National Gallery of Art - THE COLLECTION
image of Bindo Altoviti Raphael (artist)
Marchigian, 1483 - 1520
Bindo Altoviti, c. 1515
oil on panel
overall: 59.7 x 43.8 cm (23 1/2 x 17 1/4 in.) framed: 86.2 x 70.8 x 8.4 cm (33 15/16 x 27 7/8 x 3 5/16 in.)
Samuel H. Kress Collection
1943.4.33
On View
From the Tour: Raphael
Object 6 of 7

This arresting image was thought in the nineteenth century to be a Raphael self-portrait. However, we know today that this handsome young man was Bindo Altoviti, a wealthy Florentine banker and friend of the artist in Rome.

He turns in a dramatic, almost theatrical, way to fix the eye of the viewer. Perhaps one viewer in particular was meant to receive his captivating look: Bindo's wife Fiammetta Soderini. Renaissance poets and courtiers were unanimous in believing that a person first fell in love through the eyes. They were called the "guides of love," which could "reveal the passion within more effectively than the tongue itself, or letter, or messengers." Bindo's flushed cheeks contribute to the impression of passion, and a ring is prominent on the hand he holds above his heart. The robe slipping from his shoulder reveals a bare nape caressed by soft curls. Their golden color would have underscored the nobility and purity of his love.

Bindo and Fiammetta, daughter of a prominent Florentine family, were married in 1511, when Bindo would have been about twenty. The couple had six children, but Fiammetta continued to live in Florence while Bindo's business with the papal court required his presence in Rome. This portrait, which apparently hung in the couple's home in Florence, would have provided Fiammetta with a vivid reminder of her absent husband. It remained in the Altoviti family for nearly three hundred years.

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