National Gallery of Art - THE COLLECTION
image of Saint Paul Bernardo Daddi (painter)
active by 1320, died probably 1348
Saint Paul, 1333
tempera on panel
painted surface: 224.8 × 77 cm (88 1/2 × 30 5/16 in.) overall: 233.53 × 88.8 × 5.3 cm (91 15/16 × 34 15/16 × 2 1/16 in.)
Andrew W. Mellon Collection
On View
From the Tour: Italian Altarpieces and Religious Sculpture of the 1300s
Object 1 of 8

1919Sirén, Osvald. "A Great Contemporary of Giotto, 1." The Burlington Magazine for Connoisseurs 35 (1919): 228 (repro.), 229, 230, 236.
1920Sirén, Osvald. "The Buffalmaco Hypothesis: Some Additional Remarks." The Burlington Magazine for Connoisseurs 37 (1920): 183.
1923Marle, Raimond van. The Development of the Italian Schools of Painting. 19 vols. The Hague, 1923-1938: 3(1924):276, 277, 287, 290.
1927Offner, Richard. "A Great Madonna by the St. Cecilia Master." The Burlington Magazine for Connoisseurs 50 (1927): 97.
1931Venturi, Lionello. Pitture italiane in America. Milan, 1931: no. 27, repro.
1933Venturi, Lionello. Italian Paintings in America. 3 vols. Translated by Countess Vanden Heuvel and Charles Marriott. New York and Milan, 1933: 1:no. 34, repro.
1933Valentiner, Wilhelm R. "Die Leihausstellung frühitalienischer Malerei in Detroit." Pantheon 12 (1933): 238, repro. 239.
1935Valentiner, Wilhelm R. "Giovanni Balducci a Firenze e una scultura di Maso." L’Arte 38 (1935): 29, fig. 25.
1937Cecchi, Emilio. Giotto. Milan, 1937: 174, pl. 177.
1937"The Mellon Gift. A First Official List." Art News 35 (20 March 1937): 15.
1940Paatz, Walter and Elisabeth Paatz. Die Kirchen von Florenz: ein kunstgeschichtliches Handbuch. 6 vols. Frankfurt am Main, 1940-1954: 2(1941):51.
1941Coletti, Luigi. I Primitivi. 3 vols. Novara, 1941-1947: 2(1946):xli.
1941Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 80-81, no. 3, as by Follower of Giotto.
1941Duveen Brothers. Duveen Pictures in Public Collections in America. New York, 1941: no. 12, repro., attributed to Giotto, as St. Paul with Twelve Adorers.
1941Richter, George Martin. "The New National Gallery in Washington." The Burlington Magazine for Connoisseurs 78 (June 1941): 177 n. 3.
1941National Gallery of Art. Book of Illustrations. Washington, DC, 1941: 114 (repro.), 233.
1942Coletti, Luigi. "Contributo al problema Maso-Giottino." Emporium 98 (1942): 463-464.
1942Book of Illustrations. National Gallery of Art, Washington, 1942: 239, repro. 116, as by Follower of Giotto.
1949Coletti, Luigi. "Il Maestro colorista di Assisi." Critica d’arte 8-9 (1949-1950): 447.
1949Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 7, repro., as by Follower of Giotto.
1950Florisoone, Michel. Giotto. Paris, 1950: 116 n. 6.
1951Einstein, Lewis. Looking at Italian Pictures in the National Gallery of Art. Washington, 1951: 23 n. 1.
1951Galetti, Ugo, and Ettore Camesasca. Enciclopedia della pittura italiana. 3 vols. Milan, 1951: 2:1604, 1606.
1952Salvini, Roberto, ed. Tutta la pittura di Giotto. Biblioteca d’arte Rizzoli. Milan, 1952: 52.
1963Berenson, Bernard. Italian Pictures of the Renaissance. Florentine School. 2 vols. London, 1963: 1:58.
1963Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 297, repro., as by Follower of Giotto.
1965Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 36.
1966Vigorelli, Giancarlo, and Edi Baccheschi. L’opera completa di Giotto. 1st ed. Milan, 1966: repro. 122-123.
1968European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 29, repro.
1969Wilkins, David G. Maso di Banco: A Florentine Artist of the Early Trecento. PhD diss. University of Michigan, 1969. Ann Arbor, MI, 1979: 214.
1972Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972: 63, 437, 645.
1973Preiser, Arno. Das Entstehen und die Entwicklung der Predella in der italienischen Malerei. Hildesheim and New York, 1973: 37, 38, fig. 10.
1975European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 90, repro.
1975Boskovits, Miklós. Pittura fiorentina alla vigilia del Rinascimento, 1370-1400. Florence, 1975: 22, 195 n. 47, 243 n. 201.
1975Fremantle, Richard. Florentine Gothic Painters from Giotto to Masaccio: A Guide to Painting in and near Florence, 1300 to 1450. London, 1975: 47, 50, fig. 92.
1979Shapley, Fern Rusk. Catalogue of the Italian Paintings. National Gallery of Art. 2 vols. Washington, 1979: 1:152-153; 2:pl. 107.
1981Salvini, Roberto. Giotto: Werkverzeichnis. Die großen Meister der Malerei. Frankfurt, 1981: 94, fig. 191.
1982Tambini, Anna. Pittura dall’Alto Medioevo al Tardogotico nel territorio di Faenza e Forlì. Faenza, 1982: 112.
1983Labriola, Ada. "Daddi, Bernardo." In Allgemeines Künstlerlexikon: die bildenden Künstler aller Zeiten und Völker. Edited by Günter Meissner. 83+ vols. Munich and Leipzig, 1983+: 23(1999):356.
1983Volpe, Carlo. "Il lungo percorso del ‘dipingere dolcissimo e tanto unito.’" In Storia dell’arte italiana 2: dal Medioevo al Novecento. pt. 1, dal Medioevo al Quattrocento. Edited by Federico Zeri, Giulio Bollati and Paolo Fossati. Turin, 1983: 265 n. 11, 275 n. 23.
1984Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 73, no. 12, color repro.
1985Ferrazza, Roberta. "Elia Volpi e il Commercio dell’arte nel primo Trentennio del Novecento." In Studi e ricerche di Collezionismo e Museografia, Firenze 1820-1920. Pisa, 1985: 414 n. 50.
1985Wilkins, David G. Maso di Banco: a Florentine Artist of the Early Trecento. New York, 1985: 209.
1985European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 111, repro.
1992Boskovits, Miklós, ed. The Martello Collection: Further Paintings, Drawings and Miniatures 13th-18th Centuries. Florence, 1992: 54.
1993Ferrazza, Roberta. Palazzo Davanzati e le collezioni di Elia Volpi. Florence, 1993: 128, 174 (repro.), 216 n. 52, 220 n. 70.
1993Meoni, Lucia. San Felice in Piazza a Firenze. Florence, 1993: 41 fig. 27, 44.
1994Conti, Alessandro. "Maso, Roberto Longhi e la tradizione offneriana." Prospettiva 73-74 (1994): 36, 38 fig. 6, 43 n. 19.
1994Ladis, Andrew and Hayden B. J. Maginnis. "Sculpture’s Pictorial Presence: Reflections on the Tabernacles of Orsanmichele." Studi di storia dell’arte 5-6 (1994-1995): 45, 49 n. 3, 53 fig. 6.
1994Skaug, Erling S. Punch Marks from Giotto to Fra Angelico: Attribution, Chronology, and Workshop Relationships in Tuscan Panel Painting with Particular Consideration to Florence, c. 1330-1430. 2 vols. Oslo, 1994: 1:99, 108, 110 n. 174; 2:punch chart 5.3.
1996Neri Lusanna, Enrica. "Daddi, Bernardo." In The Dictionary of Art. Edited by Jane Turner. New York and London, 1996: 8:442.
2004Secrest, Meryle. Duveen: A Life in Art. New York, 2004: 444.
2004Strehlke, Carl Brandon. Italian Paintings, 1250-1450, in the John G. Johnson Collection and the Philadelphia Museum of Art. Philadelphia, 2004: 102 n. 4.
2005Boskovits, Miklós, and Daniela Parenti, eds. Da Bernardo Daddi al Beato Angelico a Botticelli: dipinti fiorentini del Lindenau-Museum di Altenburg. Exh. cat. Museo di San Marco. Florence, 2005: 70.
2008Skaug, Erling S. "Bernardo Daddi’s Chronology and Workshop Structure as Defined by Technical Criteria." In Da Giotto a Botticelli: pittura fiorentina tra gotico e rinascimento. Atti del convegno internazionale Firenze, Università degli Studi e Museo di San Marco, May 20-21, 2005. Edited by Francesca Pasut and Johannes Tripps. Florence, 2008: 82-83.

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