National Gallery of Art - THE COLLECTION
image of The Larder Antonio Maria Vassallo (artist)
Genoese, c. 1620 - 1664/1673
The Larder, probably c. 1650/1660
oil on canvas
overall: 229.2 x 163.2 cm (90 1/4 x 64 1/4 in.) framed: 257.8 x 192.4 x 10.1 cm (101 1/2 x 75 3/4 x 4 in.)
Samuel H. Kress Collection
1961.9.91
Not on View
From the Tour: The Emergence of New Genres
Object 4 of 6

1883Curtis, C. B. Velázquez and Murillo. London, 1883: 36, no. 81, as related to but not securely attributable to Velázquez
1906Robinson, J. C. "The Bodegones and Early Works of Velazquez." The Burlington Magazine 10 (1906): 178, as by Velázquez.
1907Robinson, J. C. "The Bodegones and Early Works of Velazquez II." The Burlington Magazine 11 (1907): 39-40, repro., as by Velázquez.
1913Borenius, Tancred. "Two Still-Life Pictures by Murillo (?)" The Burlington Magazine 24 (1913): 74, repro., as possibly by Murillo.
1915Mayer, August. "Über einige Velazquez zu unrecht zugeschriebene Stilleben und Genrebilder." Monatshefte für Kunstwissenschaft 9 (1915): 126, pl. 35, fig. 3, as by Mariano Nani.
1926Bodkin, T. "New Attributions to Giovanni Benedetto Castiglione." The Burlington Magazine 48 (1926): 264-265, pl. II-c, as by Giovanni Benedetto Castiglione.
1950Longhi, Roberto. "Un momento importante nella storia della 'natura morte." Paragone 1 (1950): 39.
1952Sterling, Charles. La nature morte de l'antiquité à nos jours. Paris, 1952: 56.
1959Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 225, repro.
1962De Logu, Giuseppe. La natura morta italiana. Bergamo, 1962: 48, 171, fig. 106.
1964Ottani, Anna. La natura morta italiana. Exh. cat. Palazzo Reale, Naples, 1964: 108.
1965Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 134.
1968European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 121, repro.
1970Castelnovi, Gian Vittorio. "La pittura nella prima metà del Seicento dall'Ansaldo a Orazio De Ferrari." In Colette Bozzo Dufour (vol. 1) and Gianfranco Bruno (vol. 2), eds. La pittura a Genova e in Liguria. 2 vols. Genoa, 1970-1971: 2(1971):165.
1970Torriti, Piero. "La natura morta e il paesaggio." In Colette Bozzo Dufour (vol. 1) and Gianfranco Bruno (vol. 2), eds. La pittura a Genova e in Liguria. 2 vols. Genoa, 1970-1971: 2(1971):336-338, fig. 220 (2nd ed. 1987).
1972Fredericksen and Zeri 1972, 209.
1973Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XVI-XVIII Century. London, 1973: 93, fig. 170.
1975European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 360, repro.
1979Longhi, Roberto. "Progetti di lavoro di Roberto Longhi: Genova pittrice." Paragone 349 (1979): 18, pl. 95.
1979Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: I:516-517, II:pl. 361.
1984Salerno, Luigi. La natura morta italiana 1560-1805/Still Life Painting in Italy. Rome, 1984: 148.
1985European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 418, repro.
1989Krawietz, Clara. "Un itinierario nell'opera pittorica di Anton Maria Vassallo." Arte Documento 3 (1989): 190, fig. 19.
1989Cottino, Alberto. "Anton Maria Vassallo." In La natura morta in Italia 1989: 1:134, fig. 137.
1989Griseri, Adreina. "La natura morta in Liguria." In La natura morta in Italia 1989: 1:114.
1989Newcome, Mary. "Anton Maria Vassallo." In La pittura in Italia. Edited by Mina Gregori and Erich Schleier. 2 vols. Rev. ed. Milan, 1989: 2:915.
1990Gavazza, Ezia. La pittura in Liguria. Il secondo seicento. Genoa, 1990: color pl. 48, 275, 436.
1992Lodi, Letizia. "Antonio Maria Vassallo." In Gavazza, Ezia, and Giovanni Rotondi Terminiello, eds. Genova nell'età barocca. Exh. cat. Palazzo Spinola; Palazzo Reale, Genoa. Bologna, 1992: 282.
1992Bocchi, Gianluca, and Ulisse Bocchi, eds. Naturalia. Nature morte in collezioni pubbliche e private. Exh. cat. Galleria d'Orlane, Casalmaggiore, Turin, 1992: 78.
1996De Grazia, Diane, and Eric Garberson, with Edgar Peters Bowron, Peter M. Lukehart, and Mitchell Merling. Italian Paintings of the Seventeenth and Eighteenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1996: 323-327, color repro. 325.

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