National Gallery of Art - THE COLLECTION
image of The Crucifixion with the Converted Centurion Lucas Cranach the Elder (artist)
German, 1472 - 1553
The Crucifixion with the Converted Centurion, 1536
oil on panel
overall: 50.8 x 34.6 cm (20 x 13 5/8 in.) framed: 67.6 x 51.7 x 5.3 cm (26 5/8 x 20 3/8 x 2 1/16 in.)
Samuel H. Kress Collection
1961.9.69
On View
From the Tour: German Painting and Sculpture in the Late 1400s and 1500s
Object 4 of 12

1899Friedländer, Max J. "Die Cranach-Ausstellung in Dresden." Repertorium für Kunstwissenschaft 22 (1899): 242.
1900Flechsig, Eduard. Cranachstudien. Leipzig, 1900: 275, no. 65, 282, under no. 115.
1932Friedländer, Max J. and Jakob Rosenberg. Die Gemälde von Lucas Cranach. Berlin, 1932: 85, under no. 303. (Rev. ed., The Paintings of Lucas Cranach. Amsterdam, 1978: 145, no. 378c, repro.).
1956Paintings and Sculpture from the Kress Colllection Acquired by the Samuel H. Kress Foundation 1951-56. Introduction by John Walker, text by William E. Suida and Fern Rusk Shapley. National Gallery of Art. Washington, 1956: 60, no. 20, repro. 61.
1959Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 309, repro., as The Crucifixion with Longinus.
1961Seymour, Charles. The Rabinowitz Collection of European Paintings. New Haven, 1961: 41.
1965Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 34, as The Crucifixion with Longinus.
1967Talbot, Charles W. Jr. "An Interpretation of Two Paintings by Cranach in the Artist's Late Style." Report and Studies in the History of Art, 1967-1968 1 (1967): 68, 71-78, repro. 69.
1968European Paintings and Sculpture: Illustrations (Companion to the Summary Catalogue, 1965). Washington, 1968: 27, no. 1621, repro., as The Crucifixion with Longinus.
1972Angulo Iñiguez, Diego. "Lucas Cranach: el Calvario de 1538 del Museo de Sevilla." Archivo Español de Arte 45 (1972): 6.
1974Schade, Werner. Die Malerfamilie Cranach. Dresden, 1974: 86, no. 635.
1975European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 86, repro. 87.
1975Walker, John. National Gallery of Art, Washington. New York, 1975: 165, no. 187, repro. 164.
1977Eisler, Colin. Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian. Oxford, 1977: 24-25, fig. 15.
1982Abrams, Richard I. and Warner A. Hutchinson. An Illustrated Life of Jesus, From the National Gallery of Art Collection. Nashville, 1982: 123-124, color repro.
1983Wolff, Martha. German Art of the Late Middle Ages and Renaissance in the National Gallery of Art. Washington, 1983: unpaginated, repro.
1984Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 165, no. 181, color repro.
1985European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 106, repro.
1992National Gallery of Art, Washington. Washington, 1992: 54-55, 68, color repros.
1993Hand, John Oliver, with the assistance of Sally E. Mansfield. German Paintings of the Fifteenth through Seventeenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, 1993: 44-48, color repro. 47.
1995Löcher, Kurt. Review of German Paintings of the Fifteenth through Seventeenth Centuries, by John Oliver Hand with the assistance of Sally E. Mansfield. Kunstchronik 43 no. 1 (January 1995): 15.
2004Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 136-137, no. 103, color repro.
2004Koerner, Joseph Leo. The Reformation of the Image. Chicago, 2004: 226-239, fig. 106, 111.

Full Screen Image
Artist Information
Conservation Notes
Exhibition History
Inscription
Location
Narratives
Provenance

«back to gallery»continue tour