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Jan van Eyck (artist) Netherlandish, c. 1390 - 1441 The Annunciation, c. 1434/1436 oil on canvas transferred from panel painted surface: 90.2 x 34.1 cm (35 1/2 x 13 7/16 in.) support: 92.7 x 36.7 cm (36 1/2 x 14 7/16 in.) framed: 102.2 x 55.9 x 8.9 cm (40 1/4 x 22 x 3 1/2 in.) Andrew W. Mellon Collection 1937.1.39 On View |
Object 3 of 9
| 1833 | Passavant, J. D. "Nachrichten über die alt-niederländische Malerschule." Kunst-Blatt no. 83 (1833): 320. |
| 1843 | Nieuwenhuys, C. J. Description de la Galerie des Tableaux de S. M. le Roi des Pays-Bas. Brussels, 1843: 1-2. |
| 1847 | Michiels, Alfred. Histoire de la peinture flamande et hollandaise. 4 vols. Paris, 1847: 2:127. |
| 1850 | Catalogue des Tableaux Anciens et Modernes, de Diverses Écoles; Dessins et Statues, Formant la Galerie de feu sa Majesté Guillaume II. Amsterdam, 1850: 1, no. 1. |
| 1858 | Hotho, H. G. Die Malerschule Hubert's van Eyck nebst Vorgängern und Zeitgenossen. Berlin, 1858: 2, 171. |
| 1864 | Waagen, Gustav Friedrich. Die Gemäldesammlung in der Kaiserlichen Ermitage zu St. Petersburg. Munich, 1864: 115-116, no. 443. |
| 1866 | Michiels, Alfred. Histoire de la peinture flamande depuis ses débuts jusqu'en 1864. 6 vols. Paris, 1866: 2:317-318. |
| 1870 | Ermitage Impérial. Catalogue de la galerie des tableaux. Les Écoles germaniques. 2d ed. 3 vols. Saint Petersburg, 1870: 2:3-4, no. 443. |
| 1872 | Crowe, J. A., and G. B. Cavalcaselle. The Early Flemish Painters: Notices of Their Lives and Works. 2d ed. London (2d ed.), 1872: 113-114. |
| 1879 | Ris, L. Clément de. "Musée Impérial de l'Ermitage à Saint-Pétersbourg." Gazette des Beaux-Arts 19 (1879): 573-574, repro. 577 (drawing by Goutzwiller). |
| 1887 | Conway, William. Early Flemish Artists and Their Predecessors of the Lower Rhine. London, 1887: 140-141. |
| 1898 | Kaemmerer, Ludwig. Hubert und Jan van Eyck. Bielefeld and Leipzig, 1898: 69-71, repro. |
| 1899 | Seeck, Otto. Die charakterischen Unterschiede der BrĂĽder van Eyck. Berlin, 1899: 41, 70. |
| 1900 | Friedländer, Max J. Review of Die Werke des Jan van Eyck by Karl Voll. In Repertorium für Kunstwissenschaft 23 (1900): 474. |
| 1900 | Kaemmemer, Ludwig. "Die neueste Eycklitteratur." Kunstchronik 12 (8 November, 1900): cols. 67-68, 70. |
| 1900 | Voll, Karl. Die Werke des Jan van Eyck. Strasbourg, 1900: 62-65. |
| 1901 | Somof, A. Ermitage Inpérial. Catalogue de la galerie des tableaux. Écoles néerlandaises et école allemande. 2 vols. Saint Petersburg, 1901: 2:110-111. |
| 1901 | Voll, Karl. "Jan van Eyck en France." Gazette des Beaux-Arts 25 (1901): 217-218. |
| 1903 | Dvorák, Max. "Das Rätsel der Kunst der Brüder van Eyck." Jahrbuch der kunsthistorischen Sammlungen des allerhöchsten Kaiserhauses (Jahrbuch der kunsthistorischen Sammlungen in Wien) 24 (1903): 237, repro. 236 (printed in book form, Munich, 1925: 119). |
| 1903 | Weale, Frances. Hubert and Jan van Eyck. New York, 1903: 30. |
| 1904 | Kern, G. Joseph. Die GrundzĂĽge der linear-perspektivischen Darstellung in der Kunst der GebrĂĽder van Eyck und ihrer Schule. Leipzig, 1904: 13-14, diagram pl. 7. |
| 1906 | Kleinclausz, A. "Les Peintres des Ducs de Bourgogne." Revue de l'Art Ancien et Moderne 20 (1906): 258, repro. 259. |
| 1906 | Voll, Karl. Die altniederländische Malerei von Jan van Eyck bis Memling. Leipzig, 1906: 36. |
| 1906 | Wurzbach, Alfred von. Niederländisches Künstler-Lexikon. 3 vols. Vienna and Leipzig, 1906: 1:514. |
| 1907 | "Correspondance de Belgique. L'exposition de la toison d'or à Bruges." La Chronique des Arts et de la Curiosité no. 26 (1907): 252. |
| 1907 | Les Chefs-d'oeuvre de l'art flamand Ă l'exposition de la toison d'or. Bruges, 1907: 16-17, repro. |
| 1907 | Girodie, André. "La Toison d'or et l'art néerlandais sous les ducs de Bourgogne." L'Art de les Artistes 5 (September, 1907): 289-290, repro. |
| 1907 | Hymans, Henri. "L'Exposition de la toison d'or Ă Bruges." Gazette des Beaux-Arts 38 (1907): 203-204, repro. opp. 204. |
| 1907 | Hymans, Henri. Les Van Eyck. Paris, 1907: 111-112, repro. 109. |
| 1907 | Mandach, C. de "L'Exposition de la toison d'or et de l'art néerlandais sous les ducs de Bourgogne." Revue de l'Art Ancien et Moderne 22 (1907): 155. |
| 1907 | Strange, Edward. "The Exhibition of the Golden Fleece at Bruges." The Connoisseur 19, no. 73 (1907): 32, repro. |
| 1908 | Les Chefs-d'oeuvre d'art ancien Ă l'exposition de la toison d'or Ă Bruges en 1907. Brussels, 1908: 78, pl. 361. |
| 1908 | Saintenoy, Paul. L'Église Saint-Jacques de Compostelle et le décor architectural de l'Annonciation de Jean van Eyck. Antwerp, 1908: 4-5, 8-10. |
| 1908 | Weale, W. H. James. Hubert and John van Eyck. Their Life and Work. London, 1908: 119-122, no. 16, repro. betw. 118 and 119. |
| 1909 | Wrangell, Nicolas. Les Chefs-d'oeuvre de la galerie de tableaux de l'Ermitage Impérial à St. Pétersbourg. Munich, 1909: XI, repro. 62. |
| 1910 | "Extraits des procès-verbaux des séances. Séance de rentrée du 13 novembre 1907." Mémoires de l'Académie des sciences, arts et belle-lettres de Dijon 4e sér. 11 (1910): LXX. |
| 1910 | Durand-Gréville, E. Hubert et Jean van Eyck. Brussels, 1910: 80-85, repro. opp. 80. |
| 1912 | Kern, G. Joseph. "Perspective und Bildarchitektur bei Jan van Eyck." Repertorium fĂĽr Kunstwissenschaft 35 (1912): 50-51. |
| 1912 | RĂ©au, Louis. "La galerie de tableaux de l'Ermitage et la collection Semenov." Gazette des Beaux-Arts 8 (1912): 471-472. |
| 1912 | Weale, W. H. James, and Maurice Brockwell. The Van Eycks and Their Art. London, 1912: 98-102, pl. 19. |
| 1913 | Durand-Gréville, E. Review of The Van Eycks and their Art by W. H. James Weale and Maurice Brockwell. In La Chronique des Arts et de la Curiosité no. 32 (1913): 254. |
| 1915 | Friedländer, Max J. "Eyck, Jan van." In Thieme-Becker 1915, 11:129-133. |
| 1919 | Huizinga, Johan. Herfsttij der Middeleeuwen. Haarlem, 1919: 474-476. |
| 1921 | Brockwell, Maurice. "Exposition des Beaux-Arts de Burlington Club." La Chronique des Arts et de la Curiosité no. 2 (1921): 14. |
| 1921 | Conway, Martin. The Van Eycks and Their Followers. London, 1921: 64-65. |
| 1922 | Pfister, Kurt. Van Eyck. Munich, 1922: 62, pl. 14. |
| 1924 | Schmarsow, August. Hubert und Jan van Eyck. Leipzig, 1924: 135-141, pl. 29. |
| 1924 | Winkler, Friedrich. Die alniederländische Malerei. Berlin, 1924: 49. |
| 1924 | Friedländer 1924, 1:104-105, pl. 44 (vol. 1, 1967: 63-64, pl. 57). |
| 1925 | Burger, Willy. Die Malerei in den Niederlanden 1400-1550. Munich, 1925: 18-20, pl. 10. |
| 1927 | Reinach, S. "Three Early Panels from the Ducal Residence at Dijon." The Burlington Magazine 50 (1927): 234-245. |
| 1928 | Demonts, Louis. "Le Maître de l'Annonciation d'Aix, des van Eyck à Antonello de Messine." Revue de l'Art Ancien et Moderne 53 (1928): 265, 278. |
| 1932 | Tolnai, Karl von. "Zur Herkunft des Stiles der van Eyck." MĂĽnchner Jahrbuch der bildenden Kunst 9 (1932): 322. |
| 1934 | Friedländer, Max J. "A New Painting by van Eyck." The Burlington Magazine 65 (1934): 3. |
| 1934 | Jong, Johannes de. Architektuur bij de Nederlandsche Schilders vóór de Hervorming. Amsterdam, 1934: 70-71, 134, 155-156, figs. 65, 128, 149. |
| 1935 | "Mellon Holdings Are Announced by Knoedler & Co." Art News 33 (23 February, 1935): 4, repro. 9. |
| 1935 | "Mellon to Give Gallery and 19,000,000 of Art to Nation." Art Digest 9 (1 March, 1935): 6, repro. |
| 1935 | Panofsky, Erwin. "The Friedsam Annunciation and the Problem of the Ghent Altarpiece." The Art Bulletin 17 (1935): 449, 468, 471, 473, fig. 22. |
| 1935 | Tietzte, Hans. Meisterwerke europäischer Malerei in Amerika. Vienna, 1935: 333, no. 122, repro. 123. |
| 1936 | Robb, David. "The Iconography of the Annunciation in the Fourteenth and Fifteenth Centuries." The Art Bulletin 18 (1936): 506-508, fig. 31. |
| 1937 | Beenken, Hermann. "The Annunciation of Petrus Christus in the Metropolitan Museum and the Problem of Hubert van Eyck." The Art Bulletin 19 (1937): 231. |
| 1937 | Dupont, Jacques. "Les peintures de la Chartreuse de Champmol." Bulletin de la Société de l'Histoire de l'Art Français (1937): 155-157. |
| 1937 | Cortissoz, Royal. An Introduction to the Mellon Collection. Boston, 1937: repro. opposite p. 31 |
| 1938 | Burroughs, Alan. Art Criticism from a Laboratory. Boston, 1938: 201-202. |
| 1939 | Tolnay, Charles de. Le Maître de Flémalle et les frères van Eyck. Brussels, 1939: 25, 66, no. 5, repro. 71-73. |
| 1941 | Held, Julius S. "Masters of Northern Europe, 1430-1660, in the Natinal Gallery." Art News 40 (June, 1941): 11, repro. |
| 1941 | Tolnay, Charles de. "Flemish Paintings in the National Gallry of Art." Magazine of Art 34 (1941): 175-176, 178, figs. 1, 3-5. |
| 1941 | Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 61-62. |
| 1942 | Friedländer, Max J. On Art and Connoisseurship. London, 1942: 186-187. |
| 1942 | Book of Illustrations. National Gallery of Art, Washington, 1942: 240, repro. 38. |
| 1943 | Beenken, Hermann. Hubert und Jan van Eyck. 2d ed. Munich, 1943: 78-80, 88, pl. 106. |
| 1944 | Cairns, Huntington and John Walker, eds., Masterpieces of Painting from the National Gallery of Art. New York, 1944: 84, color repro. |
| 1945 | Meiss, Millard. "Light as Form and Symbol in Some Fifteenth-Century Paintings." The Art Bulletin 27 (1945): 178-179, fig. 4. |
| 1946 | Favorite Paintings from the National Gallery of Art Washington, D.C.. New York, 1946: 43-45, color repro. |
| 1948 | Beer, E. S. de. "Gothic: Origin and Diffusion of the Term; the Idea of Style in Architecture." Journal of the Warburg and Courtauld Institutes 11 (1948): 159. |
| 1948 | Musper, Theodor. Untersuchungen zu Rogier van der Weyden und Jan van Eyck. Stuttgart, 1948: 104-105, pl. 165. |
| 1949 | Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 52, repro. |
| 1950 | Kauffmann, Hans. "Jan van Eyck's `Arnolfinihochzeit.'" Geistige Welt 4 (January, 1950): 48-49, repro. |
| 1952 | Baldass, Ludwig. Jan van Eyck. London, 1952: 54-55, 277-278, no. 9, pls. 113-115. |
| 1952 | Ladoué, Pierre. "La Scène de L'Annunciation vue par les peintres." Gazette des Beaux-Arts 39 (1952): 355. |
| 1952 | Meiss, Millard. "`Nicolas Albergati' and the Chronology of Jan van Eyck's Portraits." The Burlington Magazine 94 (1952): 137. |
| 1953 | Panofsky, ENP 1953, 137-139, 147-148, 193-194, fig. 238. |
| 1954 | Fourez, Lucien. "L'Évêque Chevrot de Tournai et sa Cité de Dieu." Revue Belge d'Archéologie et d'Histoire de l'Art 23 (1954): 100-101, fig. 16. |
| 1955 | Winkler, Friedrich. Review of Early Netherlandish Painting by Erwin Panofsky. In Kunstchronik 8 (1955): 22. |
| 1956 | Herzog, Erich. "Zur Kirchenmadonna van Eycks." Berliner Museen 6 (1956): 5, 14. |
| 1956 | Pächt, Otto. Review of Early Netherlandish Painting by Erwin Panofsky. In The Burlington Magazine 98 (1956): 274. |
| 1956 | Walker, John. National Gallery of Art, Washington. New York, 1956: 36, repro. |
| 1957 | Quarré, Pierre. "Fragment d'un primitif de la Chartreuse de Champmol au Musée des Arts Decoratifs." La Revue des Arts 7 (1957): 63. |
| 1957 | Shapley, Fern Rusk. Comparisons in Art: A Companion to the National Gallery of Art, Washington, DC. London, 1957 (reprinted 1959): 12, fig 6, pl. 7, 121 |
| 1960 | Broadley, Hugh T. Flemish Painting in the National Gallery of Art. Washington, D.C., 1960 (Booklet Number Five in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 2-3, 12, color repro. |
| 1960 | [Pierre Quarré]. La Chartreuse de Champmol: Foyer d'art au temps des Ducs Valois. Exh. cat. Musée de Dijon, 1960: 15. |
| 1960 | Wilenski, R. H. Flemish Painters 1430-1830. 2 vols. New York, 1960: 1:12. |
| 1960 | The National Gallery of Art and Its Collections. Foreword by Perry B. Cott and notes by Otto Stelzer. National Gallery of Art, Washington (undated, 1960s): 19, color repro. 7. |
| 1961 | Denis, Valentin. All the Paintings of Jan van Eyck. New York, 1961: 28, 48, pls. 81-85. |
| 1961 | Faggin, Giuseppe. Van Eyck. Verona, 1961: 116, 126, 195, no. 14, figs. 73-76. |
| 1961 | Kurz, Otto. "Eyck, Hubert, and Jan van." Encyclopedia of World Art. 16 vols. New York, Toronto, and London, 1961: 5:col. 327. |
| 1961 | Meiss, Millard. "`Highlands' in the Lowlands. Jan van Eyck, the Master of Flémalle and the Franco-Italian Tradition." Gazette des Beaux-Arts 57 (1961): 310. |
| 1961 | Schilling, Rosy. "Das Llangattock-Stundenbuch. Sein Verhältnis zu Van Eyck und dem Vollender des Turin Mailänder Stundenbuches." Wallraf-Richartz-Jahrbuch 23 (1961): 225. |
| 1961 | Seznec, Jean. "Michelet et l'Annonciation." Gazette des Beaux-Arts 58 (1961): 147, fig. 151. |
| 1963 | Bauch, Kurt. "Bildnisse des Jan van Eyck." Heidelberger Akademie der Wissenschaften. Jahresheft 1961/1962. Wiesbaden, 1963: 101. Repr. in Kurt Bauch, Studien zur Kunstgechichte. Berlin, 1967: 83. |
| 1963 | Bruyn, Josua. "Twee Kardinaalsportretten in het werk van Jan van Eyck." Album Discipulorum J. G. van Gelder. Utrecht, 1963: 30. |
| 1963 | McNamee, M. B. "Further Symbolism in the Portinari Altarpiece." The Art Bulletin 45 (1963): 143. |
| 1963 | Walker, John. National Gallery of Art, Washington, D.C.. New York, 1963 (reprinted 1964 in French, German, and Spanish): 96, repro. |
| 1965 | Bol, L. J. Jan van Eyck. New York, 1965: 87, repro. 47. |
| 1965 | Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 48 |
| 1966 | Cairns, Huntington and John Walker, eds., A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 1:74, color repro. |
| 1967 | Thalheimer, Siegfried. Der Genter Altar. Munich, 1967: 71. |
| 1968 | Cuttler 1968, 85-86, fig. 101. |
| 1968 | Faggin, Giorgio T. L'opera completa dei van Eyck. Milan, 1968: 94-95, repro. no. 18, pls. 35-36. |
| 1968 | Meiss, Millard. French Painting in the Time of Jean de Berry. The Bouciaut Master. London, 1968: 72-73. |
| 1968 | European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 41, repro. |
| 1969 | Blum, Shirley Neilsen. Early Netherlandish Triptychs. Berkeley and Los Angeles, 1969: 10. |
| 1969 | Minott, Charles. "The Theme of the MĂ©rode Altarpiece." The Art Bulletin 51 (1969): 267. |
| 1969 | Pauwels, H. Review of Der Genter Altar by Siegfried Thalheimer. In The Burlington Magazine 111 (1969): 393. |
| 1969 | Peman y Pemartin, Cesar. Juan van Eyck y España. Cadiz, 1969: 43-44, fig. 24. |
| 1971 | Philip, Lotte Brand. The Ghent Altarpiece and the Art of Jan van Eyck. Princeton, 1971: 139, fig. 138. |
| 1972 | Braunfels, Wolfgang. Monasteries of Western Europe. Princeton, 1972: 120, fig. 145. |
| 1972 | Kahr, Madlyn. "Delilah." The Art Bulletin 54 (1972): 284. |
| 1972 | Strauss, Konrad. "Keramikgefässe, insbesondere Fayencegefässe auf Tafelbildern der ... niederländischen Schule des 15. und 16. Jahrhunderts." Keramik-Freunde der Schweiz. Mitteilungsblatt no. 84 (197l): 22, pl. 3, fig. 1. |
| 1973 | Koller, Manfred. "Der Albrechtsmeister und Conrad Laib. Technologische Beiträge zur Tafelmalerei des `Realistischen Stiles' in Österreich." Österreichische Zeitschrift für Kunst und Denkmalpflege 27 (1973): 52. |
| 1973 | Stangel, Andrew Laurie. "The Cartographic Symbolism in Jan van Eyck's Annunciation in the National Gallery of Art, Washington, D.C." Comitatus 4 (1973): 41-48, repro. 44, 45. |
| 1974 | Birkmeyer, Karl. Review of The Ghent Altarpiece and the Art of Jan van Eyck by Lotte Brand Philip. In The Art Bulletin 56 (1974): 286. |
| 1974 | Meiss, Millard. French Painting in the Time of Jean de Berry. The Limbourgs and their Contemporaries. New York, 1974: 446. |
| 1974 | Walker, John. Self-Portrait with Donors. Boston, 1974: 115. |
| 1975 | Collier, James Mitchell. "Linear Perspective in Flemish Painting and the Art of Petrus Christus and Dirk Bouts." Ph.D. diss., University of Michigan, 1975: 62-63, fig. 16. |
| 1975 | Ward, John. "Hidden Symbolism in Jan van Eyck's Annunciations." The Art Bulletin 57 (1975): 196-208, repro. |
| 1975 | European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 124, repro. 125. |
| 1975 | Walker, John. National Gallery of Art, Washington. New York, 1975: 120, repro. 121. |
| 1976 | Sterling, Charles. "Jan van Eyck avant 1432." Revue de l'Art no. 33 (1976): 9, 11. |
| 1977 | Williams, Carolyn. "Jan van Eyck's Annunciation. An Iconographical Study." M.A. thesis, University of Delaware, 1977. |
| 1978 | Bernardini, Cecilia. Jan van Eyck. Rome, 1978: 12, pl. 20. |
| 1978 | Panhans-Bühler, Ursula. Eklektizismus und Originalität im Werk des Petrus Christus. Vienna, 1978: 71, fig. 4. |
| 1979 | Châtelet, Albert. Van Eyck. Bologna, 1979: 40, 42, pl. 7. |
| 1979 | Watson, Ross. National Gallery of Art. London, 1979: 47, pl. 30, color repro. |
| 1980 | Dhanens, Elisabeth. Hubert and Jan van Eyck. Antwerp, 1980: 355, 358, fig. 221. |
| 1981 | Lyman, Thomas. "Architectural Portraiture and Jan van Eyck's Washington Annunciation." Gesta 20/1 (1981): 263-271, fig. 1. |
| 1981 | O'Meara, Carra Ferguson. "Isabelle of Portugal as the Virgin in Jan van Eyck's Washington Annunciation." Gazette des Beaux-Arts 97 (1981): 99-103, figs. 1-2. |
| 1982 | Purtle, Carol J. The Marian Paintings of Jan van Eyck. Princeton, 1982: 40-58, 60, 75, figs. 26, 28-29. |
| 1983 | Giltay, J. Review of Hubert and Jan van Eyck by Elisabeth Dhanens. In Simiolus 13 (1983): 56-57. |
| 1984 | Lane, Barbara G. The Altar and the Altarpiece. Sacramental Themes in Early Netherlandish Painting. New York, 1984: 45-47, fig. 28. |
| 1984 | Walker, John. National Gallery of Art, Washington. (rev. ed.) New York, 1984: 120, no. 104, color repro. |
| 1985 | European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 150, repro. |
| 1986 | Hand, John Oliver and Martha Wolff. Early Netherlandish Painting. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1986: 76-86, color repro. 77. |
| 1992 | National Gallery of Art, Washington. National Gallery of Art, Washington, 1992: 40, repro. |
| 1994 | Hand, John Oliver. Jan van Eyck's 'Annunication'. Exh. cat. National Gallery of Art, Washington, D.C., 1994. |
| 1995 | Stokstad, Marilyn. Art History. New York, 1995:18, fig. 5, repro. (Rev. ed. 1999:18, fig. 5, repro.) |
| 1998 | From Van Eyck to Bruegel: Early Netherlandish Painting in the Metropolitan Museum of Art. Exh. cat. Edited by Maryan W. Ainsworth and Keith Christiansen. The Metropolitan Museum of Art, 1998: 81-42, repro. no. 44. |
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