National Gallery of Art - THE COLLECTION
image of Saint Andrew and Saint Benedict with the Archangel Gabriel [left panel] Agnolo Gaddi (painter)
Florentine, c. 1350 - 1396
Saint Andrew and Saint Benedict with the Archangel Gabriel [left panel], shortly before 1387
tempera on poplar panel
left panel (overall): 197 × 80 cm (77 9/16 × 31 1/2 in.)
Andrew W. Mellon Collection
On View
From the Tour: Italian Altarpieces and Religious Sculpture of the 1300s
Object 3 of 8

1931Venturi, Lionello. Pitture italiane in America. Milan, 1931: no. 52, repro.
1933Procacci, Ugo. "Gherardo Starnina." Rivista d’arte 15 (1933): 160.
1933Valentiner, Wilhelm R., ed. The Sixteenth Loan Exhibition of Old Masters: Italian Paintings of the XIV to XVI Century. Exh. cat. Detroit Institute of Arts. Detroit, 1933: no. 11, repro.
1933Valentiner, Wilhelm R. "Die Leihausstellung frühitalienischer Malerei in Detroit." Pantheon 12 (1933): 238.
1933Venturi, Lionello. Italian Paintings in America. 3 vols. Translated by Countess Vanden Heuvel and Charles Marriott. New York and Milan, 1933: 1:no. 63, repro.
1935Salvini, Roberto. "Per la cronologia e per il catalogo di un discepolo di Agnolo Gaddi." Bollettino d’arte 29 (1935-1936): 287.
1941Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 69, no. 4.
1941Duveen Brothers. Duveen Pictures in Public Collections of America. New York, 1941: no. 24, as by Gherardo Starnina.
1941National Gallery of Art. Book of Illustrations. Washington, 1941: 104 (repro.), 233.
1941Richter, George Martin. "The New National Gallery in Washington." The Burlington Magazine for Connoisseurs 78 (June 1941): 177.
1942Book of Illustrations. National Gallery of Art, Washington, 1942: 239, repro. 106.
1946Friedmann, Herbert. The Symbolic Goldfinch. Its History and Significance in European Devotional Art. Washington, DC, 1946: 143.
1949Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 8, repro.
1951Galetti, Ugo, and Ettore Camesasca. Enciclopedia della pittura italiana. 3 vols. Milan, 1951: 3:2351 repro.
1960Labriola, Ada. "Gaddi, Agnolo." In Dizionario biografico degli italiani. Edited by Alberto Maria Ghisalberti. 79+ vols. Rome, 1960+: 51(1998):146.
1963Berenson, Bernard. Italian Pictures of the Renaissance. Florentine School. 2 vols. London, 1963: 2:69.
1965Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 54.
1967Klesse, Brigitte. Seidenstoffe in der italienischen Malerei des 14. Jahrhunderts. Bern, 1967: 316.
1968European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 46, repro.
1968Boskovits, Miklós. "Some Early Works of Agnolo Gaddi." The Burlington Magazine 110 (1968): 210 n. 9.
1969Cole, Bruce. Agnolo Gaddi. Ph.D. dissertation, Bryn Mawr College, 1969. Ann Arbor, MI, 1977: 73-75, 85, 208, 209.
1972Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972: 77, 301, 315, 369, 378, 381, 645.
1972Boskovits, Miklós. "Gaddi, Agnolo." In Dizionario Enciclopedico Bolaffi dei pittori e degli Incisori italiani: dall’XI al XX secolo . Edited by Alberto Bolaffi and Umberto Allemandi. 11 vols. Turin, 1972-1976: 5(1974)186.
1973Fraser, Ian, Edith Whitehill Clowes, George Henry Alexander Clowes, and Carl J. Weinhardt. A Catalogue of the Clowes Collection. Indianapolis Museum of Art Bulletin. Indianapolis, 1973: 6.
1975European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 140, repro.
1975Boskovits, Miklós. Pittura fiorentina alla vigilia del Rinascimento, 1370-1400. Florence, 1975: 118-121, 123, 216 n. 84, 234 n. 140, 304, pl. 127.
1975Fremantle, Richard. Florentine Gothic Painters from Giotto to Masaccio: A Guide to Painting in and near Florence, 1300 to 1450. London, 1975: 271, fig. 553.
1976Cole, Bruce. Giotto and Florentine Painting, 1280-1375. Icon Editions. 1st ed. New York, 1976: 140, 141, pl. 52.
1977Cole, Bruce. Agnolo Gaddi. Oxford, 1977: 26-30, 40, 41, 89, pls. 81, 82.
1978Boskovits, Miklós. "Review of Agnolo Gaddi by Bruce Cole." The Art Bulletin 60 (1978): 708.
1979Sutton, Denys. "Robert Langton Douglas. Part III." Apollo 109 (June 1979): 447 [165] fig. 1, 452 [170].
1979Shapley, Fern Rusk. Catalogue of the Italian Paintings. National Gallery of Art. 2 vols. Washington, 1979: 1:192-194; 2:pl. 134.
1983Chiodo, Sonia. "Gaddi, Agnolo." In Allgemeines Künstlerlexikon: die bildenden Künstler aller Zeiten und Völker. Edited by Günter Meissner. 83+ vols. Munich and Leipzig, 1983+: 47(2005):113, 114.
1984Os, Hendrik W. van. Sienese Altarpieces 1215-1460. Form, Content, Function. 2 vols. Groningen, 1984-1990: 2(1990):66, fig. 48.
1984Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 73, no. 16, color repro.
1985European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 162, repro.
1985Brown, Howard Mayer. "Catalogus. A Corpus of Trecento Pictures with Musical Subject Matter, pt. 2." Imago Musicae 2 (1985): 200, 201.
1986Ricci, Stefania. "Gaddi, Agnolo." In La Pittura in Italia. Il Duecento e il Trecento. Edited by Enrico Castelnuovo. 2 vols. Milan, 1986: 2:572.
1986Ford, Terrence, compiler and ed. Inventory of Music Iconography, no. 1. National Gallery of Art, Washington. New York 1986: 1, no. 5.
1988Causa, Stefano. "La Sagrestia." in La Basilica di San Miniato al Monte a Firenze. Edited by Francesco Gurrieri, Luciano Berti and Claudio Leonardi. Florence, 1988: 228, 229.
1989Bellosi, Luciano. "Gaddi, Agnolo." In Dizionario della pittura e dei pittori. Edited by Enrico Castelnuovo and Bruno Toscano. 6 vols. Turin, 1989-1994: 2(1990):471.
1990Boskovits, Miklós, and Serena Padovani. The Thyssen-Bornemisza Collection: Early Italian Painting 1290-1470. London, 1990: 116 n. 1.
1994Skaug, Erling S. Punch Marks from Giotto to Fra Angelico: Attribution, Chronology, and Workshop Relationships in Tuscan Panel Painting with Particular Consideration to Florence, c. 1330-1430. 2 vols. Oslo, 1994: 1:262, 263; 2:punch chart 8.2.
1995Skerl Del Conte, Serena. Antonio Veneziano e Taddeo Gaddi nella Toscana della seconda metà del Trecento. Pasian di Prato (Udine), 1995: 52-54, 56, 62, 65 n. 13, 66 n. 23, repro.
1995Halpine, Susana M. "An Investigation of Artists' Materials Using Amino Acid Analysis: Introduction of the One-Hour Extraction Method." Studies in the History of Art 51 (1995): 41-48, 61, repro. no. 7, 64-65 nn. 41-55.
1995Frosinini, Cecilia. "Agnolo Gaddi." in La Sacra Cintola nel Duomo di Prato. Prato, 1995: 226.
1996Gold Backs: 1250-1480. Exh. cat. Matthiesen Fine Art, London. Turin, 1996: 80.
1996Symposium, Early Italian Paintings Techniques and Analysis, Maastricht, 1996: 81, repro.
1997Bustin, Mary. "Recalling the Past: Evidence for the Original Construction of Madonna Enthroned with Saints and Angels by Agnolo Gaddi." Studies in the History of Art 57 (1997): 35-64, repro. no. 2.
1997Halpine, Susana M. "Analysis of Artists’ Materials Using High-Performance Liquid Chromatography." In Early Italian Paintings: Techniques and Analysis. Edited by Tonnie Bakkenist, René Hoppenbrouwers and Hélène Dubois. Maastricht, Netherlands, 1997: 22, 23.
1997Bakkenist, Tonnie, René Hoppenbrouwers, and Hélène Dubois, eds. Early Italian Paintings: Techniques and Analysis. Maastricht, Netherlands, 1997: 81, repro.
1998Frinta, Mojmír S. Punched Decoration on Late Medieval Panel and Miniature Painting. Prague, 1998: 100, 244, 283, 290, 322, 481.
2001Merzenich, Christoph. Vom Schreinerwerk zum Gemälde: Florentiner Altarwerke der ersten Hälfte des Quattrocento. Berlin, 2001: 89, 189, fig. 49.
2003Weppelmann, Stefan. Spinello Aretino und die toskanische Malerei des 14. Jahrhunderts. Florence, 2003: 184.
2004Secrest, Meryle. Duveen: A Life in Art. New York, 2004: 438.
2004Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 11, no. 6, color repro.
2004Medicus, Gustav. "Gaddi, Agnolo." In Medieval Italy: An Encyclopedia. 2 vols. Edited by Christopher Kleinhenz. New York, 2004: 1:393
2004Skaug, Erling S. "Towards a Reconstruction of the Santa Maria degli Angeli Altarpiece of 1388: Agnolo Gaddi and Lorenzo Monaco?" Mitteilungen des Kunsthistorischen Institutes in Florenz 48 (2004): 255.
2005Boskovits, Miklós, and Daniela Parenti, eds. Da Bernardo Daddi al Beato Angelico a Botticelli: dipinti fiorentini del Lindenau-Museum di Altenburg. Exh. cat. Museo di San Marco. Florence, 2005: 80.
2006Sander, Jochen. "The ‘Standard Altarpiece’ of the Gothic Period: The Polyptych." In Kult Bild: das Altar- und Andachtsbild von Duccio bis Perugino. Exh. cat. Städelsches Kunstinstitut, Frankfurt am Main. Petersberg, 2006: 95, 96.
2008Löhr, Wolf-Dietrich, and Stefan Weppelmann, eds. Fantasie und Handwerk: Cennino Cennini und die Tradition der toskanischen Malerei von Giotto bis Lorenzo Monaco. Exh. cat. Gemäldegalerie, Berlin. Munich, 2008: 291.
2009Boskovits, Miklós, ed. The Alana Collection, Newark, Delaware, USA. Vol. 1 (of 2), Italian Paintings from the 13th to 15th Century. Florence, 2009: 1:4, repro. 10.
2009Damiani, Giovanna, ed. Le arti a Firenze tra gotico e Rinascimento. Exh. cat. Museo Archeologico, Aosta. Florence, 2009: 76.
2009Tartuferi, Angelo, ed. L’Oratorio di Santa Caterina all’Antella e i suoi pittori. Exh. cat. Santa Caterina dell’Antella, Bagno a Ripoli-Ponte a Ema. Florence, 2009: 159.
2010Boskovits, Miklós, and Daniela Parenti, eds. Cataloghi della Galleria dell’Accademia di Firenze: Dipinti. Vol. 2, Il tardo Trecento: dalla tradizione orcagnesca agli esordi del gotico internazionale.. Florence, 2010: 16.
2011Gordon, Dillian. The Italian Paintings Before 1400. National Gallery Catalogues. London, 2011: under 220, no. NG568.

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