Hans Memling (artist) Netherlandish, active c. 1465 - 1494 Saint Veronica [obverse], c. 1470/1475 oil on panel painted surface: 30.3 x 22.8 cm (11 15/16 x 9 in.) Overall (panel): 31.2 x 24.4 cm (12 5/16 x 9 5/8 in.) framed: 38.9 x 31.8 x 3.8 cm (15 5/16 x 12 1/2 x 1 1/2 in.) Samuel H. Kress Collection 1952.5.46.a Not on View |
Object 8 of 9
| 1872 | Crowe, J. A., and G. B. Cavalcaselle. The Early Flemish Painters: Notices of their Lives and Works. 2d ed. London, 1872: 299. |
| 1916 | Friedländer, Max J. Von Eyck bis Bruegel. Berlin, 1916: 178. |
| 1928 | Friedländer 1928, 6:125, no. 46 (vol. 6a, 1971: 52, 130, no. 46, pl. 95). |
| 1930 | Kunstauktion 4, no. 28 (13 July 1930):2, repro. |
| 1930 | "La vie artistique à l'étranger." Le Bulletin de l'art ancien et moderne 58 (1930): 416, repro. 415. |
| 1930 | Friedländer, Max, J. In Unknown Masterpieces in Public and Private Collections. Ed. by W.R. Valentiner. London, 1930: unpaginated, no. 27 [erroneously cited as no. 37 in the published systematic catalogue entry], repro. |
| 1930 | Mayer, August L. "Die Ausstellung der Sammlung `Schloss Rohoncz' in der Neuen Pinakothek, MĂĽnchen." Pantheon 6 (1930): 297, repro. 305. |
| 1937 | Heinemann, Rudolf. Stiftung Sammlung Schloss Rohoncz. 2 vols. Lugano-Castagnola, 1 (1937): 104-105, no. 281, pl. 68. |
| 1939 | Bazin, Germain. Memling. Paris, 1939: pls. 10, 11. |
| 1942 | Baldass, Ludwig von. Hans Memling. Vienna, 1942: 20, 42, no. 57, fig. 57. |
| 1949 | Alexander, H. G. "The Thyssen-Bornemisza Collection at Lugano." The Connoisseur 123 (1949): 30, fig. VI. |
| 1950 | Krönig, Wolfgang. "Geertgens Bild Johannes des Täufers." Das Münster 3 (1950): 198. |
| 1951 | Frankfurter, Alfred M. "Interpreting Masterpieces." Art News 50 (1951): 102, 111, repros. 102, 105. |
| 1952 | Frankfurter, Alfred M. "Interpreting Masterpieces: Twenty-four Paintings from the Kress Collection." Art News Annual 1952:102,111, repro. 105 |
| 1952 | Sterling, Charles. La Nature morte de l'antiquité à nos jours. Paris, 1952: 27, 127. |
| 1953 | Panofsky, ENP 1953, 498. |
| 1954 | Ferguson, George. Signs and Symbols in Christian Art. New York, 1954: pl. XI. |
| 1957 | Shapley, Fern Rusk. Comparisons in Art: A Companion to the National Gallery of Art, Washington, DC. London, 1957 (reprinted 1959): pl. 122, 132 |
| 1959 | Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 285, repro. |
| 1960 | Flanders in the Fifteenth Century: Art and Civilization. Exh. cat. Detroit Institute of Arts, 1960: 144. |
| 1960 | Broadley, Hugh T. Flemish Painting in the National Gallery of Art. Washington, D.C., 1960 (Booklet Number Five in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 5, 22, color repro. of 1952.5.46.b. |
| 1961 | Seymour, Charles. Art Treasures for America: An Anthology of Paintings & Sculpture in the Samuel H. Kress Collection. London, 1961: 62-63, 213, pls. 55, 56. |
| 1962 | Neugass, Fritz. "Die Auflösung der Sammlung Kress." Die Weltkunst 32 (1962): 4. |
| 1962 | Cairns, Huntington and John Walker, eds., Treasures from the National Gallery of Art, New York, 1962: 56, color repro. |
| 1962 | Cairns, Huntington and John Walker, eds., Treasures from the National Gallery of Art, New York, 1962: 56. |
| 1963 | Walker, John. National Gallery of Art, Washington, D.C.. New York, 1963 (reprinted 1964 in French, German, and Spanish): 304, repro. |
| 1965 | Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 89 |
| 1966 | Cairns, Huntington and John Walker, eds., A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 1:84, color repro. |
| 1967 | Kermer, Wolfgang. Studien zum Diptych. in der sakralen Malerei von den Anfängen bis zur Mitte des sechzehnten Jahrh. 2 vols. Ph.D. diss., Eberh.-Karls-Univ., Tübingen, 1967: 1:184-187, 292-294,; 2:139-141, no.139, figs.178, 179. |
| 1968 | European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 78, repro. |
| 1969 | Corti, Maria, and Giorgio T. Faggin. L'opera completa di Memling. Milan, 1969: 104, no. 59b. pl. 51. |
| 1971 | McFarlane, K. B. Hans Memling. Ed. Edgar Wind. Oxford, 1971: 45, fig. 132. |
| 1975 | European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 232, repro. 233. |
| 1977 | Eisler, Colin. Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian. Oxford, 1977: 55-57, figs. 50, 51, as St. Veronica Holding the Sudarium; The Chalice of St. John the Evangelist in a Niche. |
| 1978 | Chastel, André. "La Véronique." Revue de l'Art no. 40/41 (1978): 75, 82. |
| 1979 | Rosenbaum, Allen. Old Master Paintings from the Collection of Baron Thyssen-Bornemisza. Exh. cat. International Exhibitions Foundation, Washington, 1979: 116. |
| 1981 | Brown, Clifford M. "Un tableau perdu de Lorenzo Costa et la collection de Florimond Robertet." Revue de l'Art no. 52 (1981): 27-28, fig. 4. |
| 1981 | Campbell, Lorne. "Notes on Netherlandish pictures in the Veneto in the fifteenth and sixteenth centuries." The Burlington Magazine 123 (1981): 471, fig. 15. |
| 1981 | Fletcher, Jennifer. "Marcantonio Michiel, `che ha veduto assai.'" The Burlington Magazine 123 (1981): 604-606. |
| 1981 | Hull, Vida Joyce. Memlinc's Paintings from the Hospital of Saint John in Bruges. New York and London, 1981: 123-128, 140-141, figs. 44, 45. |
| 1983 | [Peter Eikemeier], Alte Pinakothek München. Erläuterung zu den ausgestellten Gemälden. Munich, 1983: 341. |
| 1983 | Shearman, John. "A drawing for Raphael's `St. George.'" The Burlington Magazine 125 (1983): 25. |
| 1983 | Shearman, John. The Early Italian Pictures in the Collection of her Majesty the Queen. Cambridge, 1983: 210. |
| 1983 | Sonnenburg, Hubertus von. Raphael in der Alten Pinakothek. Exh. cat. Bayerische Staatsgemäldesammlungen, Munich, 1983: 107-108. |
| 1984 | Gould, Cecil. Review of The Early Italian Pictures in the Collection of her Majesty the Queen by John Shearman. In Apollo 119 (1984): 225. |
| 1984 | Walker, John. National Gallery of Art, Washington. (rev. ed.) New York, 1984: 130, no. 118, color repro. |
| 1985 | European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 267, repro. |
| 1986 | Hand, John Oliver and Martha Wolff. Early Netherlandish Painting. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1986: 193-201, color repro. 194, repro. 195. |
| 2004 | Neverov, Oleg Yakovlevich. Great Private Collections of Imperial Russia. New York and St. Petersburg, 2004: 126-128, ill. 161. |
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