National Gallery of Art - THE COLLECTION
image of Madonna and Child with Saints in the Enclosed Garden Follower of Robert Campin
Anonymous Artist (painter)
Robert Campin (related artist)
Netherlandish, c. 1375 - 1444
Madonna and Child with Saints in the Enclosed Garden, c. 1440/1460
oil on panel
painted surface: 119.8 x 148.5 cm (47 3/16 x 58 7/16 in.) overall (panel): 122.2 x 151.2 cm (48 1/8 x 59 1/2 in.) framed: 138.7 x 166.7 x 9.5 cm (54 5/8 x 65 5/8 x 3 3/4 in.)
Samuel H. Kress Collection
1959.9.3
On View
From the Tour: Netherlandish Painting in the 1400s
Object 2 of 9

1833Passavant, J. D. Kunstreise durch England und Belgien. Frankfurt-am-Main, 1833: 348.
1833"Nachrichten über die alt-niederländische Malerschule." Kunst-Blatt 81 (1833): 321.
1839Spyers, F. A. "Beschryving van twee ... Schilderyen uit de School der ... Van Eyck." Belgisch Museum voor der Nederduitsche Tael- en Letterkunde en de Geschiedenis des Vaderlands. Ghent, (1839): 3:182-189, repro. opp. 183.
1843Passavant, J. D. "Beiträge zur Kenntniss der altniederländischen Malerschulen bis zur Mitte des sechzehnten Jahrhunderts." Kunst-Blatt 55 (1843): 230.
1845Michiels, Alfred. Histoire de la peinture flamande et hollandaise. 4 vols. Brussels, 1845: 1:410-412.
1858Nagler, Georg Kasper. Die Monogrammisten. 5 vols. Munich and Leipzig, 1858: 1:1, no. 1.
1951Paintings and Sculpture from the Kress Collection Acquired by the Samuel H. Kress Foundation 1945-1951. Introduction by John Walker, text by William E. Suida. National Gallery of Art, Washington, 1951: 168, no. 74, repro., as by Master of Flemalle Studio.
1953Panofsky Erwin. Early Netherlandish Painting: Its Origins and Character. 2 vols. Cambridge, Mass., 1953: 1:425-426.
1954Davies, Martin. Primitifs flamands. Corpus. The National Gallery London. 3 vols. Antwerp, 1954: 2:177, under no. 57.
1959Richardson, E. P., ed. "Accessions of American and Canadian Museums, April-June 1959." The Art Quarterly 22, no. 3 (Autumn 1959): 273, 275, repro.
1959Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 277, repro., as by Master of Flémalle and Assistants.
1960Broadley Hugh T. Flemish Painting in the National Gallery of Art (Booklet no. 5 in Ten Schools of Painting in the National Gallery of Art, Washington, DC). Washington, 1960: 3, 14-15, color repro.
1961Seymour, Charles. Art Treasures for America: An Anthology of Paintings & Sculpture in the Samuel H. Kress Collection. London, 1961: 12-14, 218, color fig. 9-11
1961Meiss, Millard. "`Highlands' in the Lowlands: Jan van Eyck, the Master of Flémalle and the Franco-Italian Tradition." Gazette des Beaux-Arts 57 (1961): 277, 310, fig 5.
1963Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 304, repro., as Master of Flémalle and Assistants.
1964Koch, Robert A. "Flower Symbolism in the Portinari Altar." The Art Bulletin 46 no. 1 (March 1964): 75.
1965Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 85, as by Master of Flémalle and Assistants.
1966Frinta, Mojmír S. The Genius of Robert Campin. The Hague, 1966: 118, 120-121, fig. 72-73.
1966Stange, Alfred. "Vier südflandrische Marientafeln. Ein Beitrag zur Genese der niederländischen Malerei." Alte und moderne Kunst 11, no. 89 (1966): 19, fig. 21.
1967Van Gelder, J. G. "An early Work by Robert Campin." Oud Holland 82 (1967): 3-4.
1968European Paintings and Sculpture: Illustrations (Companion to the Summary Catalogue, 1965). Washington, 1968: 75, no. 1338, repro., as by Master of Flémalle and Assistants.
1971Sterling, Charles. "Observations on Petrus Christus." The Art Bulletin 53 (1971): 5.
1971Ward, John L. "A Proposed Reconstruction of an Altarpiece by Roger van der Weyden." The Art Bulletin 53, no. 1 (March 1971): 32-33, fig 9.
1971Vos, Dirk de. "De Madonna-en-Kindtypologie bij Rogier van der Weyden." Jahrbuch der königlich Preussischen Kunstsammlungen (Jahrbuch der Berliner Museen) 13 (1971): 71, 74-80, 92, 97, 154, 156, 158, fig. 11.
1972Davies, Martin. Rogier van der Weyden. London, 1972: 261.
1972Kerber, Ottmar. "Die Hubertus-Tafeln von Rogier van der Weyden." Pantheon 30 (1972): 299.
1974Bruyn, Josua. Review of Rogier van der Weyden by Martin Davies. The Burlington Magazine 116 (1974): 540.
1975European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 220, repro. 221.
1975Verdier, Philippe. "La Trinité debout de Champmol." In Etudes d'art français offertes à Charles Sterling. Paris, 1975: 85.
1977Eisler, Colin. Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian. Oxford, 1977: 46-50, fig. 47, color repro.
1977Eisler, Colin. Review of Petrus Christus by Peter H. Schabacker. In Art Bulletin 59 (1977): 141.
1984Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 125, no. 113, color repro., as by Master of Flémalle and Assistants.
1985European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 71, repro.
1986Hand, John Oliver and Martha Wolff. Early Netherlandish Painting. The Collections of the National Gallery of Art Systematic Catalogue. Washington, 1986: 35-40, color repro. 37.
1992National Gallery of Art, Washington. National Gallery of Art, Washington, 1992: 37, repro.
1998Apostolos-Cappadona, Diane. "Virgin/Virginity." In Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art. Edited by Helene E. Roberts. 2 vols. Chicago, 1998: 2:905.
2012Amsler, Mark. Affective Literacies: Writing and Multilingualism in the Late Middle Ages. Turnhout, 2012: color plate 4.

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Artist Information (Anonymous Artist)
Artist Information (Robert Campin)
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Exhibition History
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