National Gallery of Art - THE COLLECTION
image of The Coronation of the Virgin Agnolo Gaddi (artist)
Florentine, active 1369 - 1396
The Coronation of the Virgin, probably c. 1370
tempera on panel
painted surface: 161 × 79 cm (63 3/8 × 31 1/8 in.) overall: 163.2 × 79.2 × 0.7 cm (64 1/4 × 31 3/16 × 1/4 in.) framed: 172.1 x 87.3 x 7.9 cm (67 3/4 x 34 3/8 x 3 1/8 in.)
Samuel H. Kress Collection
1939.1.203
On View
From the Tour: Italian Altarpieces and Religious Sculpture of the 1300s
Object 2 of 8

1939Valentiner, Wilhelm R., and Alfred M. Frankfurter. Masterpieces of Art. Exhibition at the New York World’s Fair, 1939. Official Souvenir Guide and Picture Book. New York, 1939: no. 8, pl. 6.
1941National Gallery of Art. Book of Illustrations. Washington, DC, 1941: 105 (repro.), 240.
1941Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 70, no. 314.
1942Book of Illustrations. National Gallery of Art, Washington, 1942: 246, repro. 107.
1944Frankfurter, Alfred M. The Kress Collection in the National Gallery. New York, 1944: 18, repro.
1945Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 21, repro.
1951Einstein, Lewis. Looking at Italian Pictures in the National Gallery of Art. Washington, 1951: 23 n. 1.
1955Ferguson, George. Signs and Symbols in Christian Art. 2nd ed. New York, 1955: pl. 27.
1959Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 23, repro.
1963Berenson, Bernard. Italian Pictures of the Renaissance. Florentine School. 2 vols. London, 1963: 2:69, pl. 350.
1965Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 54
1966Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 39-40, fig. 98-99.
1967Klesse, Brigitte. Seidenstoffe in der italienischen Malerei des 14. Jahrhunderts. Bern, 1967: 344.
1968European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 46, repro.
1972Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972: 77, 308, 645, 661.
1975Boskovits, Miklós. Pittura fiorentina alla vigilia del Rinascimento, 1370-1400. Florence, 1975: 118, 303, 304, fig. 267.
1975European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 140, repro.
1979Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: I:194-195, II:pl. 135
1984Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 73, no. 13, color repro.
1985European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 163, repro.
1986Ford, Terrence, compiler and ed. Inventory of Music Iconography, no. 1. National Gallery of Art, Washington. New York 1986: 1, no. 4.
1988Davies, Martin and Dillian Gordon. National Gallery Catalogues. The Earlier Italian Schools. Rev. ed. London, 1988: 28.
1991Kopper, Philip. America's National Gallery of Art: A Gift to the Nation. New York, 1991: 179, color repro.
1994Skaug, Erling S. Punch Marks from Giotto to Fra Angelico: Attribution, Chronology, and Workshop Relationships in Tuscan Panel Painting with Particular Consideration to Florence, c. 1330-1430. 2 vols. Oslo, 1994: 1:262, 263; 2:punch chart 8.2.
1996Rowlands, Eliot W. The Collections of the Nelson-Atkins Museum of Art: Italian Paintings, 1300-1800. Kansas City, MO, 1996: repro. 63.
1998Frinta, Mojmír S. Punched Decoration on Late Medieval Panel and Miniature Painting. Prague, 1998: 132, 481.

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