Marchigian, 1483 - 1520
The Alba Madonna, c. 1510
oil on panel transferred to canvas
overall (diameter): 94.5 cm (37 3/16 in.) framed: 139.7 x 135.9 x 14 cm (55 x 53 1/2 x 5 1/2 in.)
Andrew W. Mellon Collection
Object 5 of 7
The Alba Madonna stands out as the most important painting in the United States from Raphael's time in Rome. There he continued to respond creatively to new artistic stimuli, combining old and new influences with his own inventive imagination. The round format of this painting, for example, was popular in Florence, yet this picture looks very different from his more intimate Florentine madonnas. Its grandeur suggests greater seriousness. The Virgin's pose resembles a work of classical sculpture. Also, she no longer wears contemporary dress but the robes of ancient Rome, and the landscape has become an idealized view of the Roman campagna.
Addition of a third figure, the infant John the Baptist, creates a broad and stable group that is fully integrated into the setting yet dominates the space effortlessly. No longer part of an iconlike devotional schema, these full-length figures appear to be a natural part of the environment. The focus of their gestures and glances is centered on a slender reed cross that actually defines the work's meaning. Church doctrine holds that from birth Christ had an "understanding" of his fate. Here he accepts the cross of his future sacrifice, an action understood as well by his mother and cousin.
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