Antonio Maria Vassallo (artist) Italian, c. 1620 - 1664/1673 The Larder, probably c. 1650/1660 oil on canvas Overall: 229.2 x 163.2 cm (90 1/4 x 64 1/4 in.) framed: 257.8 x 192.4 x 10.1 cm (101 1/2 x 75 3/4 x 4 in.) Samuel H. Kress Collection 1961.9.91 |
Object 4 of 6
| 1883 | Curtis, C. B. Velázquez and Murillo. London, 1883: 36, no. 81, as related to but not securely attributable to Velázquez. |
| 1906 | Robinson, J. C. "The Bodegones and Early Works of Velazquez." The Burlington Magazine 10 (1906): 178, as by Velázquez. |
| 1907 | Robinson, J. C. "The Bodegones and Early Works of Velazquez II." The Burlington Magazine 11 (1907): 39-40, repro., as by Velázquez. |
| 1913 | Borenius, Tancred. "Two Still-Life Pictures by Murillo (?)" The Burlington Magazine 24 (1913): 74, repro., as possibly by Murillo. |
| 1915 | Mayer, August. "Über einige Velazquez zu unrecht zugeschriebene Stilleben und Genrebilder." Monatshefte für Kunstwissenschaft 9 (1915): 126, pl. 35, fig. 3, as by Mariano Nani. |
| 1926 | Bodkin, T. "New Attributions to Giovanni Benedetto Castiglione." The Burlington Magazine 48 (1926): 264-265, pl. II-c, as by Giovanni Benedetto Castiglione. |
| 1950 | Longhi, Roberto. "Un momento importante nella storia della 'natura morte." Paragone 1 (1950): 39. |
| 1952 | Sterling, Charles. La nature morte de l'antiquité à nos jours. Paris, 1952: 56. |
| 1959 | Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 225, repro. |
| 1962 | De Logu, Giuseppe. La natura morta italiana. Bergamo, 1962: 48, 171, fig. 106. |
| 1964 | Ottani, Anna. La natura morta italiana. Exh. cat. Palazzo Reale, Naples, 1964: 108. |
| 1965 | Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 134. |
| 1968 | European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 121, repro. |
| 1971 | Torriti, Pietro. La pittura a Genova e in Liguria. 2 vols. Edited by Piero Torriti and Giovanni Vincenzo Castelnovi. Genoa, 1971: 2:336-338, fig. 220 (2nd ed. 1987). |
| 1972 | Fredericksen and Zeri 1972, 209. |
| 1973 | Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XVI-XVIII Century. London, 1973: 93, fig. 170. |
| 1975 | European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 360, repro. |
| 1979 | Longhi, Roberto. "Progetti di lavoro di Roberto Longhi: Genova pittrice." Paragone 349 (1979): 18, pl. 95. |
| 1979 | Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: I:516-517, II:pl. 361. |
| 1984 | Salerno, Luigi. La natura morta italiana 1560-1805/Still Life Painting in Italy. Rome, 1984: 148. |
| 1985 | European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 418, repro. |
| 1987 | Torriti, Piero. La pittura a Genova e in Liguria. 2 vols. Edited by Piero Torriti and Giovanni Vincenzo Castelnovi. Genoa, 1971: 2:146, 303-306, color pl. 263 (2nd ed., 1987). |
| 1989 | Cottino, Alberto. "Anton Maria Vassallo." In La natura morta in Italia 1989: 1:134, fig. 137. |
| 1989 | Griseri, Adreina. "La natura morta in Liguria." In La natura morta in Italia 1989: 1:114. |
| 1989 | Krawietz, Clara. "Un itinierario nell'opera pittorica di Anton Maria Vassallo." Arte Documento 3 (1989): 190, fig. 19. |
| 1989 | Newcome, Mary. "Anton Maria Vassallo." In La pittura in Italia. Edited by Mina Gregori and Erich Schleier. 2 vols. Rev. ed. Milan, 1989: 2:915. |
| 1990 | Gavazza, Ezia. La pittura in Liguria. Il secondo seicento. Genoa, 1990: color pl. 48, 275, 436. |
| 1992 | Bocchi, Gianluca, and Ulisse Bocchi, eds. Naturalia. Nature morte in collezioni pubbliche e private. Exh. cat. Galleria d'Orlane, Casalmaggiore, Turin, 1992: 78. |
| 1992 | Lodi, Letizia. "Antonio Maria Vassallo." In Gavazza, Ezia, and Giovanni Rotondi Terminiello, eds. Genova nell'età barocca. Exh. cat. Palazzo Spinola; Palazzo Reale, Genoa. Bologna, 1992: 282. |
| 1996 | De Grazia, Diane, and Eric Garberson, with Edgar Peters Bowron, Peter M. Lukehart, and Mitchell Merling. Italian Paintings of the Seventeenth and Eighteenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1996: 323-327, color repro. 325. |
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