National Gallery of Art - THE COLLECTION
image of Saint Paul and a Group of Worshippers Bernardo Daddi (painter)
active by 1320, died probably 1348
Saint Paul and a Group of Worshippers, 1333
tempera on panel
painted surface: 224.8 × 77 cm (88 1/2 × 30 5/16 in.) overall: 233.53 × 88.8 × 5.3 cm (91 15/16 × 34 15/16 × 2 1/16 in.)
Andrew W. Mellon Collection
1937.1.3
On View
From the Tour: Italian Altarpieces and Religious Sculpture of the 1300s
Object 1 of 8

Inscription

above the saint's halo: S[ANCTUS]; above the saint's shoulders: PAU LUS; on the lower frame below the worshippers: [ANNO DOMI]NI.MCCCXXXIII M...II.ESPLETUM FUIT H[O]C OPUS (In the year of the Lord 1333... this work was finished) [1]


[1] The much-abraded inscription has been variously read. Sirén (1919) transcribed it as “ESPLETUM FUIT H(OC) OPUS (ANN)O DI MCCCXXXIII MED”; Venturi (1931, 1933), as “A.MCCCXXXVI... ESPLETUM FUIT H(OC) OPUS”; Coletti (1942), accepting Sirén’s reading, interpreted the letters MED as a fragment of Mediolanum and suggested the very unlikely theory that the painting was executed in Milan. Shapley (1979) and more recent authors accepted the date 1333; Shapley considered the fragmentary letters after the year (M...II?) as probable indication of the month and day. Boskovits (1984) read the letters after the date as MEN[SE]. Conti (1994) specified that if so, the panel must have been executed within the month of July (MEN[SE IUL]II). See Osvald Sirén, “A Great Contemporary of Giotto, 1,” The Burlington Magazine for Connoisseurs 35 (1919): 229; Lionello Venturi, Pitture italiane in America, Milan, 1931: no. 27; Lionello Venturi, Italian Paintings in America, translated by Countess Vanden Heuvel and Charles Marriott, 3 vols., New York and Milan, 1933: 1:no. 34; Luigi Coletti, “Contributo al problema Maso–Giottino,” Emporium 98 (1942): 463-464; Fern Rusk Shapley, Catalogue of the Italian Paintings, 2 vols., Washington, DC, 1979: 1:152-153; Miklós Boskovits, A Critical and Historical Corpus of Florentine Painting: The Fourteenth Century, sec. 3, vol. 9, The Miniaturist Tendency, Florence 1984: 349; Alessandro Conti, “Maso, Roberto Longhi e la tradizione offneriana,” Prospettiva 73-74 (1994): 43 n. 19.

Full Screen Image
Artist Information
Bibliography
Exhibition History
Location
Narratives
Provenance

«back to gallery»continue tour