National Gallery of Art - THE COLLECTION
image of Venus with a Mirror Titian (artist)
Venetian, 1488/1490 - 1576
Venus with a Mirror, c. 1555
oil on canvas
overall: 124.5 x 105.5 cm (49 x 41 9/16 in.) framed: 157.48 x 139.07 x 10.8 cm (62 x 54 3/4 x 4 1/4 in.)
Andrew W. Mellon Collection
1937.1.34
On View
From the Tour: Titian and the Late Renaissance in Venice
Object 4 of 7

1663Sansovino, Francesco. Venetia città nobilissima et singolare (1581)...Con aggiunta di tutte le cose notabili della stessa città, fatte et occorse dall’anno 1580 fino al presente 1663 da D. Giustiniano Martinioni. Venice, 1663: 374.
1829Hume, Abraham. Notices of the Life and Works of Titian. London, 1829: 55, xxxix.
1833Cadorin, Giuseppe. Dello Amore ai Veneziani di Tiziano Vecellio. Venice, 1833: 77, 98-101.
1845Bevilacqua, Gian Carlo. Insigne Pinacoteca della nobile veneta famiglia barbarigo della Terrazza. Venice, 1845
1863Eremitage Impérial. Catalogue de la Galerie des Tableaux. St Petersburg, 1863: 26 no. 99.
1864Waagen, Gustav Friedrich. Die Gemäldesammlung in der kaiserlichen Ermitage zu St. Petersburg nebst Bemerkungen über andere dortige Kunstsammlungen. Munich, 1864: 62.
1864Viardot, Louis. “Le Musée de l’Ermitage a Saint Pétersbourg et son nouveau catalogue.” Gazette des Beaux-Arts 17 (1864): 322.
1869Eremitage Impérial. Catalogue de la Galerie des Tableaux. Les Écoles d’Italie et d’Espagne. St Petersburg, 1869: 42-43.
1877Crowe, Joseph Archer, and Giovanni Battista Cavalcaselle. Titian, His Life and Times. 2 vols. London, 1877: 2:334-336.
1886Lafenestre, Georges. La vie et l’oeuvre de Titien. Paris, 1886: 234.
1891Brüiningk, E., and Andrei Somof. Eremitage Impérial. Catalogue de la Galerie des Tableaux. Les Écoles d’Italie et d’Espagne. St Petersburg, 1891: 161-162 no. 99.
1897Knackfuss, Hermann. Tizian. Bielefeld and Leipzig, 1897: 140.
1897Stillman, W. J. Venus and Apollo in Painting and Sculpture. London, 1897: 36.
1898Phillips, Claude. The Later Work of Titian. London, 1898: 77, 90.
1899Phillips, Claude. “The Picture Gallery of the Hermitage.” The North American Review 169, no. 4 (October 1899): 469.
1900Gronau, Georg. Tizian. Berlin, 1900: 191.
1900Levi, Cesare Augusto. Le collezioni veneziane d’arte e d’antichità dal secolo XIV ai nostri giorni. Venice, 1900: 288.
1904Gronau, Georg. Titian. London, 1904: 197-198, 301.
1904Fischel, Oskar. Tizian: Des Meisters Gemälde. Stuttgart [u.a.], 1904: 147.
1905Reinach, Salomon. Répertoire de peintures du moyen âge et de la Renaissance (1280-1580). 6 vols. Paris, 1905-1923: 6(1923):273.
1905Miles, Henry. The Later Work of Titian. London, 1905: xxvii, 45.
1906Kilényi, Hugo von. Ein wiedergefundenes Bild des Tizian. Budapest, 1906.
1907Schmidt, James. “Les Toilette de Vénus du Titien: L’orignal et les répliques.” Starye Gody pt. 1 (1907): 216–222.
1907Hetzer, Theodor. “Vecellio, Tiziano.” In Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. Edited by Ulrich Thieme, Felix Becker, and Hans Vollmer. 37 vols. Leipzig, 1907-1950: 34(1939):166.
1909Wrangell, Baron Nicolas. Les Chefs-d'Oeuvre de la Galérie de Tableaux de l'Hermitage Impérial à St-Pétersbourg. London, 1909: vii, repro. 21.
1909Lafenestre, Georges. La vie et l’oeuvre de Titien. Rev. ed. Paris, 1909: 227, 278, 296-297.
1910Ricketts, Charles. Titian. London, 1910: 122.
1911Benois, Alexandre. Guide to the Hermitage Gallery (in Russian). St Petersburg, 1911: 52-53.
1914Ridolfi, Carlo. Le maraviglie dell’arte, overo Le vite de gl'illustri pittori veneti, e dello Stato (Venice, 1648). Edited by Detlev von Hadeln. 2 vols. Berlin, 1914-1924: 1(1914):200.
1915Young, Arthur. Travels in France & Italy during the Years 1787, 1788 and 1789. London, 1915: 255.
1919Hourticq, Louis. La Jeunesse de Titien. Paris, 1919: 31.
1923Weiner, Peter Paul von. Meisterwerke der Gemäldesammlung in der Eremitage zu Petrograd. Rev. ed. Munich, 1923: 11, 326.
1924Bercken, Erich von der. “Some Unpublished Works by Tintoretto and Titian.” The Burlington Magazine for Connoisseurs 44 (March 1924): 113.
1926Venturi, Lionello. La Collezione Gualino. Turin and Rome, 1926: pl. 39.
1928Venturi, Adolfo. Storia dell’arte italiana. Vol. 9, pt. 3, La pittura del Cinquecento. Milan, 1928: 327-331.
1929Poglayen-Neuwall, Stephan. “Eine tizianeske Toilette der Venus aus dem Cranach-Kreis.” Münchner Jahrbuch der Bildenden Kunst 6, no. 2 (1929): 167-199.
1932Berenson, Bernard. Italian Pictures of the Renaissance: A List of the Principal Artists and their Works with an Index of Places. Oxford, 1932: 571.
1933Suida, Wilhelm. Tizian. Zürich and Leipzig, 1933: 116, 171.
1934Poglayen-Neuwall, Stephan. “Titian’s Pictures of the Toilet of Venus and their Copies.” The Art Bulletin 16 (1934): 358-384.
1935Tietze, Hans. Meisterwerke europäischer Malerei in Amerika. Vienna, 1935: 87, repro. (English ed., Masterpieces of European Painting in America. New York, 1939: 88, repro.).
1935Hetzer, Theodor. Tizian: Geschichte seiner Farbe. Frankfurt-am-Main, 1935: 147, 163.
1935Mostra di Tiziano. Exh. cat. Palazzo Pesaro Papafava, Venice, 1935: 163.
1936Tietze, Hans. Tizian: Leben und Werk. 2 vols. Vienna, 1936: 1:237, 314.
1937Cortissoz, Royal. An Introduction to the Mellon Collection. Boston, 1937: repro. 8.
1937Jewell, Edward Alden. "Mellon's Gift." Magazine of Art 30, no. 2 (February 1937): 82.
1941Stepanow, Giovanni. Tizian. Leipzig, 1941: xxxix.
1941Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 196, no. 34.
1941Wulff, Oskar. “Farbe, Licht und Schatten in Tizians Bildgestaltung.” Jahrbuch der preussischen Kunstsammlungen 62 (1941): 173, 194, 197, 199.
1942Book of Illustrations. National Gallery of Art, Washington, 1942: 239, repro. 199.
1944Pallucchini, Rodolfo. La pittura veneziana del Cinquecento. 2 vols. Novara, 1944: 1:xxiv.
1946Favorite Paintings from the National Gallery of Art Washington, D.C.. New York, 1946: 33-35, color repro.
1946Riggs, Arthur Stanley. Titian the Magnificent and the Venice of His Day. New York, 1946: 290, 324-326.
1947Poglayen-Neuwall, Stephan. “The Venus of the Ca’ d’Oro and the Origin of the Chief Types of the Venus at the Mirror from the Workshop of Titian.” The Art Bulletin 29 (1947): 195-196.
1949Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 38, repro.
1950Tietze, Hans. Titian. The Paintings and Drawings. London, 1950: 204 no. 218.
1951Hartlaub, Gustav F. Zauber des Spiegels: Geschichte und Bedeutung des Spiegels in der Kunst. Munich, 1951: 79-80, 107-108, 218.
1951Einstein, Lewis. Looking at Italian Pictures in the National Gallery of Art. Washington, 1951: 84-86, repro.
1952Waterhouse, Ellis. “Paintings from Venice for Sevententh-Century England.” Italian Studies 7 (1952): 12.
1952Cairns, Huntington, and John Walker, eds., Great Paintings from the National Gallery of Art. New York, 1952: 60, color repro.
1953Pallucchini, Rodolfo. Tiziano. Lezioni di storia dell’arte. 2 vols. Bologna, 1953-1954: 2:63-64.
1955Dell’Acqua, Gian Alberto. Tiziano. Milan, 1955: 127.
1956Walker, John. National Gallery of Art, Washington. New York, 1956: 28, color repro.
1957Shapley, Fern Rusk. Comparisons in Art: A Companion to the National Gallery of Art, Washington, DC. London, 1957 (reprinted 1959): pl. 47
1957Berenson, Bernard. Italian Pictures of the Renaissance. Venetian School. 2 vols. London, 1957: 1:192.
1958Tervarent, Guy de. Attributs et symboles dans l'art profane, 1450-1600. 2 vols. Geneva, 1958-1964: 1(1958):324.
1959Morassi, Antonio. “Titian.” In Encyclopedia of World Art. 17+ vols. London, 1959+, 14(1967): col. 147.
1960Shapley, Fern Rusk. Later Italian Painting in the National Gallery of Art. Washington, D.C., 1960 (Booklet Number Six in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 30, color repro.
1960Valcanover, Francesco. Tutta la pittura di Tiziano. 2 vols. Milan, 1960: 2:39-40.
1960The National Gallery of Art and Its Collections. Foreword by Perry B. Cott and notes by Otto Stelzer. National Gallery of Art, Washington (undated, 1960s): 26, color repro. 12.
1963Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 148, repro.
1963Kennedy, Ruth Wedgwood. Novelty and Tradition in Titian’s Art. Northampton, Mass., 1963: 6, 20 n. 29.
1965Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 129.
1965Savini Branca, Simona. Il collezionismo veneziano del Seicento. Padua, 1965: 186.
1966Boschini, Marco. La Carta del Navegar Pitoresco (1660). Edited by Anna Pallucchini. Venice, 1966: 664.
1966Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 1:172, color repro.
1966Walton, William. "Parnassus on Potomac." Art News 65 (March 1966): 38.
1968European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 116, repro.
1969Pallucchini, Rodolfo. Tiziano. 2 vols. Florence, 1969: 1:143, 302.
1969Valcanover, Francesco. L’opera completa di Tiziano. Milan, 1969: 124-125 no. 384.
1969Wethey, Harold. The Paintings of Titian. 3 vols. London, 1969-1975: 3(1975):26, 67-70, 200-201.
1971Freedberg, Sydney J. Painting in Italy 1500-1600. Harmondsworth, 1971, rev. ed. 1975: 508-509.
1971Pallucchini, Rodolfo. “Una nuova Pomona di Tiziano.” Pantheon 29 (1971): 114.
1972Shapley, Fern Rusk. "Titian's Venus with a Mirror." Studies in the History of Art v.4 (1971-72):93-105, repro.
1972Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972: 203, 476, 645.
1973Moretti, Lino, ed. G. B. Cavalcaselle. Disegni da Antichi Maestri. Exh. cat. Fondazione Giorgio Cini, Venice. Vicenza, 1973: 113.
1973Klesse, Brigitte. Katalog der italienischen, französischen and spanischen Gemälde bis 1800 im Wallraf-Richartz-Museum. Cologne, 1973: 131-135.
1974Faldi, Italo. “Dipinti di figure dal rinascimento al neoclassicismo.” In L’Accademia Nazionale de San Luca. Rome, 1974: 96.
1975European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 344, repro.
1976Krsek, Ivo. Tizian. Prague, 1976: 69.
1977Bialostocki, Jan. “Man and Mirror in Painting: Reality and Transience.” In Studies in Late Medieval and Renaissance Painting in Honor of Millard Meiss. Edited by Irving Lavin and John Plummer. New York, 1977: 70.
1977Fomichova, Tamara. “Lo sviluppo compositivo della Venere allo Speccio con due Amorini nell’opera di Tiziano e la copia dell’Eremitage.” Arte Veneta 31 (1977): 195-199.
1977Pallucchini, Rodolfo. Profilo di Tiziano. Florence, 1977: 46.
1978Rosand, David. Titian. New York, 1978: 33-34.
1978Hadeln, Detlev von. Paolo Veronese. Florence, 1978: 84.
1979Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. Washington, 1979: I:476-480, II:pl. 341, 341A,B,C.
1979Pignatti, Terisio. Golden Century of Venetian Painting. Exh. cat. Los Angeles County Museum of Art, Los Angeles, 1979: 76-77.
1979Watson, Ross. The National Gallery of Art, Washington. New York, 1979: 39, pl. 24.
1980Heinemann, Fritz. “La bottega di Tiziano.” In Tiziano e Venezia: convegno internazionale di studi (1976). Vicenza, 1980: 435.
1980Braunfels, Wolfgang. “I quadri di Tiziano nello studio a Biri Grande (1530–1576).” In Tiziano e Venezia: Convegno internazionale di studi (1976). Vicenza, 1980: 409.
1980Fasolo, Ugo. Titian. Florence, 1980: 69.
1980Guillaume, Marguerite. Peintures italiennes: Catalogue raisonné du Musée des Beaux-Arts de Dijon. Dijon, 1980: 85.
1980Hope, Charles. Titian. London, 1980: 149-150, 158-160, 167, 170.
1981Siebenhüner, Herbert. Der Palazzo Barbarigo della Terrazza in Venedig und seine Tizian-Sammlung. Munich, 1981: 26, 28.
1982Held, Julius. “Rubens and Titian”. In Titian: His World and His Legacy. Edited by David Rosand. New York, 1982: 291.
1983Goodman-Soellner, Elise. “A Poetic Interpretation of the ‘Lady at her Toilette’ Theme in Sixteenth-Century Painting.” Sixteenth Century Journal 14 (1983): 434, 440-441.
1983Shearman, John. The Early Italian Pictures in the Collection of Her Majesty the Queen. Cambridge, 1983: 268.
1984Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 208, no. 253, color repro.
1984Ingenhoff-Danhäuser, Monika. Maria Magdalena: Heilige und Sünderin in der italienischen Renaissance. Tübingen, 1984: 65.
1985European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 395, repro.
1986Gemäldegalerie Berlin: Gesamtverzeichnis der Gemälde. London, 1986: 75, 456.
1986Borghero, Gertrude, ed. Thyssen-Bornemisza Collection. Catalogue Raisonné of the Exhibited Works of Art. Milan, 1986: 273.
1986Valcanover, Francesco. Ca d’Oro: The Giorgio Franchetti Gallery. Translated by Michael Langley. Milan, 1986: 47.
1987Hart Nibbrig, Christiaan. Spiegelschrift: Spekulationen über Malerei und Literatur. Frankfurt, 1987: 18.
1987Wethey, Harold E. Titian and His Drawings, with Reference to Giorgione and Some Close Contemporaries. Princeton, 1987: 88 n. 32.
1988Brown, Beverley Louise, and Arthur K. Wheelock, Jr. Masterworks from Munich: Sixteenth- to Eighteenth-Century Paintings from the Alte Pinakothek. Exh. cat. National Gallery of Art, Washington, 1988: 117-118.
1988Hope, Charles, “La produzione pittorica di Tiziano per gli Asburgo”. In Venezia e la Spagna. Milan, 1988: 64.
1988Rearick, W. R. The Art of Paolo Veronese, 1528-1588. Exh. cat. National Gallery of Art, Washington. Cambridge, 1988: 172.
1989Tiziano, le lettere. Edited by Clemente Gandini from materials compiled by Celso Fabbro. 2nd ed. Cadore, 1989: 269.
1990Titian, Prince of Painters. Exh. cat. Palazzo Ducale, Venice; National Gallery of Art, Washington. Venice, 1990: 302-304.
1991Kopper, Philip. America's National Gallery of Art: A Gift to the Nation. New York, 1991: 91, 94, color repro.
1991Gingold, Diane J. and Elizabeth A.C. Weil. The Corporate Patron. New York, 1991: 90-91, color repro.
1992Fomichova, Tamara. The Hermitage Catalogue of West European Painting, Vol. 2: Venetian Painting of the Fourteenth to Eighteenth Centuries. Florence, 1992: 352.
1992National Gallery of Art. National Gallery of Art, Washington. New York, 1992: 102, repro.
1992Shearman, John. Only Connect...Art and the Spectator in the Italian Renaissance. Princeton, 1992: 228.
1993Echols, Robert. "Titian's Venetian Soffitti: Sources and Transformations." Studies in the History of Art 45 (1993): 20.
1993Oberhuber, Konrad. “La mostra di Tiziano a Venezia.” Arte Veneta 44 (1993): 80-81.
1993Le Siècle de Titien. L’Âge d’Or de la Peinture à Venise. Exh. cat. Grand Palais, Paris, 1993: 534-535.
1994Sheard, Wendy Stedman. “Le Siècle de Titien.” The Art Journal 53 (Spring 1994): 89.
1995Stokstad, Marilyn. Art History. New York, 1995: 706, fig. 18.28.
1995Brevaglieri, Sabina. “Tiziano, le Dame con il Piatto e l’allegoria matrimoniale.” Venezia Cinquecento 5, no. 10 (1995): 134-135.
1997Goffen, Rona. “Sex, Space and Social History in Titian’s Venus of Urbino.” In Titian’s Venus of Urbino. Edited by Rona Goffen. Cambridge, 1997: 75.
1997Santore, Cathy. "The Tools of Venus." in Renaissance Studies Vol. 11 Nol 3. The Society for Renaissance Studies, Oxford University Press, 1997: 185, repro. no. 7.
1997Ekserdjian, David. Correggio. New Haven and London, 1997: 269-270.
1997Pardo, Mary. “Veiling the Venus of Urbino.” In Titian’s Venus of Urbino. Edited by Rona Goffen. Cambridge, 1997: 122-123.
1997Schäpers, Petra. Die junge Frau bei der Toilette: Ein Bildthema im venezianischen Cinquecento. Frankfurt, 1997: 111-124.
1997Goffen, Rona. Titian's Women. 1997: 133-139, no. 79, repro.
1998Shefer, Elaine. "Mirror/Reflection." In Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art, edited by Helene E. Roberts. 2 vols. Chicago, 1998: 2:602.
1998Roberts, Helene E., ed. Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art. 2 vols. Chicago, 1998: 1:324, 326.
1998Apostolos-Cappadona, Diana. “Toilet Scenes." In Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art. Edited by Helene E. Roberts. 2 vols. Chicago, 1998: 2:873.
1998Cheney, Liana de Girolami. "Love and Death." In Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art, edited by Helene E. Roberts. 2 vols. Chicago, 1998: 1:523.
1998Medievalia et Humanistica: Studies in Medieval and Renaissance Culture. [Vol. 25]. Edited by Paul Maurice Clogan. Rowman & Littlefield Publishers, Inc., 1998: 58-61, repro. no. 2.
1999Valcanover, Francesco. Tiziano: I suoi pennelli sempre partorirono espressioni di vita. Florence, 1999: 67-71, 267.
2001Pedrocco, Filippo. Titian: The Complete Paintings. London, 2001: 59, 67, 261, no. 218, repro.
2002Prater, Andreas. Venus at Her Mirror: Velázquez and the Art of Nude Painting. Munich, 2002: 21.
2002Checa Cremades, Fernando. Titian–Rubens: Venus ante el espejo. Exh. cat. Museo Thyssen-Bornemisza, Madrid, 2002: 11-85.
2002Anderson, Jaynie. “Titian’s Unfinished ‘Portrait of a Patrician Woman and Her Daughter’ from the Barbarigo Collection, Venice.” The Burlington Magazine 144 (2002): 672.
2003Freedman, Luba. The Revival of the Olympian Gods in Renaissance Art. Cambridge, 2003: 155, 190, 208.
2004Puppi, Lionello. Su Tiziano. Milan, 2004: 77.
2004Adams, Laurie Schneider. “Iconographic Aspects of the Gaze in some Paintings by Titian.” In The Cambridge Companion to Titian. Edited by Patricia Meilman. Cambridge, 2004: 232-233.
2004Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 100-101, no. 77, color repro.
2006Tagliaferro, Giorgio. “La bottega di Tiziano: Un percorso critico.” Studi Tizianeschi 4 (2006): 45.
2007Humfrey, Peter. Titian: The Complete Paintings. Ghent and New York, 2007: 260.
2007Cranston, Jodi. “Theorizing Materiality: Titian’s Flaying of Marsyas.” In Titian: Materiality, Likeness, Istoria. Edited by Joanna Woods-Marsden. Turnhout, 2007: 15.
2007Ferino-Pagden, Sylvia, ed. Der späte Tizian und die Sinnlichkeit der Malerei. Exh. cat. Kunsthistorisches Museum, Vienna; Gallerie dell'Accademia, Venice. Vienna, 2007: 248.
2007Artemieva, Irina. “Die Venus vor dem Spiegel Barbarigo und der Dialogo della Pittura von Lodovico Dolce.” In Der späte Tizian und die Sinnlichkeit der Malerei. Edited by Sylvia Ferino-Pagden. Exh. cat. Kunsthistorisches Museum, Vienna; Gallerie dell'Accademia, Venice. Vienna, 2007: 224–231, 246-248.
2008Hochmann, Michel. “Le collezioni veneziane nel Rinasacimento: Storia e storiografia.” In Il collezionismo d’arte a Venezia: Dalle origini al Cinquecento. Edited by Michel Hochmann, Rosella Lauber, and Stefania Mason. Venice, 2008: 17, 37.
2008Dal Pozzolo, Enrico Maria. Colori d’Amore. Parole, Gesti e Carezze nella Pitture Veneziana del Cinquecento. Treviso, 2008: 110, 129-131.
2009Tagliaferro, Giorgio, and Bernard Aikema, with Matteo Mancini and Andrew John. Le botteghe di Tiziano. Florence, 2009: 32, 261.
2009Ilchman, Frederick, et al. Titian, Tintoretto, Veronese: Rivals in Renaissance Venice. Exh. cat. Museum of Fine Arts, Boston; Musée du Louvre, Paris. Boston, 2009: 184-185.
2009Ilchman, Frederick, et al. Titien, Tintoret, Véronèse: rivalités à Venise. Exh. cat., Musée du Louvre, Paris, 2009: 226-228.
2009Odom, Anne, and Wendy R. Salmond, eds. Treasures into Tractors: The Selling of Russia's Cultural Heritage, 1918-1938. Washington, D.C., 2009:
2010Cranston, Jodi. The Muddied Mirror: Materiality and Figuration in Titian’s Later Paintings. University Park, PA, 2010: 17, 21-31, 38-39, 48-49, 127.
2012Hale, Sheila. Titan: His Life. London, 2012: 559-560, 731.
2012Paglia, Camille. Glittering Images: A Journey Through Art from Egypt to Star Wars. New York, 2012: 48-51, color repro.
2012Gentili, Augusto. Tiziano. Milan, 2012: 253-255.
2012Reist, Inge. "The Classical Tradition: Mythology and Allegory." In Paolo Veronese: A Master and His Workshop in Renaissance Venice. Edited by Virginia Brilliant. Exh. cat. Sarasota, 2012. London, 2012: 117, 118, color fig. 43
2013Frank, Mary Engel. “'Donne attempate': Women of a Certain Age in Sixteenth-Century Venetian Art.” 2 vols. Ph.D. dissertation, Princeton University, 2006: 1:64-106, 303, 305, 306, fig. 46, 67, 77.
2014Grasso, Monica. Seguendo Tiziano: Viaggio nel ’500 sulle orme di un grande maestro. Rome, 2014: 91-92.
2014Humfrey, Peter. “The Chronology of Titian’s Versions of the Venus with a Mirror and the Lost Venus for the Emperor Charles V.” In Artistic Practices and Cultural Transfer in Early Modern Italy: Essays in Honour of Deborah Howard Edited by Nabahat Avcioglu and Allison Sherman. Farnham and Burlington, VT, 2014: 221-232.
2014Mims, Bryan. "Asheville's Fortress of Art." Our State Down Home in North Carolina (1 October 2014): 40-42, 44, repro.
2016Jaques, Susan. The Empress of Art: Catherine the Great and the Transformation of Russia. New York, 2016: 398.

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