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National Gallery of Art - THE COLLECTION
image of Saint Jerome with Saint Paula and Saint Eustochium
Francisco de Zurbarán and Workshop
Francisco de Zurbarán
Spanish, 1598 - 1664
Francisco de Zurbarán and Workshop
Saint Jerome with Saint Paula and Saint Eustochium, c. 1640/1650
oil on fabric, 245.7 x 173.5 cm (96 3/4 x 68 1/4 in.)
Samuel H. Kress Collection
1952.5.88
From the Tour: Spanish Painting in the Seventeenth Century
Object 4 of 7

Conservation Notes

The picture is on a single piece of coarse, plain-weave fabric, lined with a modern plain-weave linen. In the treatment of 1951, the canvas additions squaring off the curved top were removed and the picture was returned to its original shape. A gray ground is visible through the paint film. There are numerous changes in the outer contours of figures and objects. The left side of Saint Jerome's mozzetta has been reduced by 2.5 cm; the right contour of the portion of his habit that falls beside the chair is moved 3 cm to the left; the head coverings of the female saints have a white underlayer at the outer perimeter and show many slight alterations at the bottom edges, including thin added layers of black which change the shape of the shoulder openings. There are losses through the paint and ground at various locations, especially across the knees of Saint Eustochium; in the right shoulder and elbow of the mozzetta; in the lower portion of Saint Paula's and Saint Jerome's habits; and under Saint Jerome's chair. The glazes modifying the folds of the habits are lightly abraded. The perimeters are heavily retouched, especially the left edge, which has a zone of retouch approximately 3 cm wide. The glazing of the architectural features behind Saint Jerome is badly abraded and rather broadly reglazed. Other small flake losses can be seen throughout, the result of the badly cupped paint film. A rather thick, glossy synthetic resin varnish is applied over the picture surface.

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Artist Information (Francisco de Zurbarán)
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