the Collection of Joseph Widener at Lynnewood Hall. Intro. by Wilhelm R. Valentiner. Elkins Park, Pennsylvania, 1923: unpaginated, repro., as by Giovanni Bellini. |
| 1930 | Valentiner, W. R. Unknown Masterpieces in Public and Private Collections. New York, 1930: not paginated, no. 18, repro. |
| 1931 | Paintings in the Collection of Joseph Widener at Lynnewood Hall. Intro. by Wilhelm R. Valentiner. Elkins Park, Pennsylvania, 1931: 106, repro., as by Giovanni Bellini. |
| 1935 | Tietze, Hans. Meisterwerke europäischer Malerei in Amerika. Vienna, 1935: 73, repro. (English ed., Masterpieces of European Painting in America. New York, 1939: 73, repro.). |
| 1942 | Works of Art from the Widener Collection. Foreword by David Finley and John Walker. National Gallery of Art, Washington, 1942: 5, as by Giovanni Bellini. |
| 1944 | Cairns, Huntington, and John Walker, eds., Masterpieces of Painting from the National Gallery of Art. New York, 1944: 62, color repro., as by Giovanni Bellini. |
| 1948 | Paintings and Sculpture from the Widener Collection. National Gallery of Art, Washington, 1948 (reprinted 1959): 14, repro., as by Giovanni Bellini. |
| 1951 | Einstein, Lewis. Looking at Italian Pictures in the National Gallery of Art. Washington, 1951: 74-78, repro., as by Giovanni Bellini. |
| 1956 | Walker, John. National Gallery of Art, Washington. New York, 1956: 24, color repro., as by Giovanni Bellini. |
| 1957 | Shapley, Fern Rusk. Comparisons in Art: A Companion to the National Gallery of Art, Washington, DC. London, 1957 (reprinted 1959): pl. 45 |
| 1960 | The National Gallery of Art and Its Collections. Foreword by Perry B. Cott and notes by Otto Stelzer. National Gallery of Art, Washington (undated, 1960s): 6, as by Giovanni Bellini. |
| 1960 | Shapley, Fern Rusk. Later Italian Painting in the National Gallery of Art. Washington, D.C., 1960 (Booklet Number Six in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 22, color repro., as by Giovanni Bellini. |
| 1963 | Walker, John. National Gallery of Art, Washington, D.C.. New York, 1963 (reprinted 1964 in French, German, and Spanish): 144, repro. |
| 1965 | Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 12, as by Giovanni Bellini. |
| 1966 | Cairns, Huntington, and John Walker, eds., A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 1:154, color repro., as by Giovanni Bellini. |
| 1968 | European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 5, repro., as by Giovanni Bellini. |
| 1974 | Fehl, Philipp. "The Worship of Bacchus and Venus in Bellini's and Titian's Bacchanals for Alfonso d'Este." Studies in the History of Art vol. 6 (1974):38, 42-55, 58, 61, 79, repro. |
| 1975 | European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 22, repro., as by Giovanni Bellini. |
| 1976 | Alsop, Joseph. The Rare Art Traditions: The History of Art Collecting and Its Linked Phenomena Wherever These Have Appeared. Bollingen series 35, no. 27. New York, 1976: 92, fig. 34. |
| 1979 | Watson, Ross. National Gallery of Art. London, 1979: 29, pl. 13, color repro. |
| 1979 | Sutton, Denys. "Robert Langton Douglas. Part III." Apollo 109 (June 1979): 431-431 [149-150]. |
| 1979 | Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: I:38-47, II:pl. 26, 26A, 26B |
| 1984 | Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 201, no. 239, color repro. |
| 1985 | European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 41, repro. |
| 1990 | Bull, David and Plesters, Joyce. "The Feast of the Gods: Conservation, Examination, and Interpretation." Studies in the History of Art 40 (1990). |
| 1991 | Kopper, Philip. America's National Gallery of Art: A Gift to the Nation. New York, 1991: 198, 203, color repro. |
| 1991 | Gingold, Diane J. and Elizabeth A.C. Weil. The Corporate Patron. New York, 1991: 91-92, 164-165, 200-201, color repro. |
| 1992 | National Gallery of Art, Washington. National Gallery of Art, Washington, 1992: 31, repro. |
| 1992 | Rearick, W. R. "From Arcady to the Barnyard." Studies in the History of Art 36 (1992): repro. no. 17. |
| 1992 | Tempestini, Anchise. Giovanni Bellini: catalogo complete dei dipinti. Florence, 1992: 9, 290-295, no. 103. |
| 1993 | Manca, Joseph. "What is Ferrarese about Bellini's Feast of the Gods?" Studies in the History of Art 45 (1993):300-313, repro. no. 1, 2. |
| 1993 | Sheard, Wendy Stedman. "Antonio Lombardo's Reliefs for Alfonso d'Este's Studio di Marmi: Their Significance and Impact on Titian." Studies in the History of Art 45 (1993): 317, 320. |
| 1993 | Plesters, Joyce. "Examination of Giovanni Bellini's Feast of the Gods: A Summary and Interpretation of the Results." Studies in the History of Art 45 (1993): 374-391, repro. no. 1, 2. |
| 1993 | Holberton, Paul. "The Pastorale or Fete champetre in the Early Sixteenth Century." Studies in the History of Art 45 (1993): 245-255, repro. no. 9. |
| 1993 | Bull, David. "The Feast of the Gods: Conservation and Investigation." Studies in the History of Art 45 (1993): 366-373, repro. no. 1-4, 6-9. |
| 1993 | Brown, David Alan. "The Pentimenti in The Feast of the Gods." Studies in the History of Art 45 (1993): 288-299, repro. no. 1, 2, 5, 7, 10. |
| 1993 | Anderson, Jaynie. "The Provenance of Bellini's Feast of the Gods and a New/Old Interpretation." Studies in the History of Art 45 (1993): 264-287, repro. no. 10. |
| 1993 | Steinberg, Arthur. "Blurred Bloundaries, Opulent Nature, and Sensuous Flesh: Changing Technological Styles in Venetian Painting, 1480-1520." Studies in the History of Art 45 (1993): 212-213. |
| 1995 | Humphrey, Peter. Painting in Venice. New Haven, 1995: 144-146, col. fig. 104. |
| 1996 | Tansey, Richard G. and Fred S. Kleiner. Gardner's Art Through the Ages. Tenth Edition. Fort Worth, 1996: 776-777, color fig. 23.57. |
| 1997 | Goffen, Rona. Titian's Women, 1997, no. 67, repro. |
| 1997 | Wilkins, David G. and Bernard Schultz and Katheryn M. Linduff. Art Past-Art Present, New York, 1997, no. 6-3, repro. |
| 1998 | Cheney, Liana de Girolami. "Love and Death." In Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art, edited by Helene E. Roberts. 2 vols. Chicago, 1998: 1:527. |
| 1998 | Gibson, Sarah S. "Bacchnalia/Orgy." In Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art. Edited by Helene E. Roberts. 2 vols. Chicago, 1998: 1:100. |
| 2002 | Mack, Rosamund E. Bazaar to Piazza: Islamic Trade and Italian Art, 1300-1600. Berkeley, Los Angeles, and London, 2002: 105-106, fig. 106. |
| 2004 | Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 84-85, no. 61, color repro. |
| 2008 | Giovanni Bellini. Exh. cat. by Mauro Lucco and Giovanni Carlo Federico Villa. Scuderie del Quirinale, Rome, 2008-2009. Milan, 2008: 52 fig. 1 (detail), 61-64, fig. 9, 99 fig. 13 (detail), 306, 308. |
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