National Gallery of Art - THE COLLECTION
image of The Crucifixion Master of Saint Veronica (artist)
German, active c. 1395/1420
The Crucifixion, c. 1400/1410
tempera on panel
overall (design area): 40.7 x 25.2 cm (16 x 9 15/16 in.) support: 46.2 x 31.1 cm (18 3/16 x 12 1/4 in.) framed: 58.1 x 43.8 x 4.4 cm (22 7/8 x 17 1/4 x 1 3/4 in.)
Samuel H. Kress Collection
1961.9.29
On View
From the Tour: 15th and Early 16th-Century Germany
Object 2 of 8

1907Vollmer, Hans, ed. "Wynrich (Winrich), Hermann, Maler von Wesel." In Thieme-Becker. 37 vols. Leipzig, 1907-1950: 36(1947):333, 37(1950):344.
1917Bombe, Walter. "Die Sammlung Dr. Richard von Schnitzler in Cöln." Der Cicerone 9, no. 21/22 (1917): 362, 366, repro.
1920Lüthgen, Eugen. Die abendländische Kunst des 15. Jahrhunderts. Bonn and Leipzig, 1920: 55-57, 111, pl. 29.
1921Lüthgen, Eugen. Rheinische Kunst des Mittelalters aus kölner Privatbesitz. Bonn and Leipzig, 1921: 97, pl. 63.
1922Förster, Otto Helmut. "Die Zeit und der Markt, Ausstellungen: Köln." Der Cicerone 14, no. 24 (1922): 984.
1923Förster, Otto Helmut. Die Kölnische Malerei. Von Meister Wilhelm bis Stephan Lochner. Cologne, 1923: 41, frontispiece.
1931Förster, Otto Helmut. Die Sammlung Dr. Richard von Schnitzler. Munich, 1931: 21, no. 1, pl. 1.
1934Stange, Alfred. Deutsche Malerei der Gotik. 11 vols. Berlin and Munich, 1934-1961. Berlin, 1938: 3:58, fig. 63.
1935Schweitzer, Klaus-Heinrich. Der Veronikameister und sein Kreis. Studien zur kölnischen Kunst um 1400. Würzburg, 1935: 70-71.
1950Pieper, Paul. "Die `Notgottes' in Landesmuseum Münster." Westfalen 28 (1950): 190-191.
1956Paintings and Sculpture from the Kress Colllection Acquired by the Samuel H. Kress Foundation 1951-56. Introduction by John Walker, text by William E. Suida and Fern Rusk Shapley. National Gallery of Art. Washington, 1956: 126, no. 48, repro.
1956Frankfurter, Alfred. "Crystal Anniversary in the Capital." Art News 55, no. 1 (March 1956): 35.
1957Förster, Otto Helmut. "Um den Meister der Veronika." Wallraf-Richartz-Jahrbuch 19 (1957): 245.
1959Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 298, repro.
1960Broadley Hugh T. German Painting in the National Gallery of Art (Booklet no. 9 in Ten Schools of Painting in the National Gallery of Art, Washington, DC). Washington, 1960: 2, 14-15, color repro.
1961Wallraf-Richartz-Museum. Der Meister des Bartholomäus-Altares, der Meister des Aachener Altares: Kölner Maler der Spätgotik. Exh. cat. Wallraf-Richartz-Museum, Cologne, 1961: tipped-sheet, following page 119. (The NGA painting was in the museum in Cologne during the time of the exhibition, and was recommended in the catalog, but not in the exhibition.)
1961Seymour, Charles. Art Treasures for America: An Anthology of Paintings & Sculpture in the Samuel H. Kress Collection. London, 1961: 18, 218, fig. 15.
1963Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 304, repro.
1965Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 87
1965Oldemeyer, Gertrude. "Die Darstellung des gekreuzigten Christus in der Kunst des `Weichen Stils'." Ph.D. dissertation, Albert-Ludwigs-Universität, Freiburg in Breisgau. Aachen, 1965: 252.
1967Stange, Alfred. Kritisches Verzeichnis der deutschen Tafelbilder vor Dürer. 3 vols. Munich, 1967: 1:24, no. 35.
1968European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 76, repro.
1970Pieper, Paul. "Veronika--Meister der hl. Veronika." In Festschrift für Gert von der Osten. Cologne, 1970: 93.
1974Wallrath, Rolf, ed. Vor Stefan Lochner: Die Kölner Maler von 1300 bis 1430. Exh. cat. Wallraf-Richartz-Museum, Cologne, 1974: 38-39, 84, 85, 87, repro.
1975European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 226, repro. 227.
1977Eisler, Colin. Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian. Oxford, 1977: 1-2, fig. 1.
1978Zehnder, Frank Gütner. "Der kleine Kalvarienberg." In Die Parler und der schöne Stil 1350-1400: europäische Kunst unter den Luxemburgern. Edited by Anton Legner. 5 vols. Exh. cat. Kunsthalle, Cologne, 1978: 1:210.
1981Zehnder, Frank Günter. "Der Meister der Hl. Veronika." Ph.D. dissertation, Rheinischen Friedrich-Wilhelms-Universität, Bonn. Sankt Augustin, 1981: 86, 87, 91-95, Katalog 52, 54-56, no. 8, Tafel 1.
1984"Meister der heiligen Veronika." In Lexikon der Kunst. 5 vols. Berlin, 1984: 3:251.
1984Walker, John. National Gallery of Art Washington. Rev. ed. New York, 1984: no. 149, repro.
1985European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 259, repro.
1986Pieper, Paul. Die deutschen, niederländischen und italienischen Tafelbilder bis um 1530. (Bestandskatalogue, Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster, edited by Klaus Bussmann.) Münster, 1986: 405.
1986Budde, Rainer. Köln und seine Maler 1300-1500. Cologne, 1986: 42, 209, no. 23, fig. 27.
1992National Gallery of Art, Washington. National Gallery of Art, Washington, 1992: 57, color repro.
1993Hand, John Oliver, with the assistance of Sally E. Mansfield. German Paintings of the Fifteenth through Seventeenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, 1993: 141-145, color repro. 143.
1995Löcher, Kurt. Review of German Paintings of the Fifteenth through Seventeenth Centuries, by John Oliver Hand with the assistance of Sally E. Mansfield. Kunstchronik 43 no. 1 (January 1995): 18.
1998Faxon, Alicia Craig and Nancy Frazier. "Crucifixion." In Encyclopedia of Iconography. 2 vols. Chicago, 1998: 1:196.
2000Corley, Brigitte. Painting and Patronage in Cologne, 1300-1500. Turnhout, 2000: 80, 93, 96, 98, 108, fig. 48, 50.
2004Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 62-63, no. 47, color repro.
2012Kemperdick, Stephan. "From Master Wilhelm to Master Wilhelm: The Identity of the Cologne Master of St Veronica." The Burlington Magazine 154 (February 2012): 89, 90, color fig. 2.

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