The Small Crucifixion

Matthias Grünewald (artist)
German, c. 1475/1480 - 1528
The Small Crucifixion, c. 1511/1520
oil on panel
overall: 61.3 x 46 cm (24 1/8 x 18 1/8 in.) framed: 74.4 x 59 x 2.5 cm (29 5/16 x 23 1/4 x 1 in.)
Samuel H. Kress Collection
1961.9.19
On View

From the Tour: German Painting and Sculpture in the Late 1400s and 1500s
Object 7 of 12

1675	Sandrart, Joachim von. L'academia Todesca della architectura, scultura & pittura: oder, Teutsche Academie der edlen Bau-, Bild-, und Mahlerey-Künste. Zweyten Theil. Nürnberg, 1675: 236.
1884	Niedermayer, Friedrich. "Mathias Grünewald." Repertorium für Kunstwissenschaft 7 (1884): 249-251.
1894	Reber, Franz von. Geschichte der Malerei vom Anfang des 14. bis zum Ende des 18. Jahrhunderts. Munich, 1894: 247.
1909	Schmid, Heinrich Alfred. "Die Chronologie der Werke Grünewalds." Repertorium für Kunstwissenschaft 32 (1909): 413.
1911	Schmid, Heinrich Alfred. Die Gemälde und Zeichnungen von Matthias Grünewald. Strasbourg, 1911: 226-228.
1913	Josten, H. H. Matthias Grünewald. Bielefeld and Leipzig, 1913: 66-68, fig. 66-67.
1920	Mayer, August L. Matthias Grünewald. Munich, 1920: 11, 42-43, 82, no. 20, fig. 6
1922	Friedländer, Max J. "Grünewalds einst beim Bayernherzog bewahrte Kreuzigung." Jahrbuch der Preussischen Kunstsammlungen 43 (1922): 60-62, repro.
1922	Schoenberger, Guido. "Matthias Grünewalds 'Klein Crucifix'." Städel-Jahrbuch 2 (1922): 33-52, pls. 9-13.
1923	Hagen, Oskar. Matthias Grünewald. Munich, 1923: 80-81, 89-91, 234-235, no. 2a, figs. 20a-20c.
1924	Feurstein, Heinrich. "Zur Deutung des Bildgehaltes bei Grünewald." In Buchner, Ernst and Karl Feuchtmayr, eds. Oberdeutsche Kunst der Spätgotik und Reformationszeit. Augsburg, 1924: 144, n. 3.
1925	Sandrarts, Joachim von. Joachim von Sandrarts Academie der Bau-, Bild, -und Mahlerey-Künste von 1675: Leben der berühmten Maler, Bildhauer und Baumeister. Edited by Alfred R. Peltzer. Munich, 1925: 82, 389, n. 261.
1926	Kloss, Ernst. "Ein verschollenes Bild Grünewalds." Zeitschrift für bildende Kunst 60 no. 12 (N.F. 36) 286.
1927	Hausenberg, Margarethe. Matthias Grünewald im Wandel der deutschen Kunstanschauung. Leipzig, 1927: 19, 39-44.
1929	Scharf, Alfred. "Alte Malerei aus Rheinisch-Westfälischem Privatbesitz: Die Jubiläumsausstellung des Kunstvereins für die Rheinlande und Westfalen in Düsseldorf." Der Cicerone 21 no. 13 (1929): 370, repro.
1930	Feurstein, Heinrich. Matthias Grünewald. Bonn, 1930: 73, 114-118, fig. 45.
1932	Feulner, Adolf. "Ein Zinnkruzifix nach Grünewald." Städel-Jahrbuch 7-8 (1932): 172.
1933	Meyenberg, Clemens. "Ein echter 'Grünewald'?" St. Meinrads Raben: Zeitschrift der Stiftsschule Einsiedeln 22 (1933): 104-107.
1935	Falke, Otto von, ed. "Rundschau - Köln: Wallraf-Richartz-Museum." Pantheon 16 (November 1935): 380.
1935	Deusch, Werner R. Deutsche Malerei des sechzehnten Jahrhunderts. Berlin, 1935: 26, pl. 38. (English ed. New York, 1973: 28, pl. 38).
1935	Knapp, Fritz. Grünewald, Bielefeld and Leipzig, 1935: 39, 41, 46, no. IX, repro.
1936	Troche, E. G. "Rundschau: Berlin - Deutsche Zeichnungen aus der Sammlung Koenigs-Haarlem." Pantheon 18 (September 1936): 306.
1936	Fraenger, Wilhelm. Matthias Grünewald in seinen Werken: ein physiognomischer Versuch. Berlin, 1936: 11-12, repro.
1936	Burkhard, Arthur. Matthias Grünewald, Personality and Accomplishment. Cambridge, Mass., 1936: 10-11, 49-52, pl. 50.
1938	Zülch, Walter Karl. Der historische Grünewald. Mathis Gothardt-Neithardt. Munich, 1938: 123-131, 324-326, no. 9, figs. 63-67a.
1939	Hürlimann, Martin, and Werner R. Deusch. Grünewald: Das Werk des Meisters Mathis Gothardt Neithardt. Berlin and Zürich, 1939: no. 49, repro.
1940	Pinder, Wilhelm. Die deutsche Kunst der Dürerzeit. Leipzig, 1940: 268.
1943	Panofsky, Erwiln. Albrecht Dürer. 2 vols. Princeton, 1943: 1:146; 2:fig. 197.
1948	Schoenberger, Guido. The Drawings of Mathis Gothart Nithart called Gruenewald. New York, 1948: 25-26, under no. 2, 45, under A4, fig. A6.
1949	Zülch, Walter Karl. Grünewald, Mathis Gothardt-Neithardt. Munich, 1949: 21-22, 61, no. 6, figs. 22-23.
1949	Weixlgärtner, Arpad. Dürer und Grünewald. Ein Versuch, die beiden Künstler zusammen -- in ihren Besonderheiten, ihrem Gegenspiel, ihrer Zeitgebundenheit--zu verstehen. Göteborg, 1949: 28-29, 38-39, 42, 52-53, 58-59, 62-63, 72, 90-91, 152.
1950	Schmid, Heinrich Alfred. "Grünewald, Matthias." In Allgemeines Lexikon der bildenden Künstler, von der Antike bis zur Gegenwart (Thieme-Becker). 37 vols. 1907-1950. Leipzig, 1922: 15:137.
1951	Belz, Wilhelm. "Grünewald-Kopie im Wetterau-Museum in Friedberg." Heimat im Bild (supplement to the Giessener Anzeiger) no. 1 (4 January 1951): 1-2, repro.
1953	"Das Klein-Kruzifix des Bayern-Herzogs." Die Weltkunst 23 no. 18 (23 September 1953): 4, repro.
1954	Tietze, Hans. Treasures of the Great National Galleries. New York, 1954: 117-118, 123, pl. 200.
1955	"Famous Venetian, French and German Paintings for America: Acquisitions for the Washington, D.C. National Gallery." The Illustrated London News 227 (16 July, 1955): 115, repro.
1955	Dittmann, Lorenz. Die Farbe bei Grünewald. Munich, 1955: 120.
1955	Anzelewsky, Fedja. "Albrecht Dürer und Mathias Gothardt Nithardt." In Edwin Redslob zum 70. Geburtstag. Berlin, 1955: 294.
1956	Shapley, Fern Rusk. National Gallery of Art. Smithsonian Institution. Washington, D.C. Portfolio Number 5. Washington, 1956: no. 6, repro.
1956	Paintings and Sculpture from the Kress Colllection Acquired by the Samuel H. Kress Foundation 1951-56. Introduction by John Walker, text by William E. Suida and Fern Rusk Shapley. National Gallery of Art. Washington, 1956: 98-103, no. 36, repros.
1956	Walker, John. National Gallery of Art, Washington (Abrams Great Paintings of the World). New York, 1956: 9, repro.
1956	Frankfurter, Alfred. "Crystal Anniversary in the Capital." Art News 55 (1956): 35, repro. 26, 27, color repro.
1956	"New Kress Gift at Washington." The Studio 151 (1956): 80, repro.
1957	Shapley, Fern Rusk. Comparisons in Art: A Companion to the National Gallery of Art, Washington, DC. London, 1957 (reprinted 1959): pl. 24
1957	Vogt, Adolf Max. Grünewald. Mathis Gothart Nithart, Meister gegenklassischer Malerei. Zürich and Stuttgart, 1957: 42-45, 158-159, no. 7, fig. 14.
1958	Ruhmer, Eberhard. Grünewald: The Paintings: Complete Edition with Two Essays by J.-K. Huysmans. London, 1958: 120-121, color pl. 60-61.
1958	Virch, Claus. "The Crucifixion by Hendrick Terbrugghen." Metropolitan Museum of Art Bulletin series 2, 16 no. 8 (April 1958): 223, 224, repro.
1958	Pevsner, Nikolaus and Michael Meier. Grünewald. New York, 1958: 36, no. 59, repro.
1959	Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 304, repro.
1959	"Grünewald." Sele arte 43 (September-December 1959): 11, i, v, xi, xvi.
1960	Broadley Hugh T. German Painting in the National Gallery of Art (Booklet no. 9 in Ten Schools of Painting in the National Gallery of Art, Washington, DC). Washington, 1960: 8, 42, cover, color repro.
1960	The National Gallery of Art and Its Collections. Foreword by Perry B. Cott and notes by Otto Stelzer. National Gallery of Art, Washington (undated, 1960s): 4, 8, 20, color repro.
1961	Seymour, Charles. Art Treasures for America: An Anthology of Paintings & Sculpture in the Samuel H. Kress Collection. London, 1961: 83-85, 211, fig. 75, color fig. 76, 77.
1962	Neugass, Fritz. "Die Auflösung der Sammlung Kress." Die Weltkunst 32 (1 January, 1962): 4.
1962	Weixlgärtner, Arpad. Grünewald. Vienna and Munich, 1962: 14, 21, 28-30, fig. 2.
1962	Cairns, Huntington, and John Walker, eds., Treasures from the National Gallery of Art, New York, 1962: 68, color repro.
1963	Walker, John. National Gallery of Art, Washington, D.C. New York, 1963: -115, color repro. (Published in French and German in 1964.)
1963	Lanckoronska, Maria. Matthäus Gotthart Neithart: Sinngehalt und Historischer Untergrund der Gemälde. Darmstadt, 1963: 60, 64-69, fig. 38.
1963	Sitzmann, Karl. "Grünewald, Matthias." In Encyclopedia of World Art. 16 vols. New York, Toronto, and London, 1959-1983. Vol. 7, 1963: col. 183.
1965	Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 63
1965	Winzinger, Franz. "Grünewald Mathis Gothart mit Beinamen Neithart oder Nithart, genannt." In Kindlers Malerei Lexikon, edited by Germain Bazin, et al. 6 vols. Zürich, 1964-1971. Zürich, 1965: 2:790, 802, no. 18, repro. 800.
1965	Cooke, Hereward Lester. Galeria Nacional de Washington. Translated by Maria Teresa de la Cruz. Madrid, 1965: 222-226, repros.
1966	Benesch, Otto. German Painting. From Dürer to Holbein, transl. H.S.B. Harrison. Geneva, 1966: 84, 86.
1966	Sedgwick, John P. Discovering Modern Art: The Intelligent Layman's Guide to Painting from Impressionism to Pop. New York, 1966: pl. 20.
1966	Friend, David. The Creative Way to Paint. New York, 1966: 97, fig. 133.
1966	Cairns, Huntington and John Walker, ed. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 1:108-109, color repro.
1967	Huysmans, Joris-Karl. Trois primitifs: les Grünewald du musée de Colmar; le Maître de Flémalle et la Florentine du musée de Francfort-sur-le-Main. Images et Idées series. Paris, 1966: 104, no. 14, repro. (After the original text of 1905, e. A. Messein.)
1967	Galavaris, George. "Grünewald, Matthias (Matthias Gothart Nithart)." In New Catholic Encyclopedia. 16 vols. New York, 1967: 6:818-819, repro.
1968	Galvan, Jose Maria Moreno, ed. Galleria Nazionale di Washington. Madrid, 1968: 21, 36, color fig. 29.
1968	European Paintings and Sculpture: Illustrations (Companion to the Summary Catalogue, 1965). Washington, 1968: 55, no. 1379, repro.
1968	Gandolf, Giampaolo et al. National Gallery of Art, Washington. Great Museums of the World. New York, 1968: 13, 98, 100, 101 color repro.
1968	Cuttler, Charles D. Northern Painting, from Pucelle to Bruegel: Fourteenth, Fifteenth, and Sixteenth Centuries. New York, 1968: 361-362, fig. 470.
1968	Lauts, Jan. Grünewald: Kreuztragung und Kreuzigung. Bildhefte der Staatlichen Kunsthalle Karlsruhe, no. 4. Karlsruhe, 1968: 33-34, color fig. 13.
1968	Christensen, Erwin O. A Guide to Art Museums in the United States. New York, 1968: 130, fig. 281.
1969	Behling, Lottlisa. Matthias Grünewald. Königstein im Taunus, 1969: 9-10, 31, color repro.
1969	Osten, Gert von der and Horst Vey. Painting and Sculpture in Germany and the Netherlands 1500 to 1600. Harmondsworth, 1969: 94.
1970	Cooke, Hereward Lester. The National Gallery of Art in Washington. Munich and Ahrbeck/Hanover, 1970: 86-87, color fig. 40.
1970	Ruhmer, Eberhard. Grünewald Drawings. London, 1970: 12, 93, under no. 29.
1970	Easton, Stewart C. The Western Heritage, From the Earliest Times to the Present. 3rd ed. New York, 1970: repro.
1971	Daniel, Howard. Encyclopedia of Themes and Subjects in Painting: Mythological, Biblical, Historical, Literary, Allegorical, and Topical. New York, 1971: 67, repro.
1971	Walker, John. "The National Gallery of Art, Washington: The Founding Benefactors." The Connoisseur 178, no. 718 (December 1971): 239, repro.
1971	Lüdecke, Heinz. Grünewald. Maler und Werk series. Dresden, 1971: 5-6, 25, fig. 2.
1973	Geissler, Heinrich and Bernhard Saran, et al. Mathis Gothart Nithart, Grünewald: Der Isenheimer Altar. Stuttgart, 1973: 23, 218-219.
1973	Troescher, Georg. "Die Entstehung des Hochaltars der Antoniter-Praeceptorei zu Isenheim." Giessener Beiträge zur Kunstgeschichte 2 (1973): 84-89, fig. 19.
1974	Borries, Johann Eckart von. "Bemerkungen zu der Karlsruher Grünewald-Zeichnung." Grünewald et son oeuvre. In Actes de La Table Ronde par le Centre national de Recherche Scientif, Strasbourg et Colmar du 18-21 Oct. 1974. Strasbourg, 1974: 192-194, fig. 4.
1974	Glueck, Grace. "Cleveland Buys a Rare Painting." New York Times (September 17, 1974): 41.
1974	Blum, Henri. "Le Problème des Signatures de Grünewald." In Grünewald et son oeuvre. Actes de la Table Ronde par le Centre Nat'l. de la Recherche, Strasbourg et Colmar, du 18-21 octobre 1974: 97, n. 11, 99-100, 101, fig. 11.
1974	Ruhmer, Eberhard. "Grünewalds Ausstrahlung im 16. und 17. Jahrhundert." In Grünewald et son oeuvre. Actes de la Table Ronde par le Centre National de la Recherche Scientifique, à Strasbourg et Colmar, du 18-21 octobre 1974. Strasbourg, 1974: 182-184.
1974	Saran, Bernhard and Felix Schmeidler, "Grünewalds `Klein-Kruzifix' und die Sonnenfinsternis vom 1. Oktober 1502." Maltechnik, 80 (May 1974): 210-220, repro.
1974	Sterling, Charles. "Grünewald vers 1500-1505." Grünewald et son oeuvre. (Actes de la Table ronde organisée par le Centre national de la recherche scientifique à Strasbourg et Colmar, du 18 au 21 octobre 1974: 130, 142, 144.
1975	European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 166, repro. 167.
1975	Cinotti, Mia, ed. The National Gallery of Art of Washington and Its Paintings. Great Galleries of the World. Edinburgh, 1975: unpaginated, no. 93, repro.
1975	Walker, John. National Gallery of Art, Washington. New York, 1975: 106, 144-145, no. 152, color repro.
1976	Bodino, Maristella and Franco De Poli. Grünewald. Milan, 1976: 34, repro., 92-93, repro.
1976	Huysmans, Joris-Karl. Grünewald. Translated from French by Robert Baldick. Oxford and New York, 1976: 14, pl. 7.
1976	Rieckenberg, Hans Jürgen. Matthias Grünewald. Herrsching, 1976: 10, 76, no. 9, pl. 12.
1976	Alsop, Joseph. The Rare Art Traditions: The History of Art Collecting and Its Linked Phenomena Wherever These Have Appeared. Bollingen series 35, no. 27. New York, 1976: 75-76, fig. 22.
1977	Pope-Hennessy, John. "Completing the Account." Review of Colin Eisler, Paintings from the Samuel H. Kress Collection, London 1977. Times Literary Supplement no. 3927 (17 June 1977).
1977	Eisler, Colin. Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian. Oxford, 1977: 19-23, figs. 20, 21, color repro.
1977	Vetter, Ewald M. "Wer war Matthias Grünewald?" Pantheon 35 (1977): 189.
1979	Watson, Ross. National Gallery of Art Washington. New York, 1979: 54-55, color pl. 37.
1980	Wold, Milo Arlington, et al. An Introdcution to Music and Art in the Western World. 6th ed. Dubuque, 1980: 125, color pl 11. (10th ed. Madison, 1996: 143, color pl. 29.)
1980	Goldberg, Gisela. "Zur Ausprägung der Dürer-Renaissance in München." Münchner Jahrbuch der bildenden Kunst 31 (1980): 140, 160-161, note 139.
1980	Diemer, Peter. "Wilhelm V. als Mäzen." Um Glauben und Reich. Kurfürst Maximilian I. Wittelsbach und Bayern. Exh. cat. Residenz. Munich, 1980: 2, pt 2:76, under no. 112.
1981	Winzinger, Franz. "Zu Dürers Kaiserbildnissen." Pantheon 39, no. 3 (Jul/Aug/Sep 1981): 206-207, fig. 6.
1982	Spivey, Robert A. and D. Moody Smith. Anatomy of the New Testament: A Guide to Its Structure and Meaning. New York, 1982: 81, repro.
1982	Abrams, Richard I. and Warner A. Hutchinson. An Illustrated Life of Jesus, From the National Gallery of Art Collection. Nashville, 1982: 118-119, color repro.
1983	Lücking, Wolf. Mathis: Nachforschungen über Grünewald. Belrin, 1983: 148-151, figs. 92, 96.
1983	Wolff, Martha. German Art of the Late Middle Ages and Renaissance in the National Gallery of Art. Washington, 1983: unpaginated, repro.
1984	Müller, Christian. Grünewalds Werke in Karlsruhe. Karlsruhe, 1984: 31, repro. 33.
1984	Steinkraus, Warren E. Philosophy of Art. Rev. ed. Oswego, 1984: 99, repro.
1984	Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 144-145, color repro.
1984	Scholl, Sharon. Death and the Humanities. London and Toronto, 1984: fig. 26.
1985	European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 192, repro.
1985	Gregory, Clive, ed. "Grünewald." In The Great Artists: Their Lives, Works, and Inspiration. 96 vols. London 1985: 37:1163, repro.
1986	Mittler, Gene A. Art in Focus. Peoria, 1986: 55, 234-235, fig. 3.16, 13.9. (Rev. ed. New York, 2000: 408, fig. 18.11.)
1987	Asahi bijutsukan Arts Magazine no. 6 (1987?): repro.
1990	Grimm, Claus and Bernd Konrad. Die Fürstenberg Sammlungen Donaueschingen: Altdeutsche und schweizerische Malerei des 15. und 16. Jahrhunderts. Munich, 1990: 252, under no. 73.
1991	Circa 1492: Art in the Age of Exploration. Exh. cat. National Gallery of Art, Washington, D.C., 1991: 256-257, no. 152, color repro. 257 (the painting was not in the exhibition).
1991	Kopper, Philip. America's National Gallery of Art: A Gift to the Nation. New York, 1991: 185, 187, color repro.
1992	López-Ortiz, Américo Pablo, ed. "Nuestra portada." Alma Mariana 4, no. 2 (March-April 1992): cover, t.p., repro.
1992	National Gallery of Art, Washington. New York, 1992: 66-67, color repro.
1992	Fiero, Gloria K. The Humanistic Tradition, vol. 3: On the Threshold of Modernity: The Renaissance and the Reformation. Dubuque, 1992: 75, fig. 18.8. (2nd ed., Madison, 1995: 3:80, fig. 18.8.)
1993	Hand, John Oliver, with the assistance of Sally E. Mansfield. German Paintings of the Fifteenth through Seventeenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1993: 71-81, color repro. 75.
1993	"National Gallery of Art, Washington." La muse: Bulletin of the Tokyo Fuki Art Museum4, no. 27 (1993): 21, 26, repro.
1995	New History of World Art. Tokyo, 1995: 14:278, fig. 178.
1995	Harris, Stephen L. The New Testament. A Student's Introduction. 2nd ed. Mountain View, 1995: 103, repro.
1995	Löcher, Kurt. Review of German Paintings of the Fifteenth through Seventeenth Centuries, by John Oliver Hand with the assistance of Sally E. Mansfield. Kunstchronik 43 no. 1 (January 1995): 16.
1996	Lamm, Robert C. The Humanities in Western Culture: A Search for Human Values. 10th ed. 2 vols. Madison, 1996: 2:58, fig. 17.49.
1996	Woodard, Russell Main. Revelation--A Spiritual Study. Silver Spring, 1996: repro.
1997	Richler, Martha. National Gallery of Art, Washington: A World of Art. London, 1997: 55, color fig. 13 and 14.
1997	Weininger, Susan S. "Ivan Albright in Context." In Ivan Albright. Exh. cat. Art Institute of Chicago, 1997. New York, 1997: 60, fig. 9.
1998	Shefer, Elain. "Death." In Encyclopedia of Comparative Iconography, edited by Helene E. Roberts. 2 vols. Chicago, 1998: 1:227, 231.
1998	Wheeler, Marion. Her Face: Images of the Virgin Mary in Art. Cobb, Calif., 1998: fig. 90 and detail.
1998	Saltzman, Cynthia. Portrait of Dr. Gachet: The Story of a Van Gogh Masterpiece. New York, 1998: 192.
1999	Busse, Jacques. "Grünewald, Mathias." In Dictionnaire critique et documentaire des peintres, sculpteurs dessinateurs et graveurs de tous les temps . . .. New ed. 14 vols. Paris, 1999: 6:500-501.
2004	Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 146-147, no. 113, color repro.
2005	Michelman, Dorothea S. "A German Treasure Trove: The National Gallery of Art." German Life (June/July 2005): 43.
2007	Schubert, Michael. Der Isenheimer Altar: Geschichte, Deutung, Hintergrund. Stuttgart, 2007: 149, color repro.
2007	Ravaud, Élisabeth and Elsa Lambert. "Les étapes d’élaboration du retable à travers l’imagerie scientifique." In Grünewald et le retable d'Issenheim: Regards sur un chef-d'oeuvre. Exh. cat. Musée d'Unterdenlinen 2007-2008, Colmar. Paris, 2007: 147, 242, color fig. 6. (The painting was not in the exhibition.)
2007	Gifford, E. Melanie Susanna P. Griswold, and Norma Uemura. "Matthias Grünewald's Small Crucifixion: Painting Practice and Personal Style." In La technique picturale de Grünewald et des ses contemporains, edited by Pantxika Béguerie-De Paepe and Michel Menu. Centre de recherche et de restauration des musées de France, Colloque international, 24-26 January 2006. Colmar, 2007: 73-80, color figs. 1-10d.
2007	Reuter, Astrid, et al. Grünewald und seine Zeit. Exh. cat. Staatliche Kunsthalle Karlsruhe 2007-2008. Munich/Berlin, 2008: 15, 27, 216, 410, under no. 160, 412-413 under no. 261 fig. 160, color fig 161. (The painting was not in the exhibition.)
2008	Roth, Michael et al. Matthias Grünewald: Zeichnungen und Gemälde. Exh. cat. Kupferstichkabinett, Staatliche Museen zu Berlin, 2008. Berlin, 2008: 219-220, fig. 1. (The painting was not in the exhibition.)
2009	Vetter, Ewald M. Grünewald: Die Altäre in Frankfurt, Isenheim, Aschaffenburg und ihre Ikonographie. Weissenhorn, 2009: 201.
2009	Hubach, Hanns. "Grünewald, Mathias." In Allgemeines Künstler-Lexicon: Die bildenden Künstler aller Zeiten und Völker. 75+ vols. Munich and Leipzig, 1992- . Munich and Leipzig, 2009: 63:389, 395.

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