Portrait of a Lady - Literature

Rogier van der Weyden
Netherlandish, 1399/1400 - 1464
Portrait of a Lady, c. 1460
oil on panel
painted surface: 34 x 25.5 cm (13 3/8 x 10 1/16 in.) Overall (panel): 37 x 27 cm (14 9/16 x 10 5/8 in.) framed: 60.9 x 53.3 x 11.4 cm (24 x 21 x 4 1/2 in.)
Andrew W. Mellon Collection
1937.1.44

From the Tour: Netherlandish Painting in the 1400s
Object 4 of 9

0	Wauters, A. J. Die vlämische Malerei. Leipzig, n.d.: 64.
1897	Firmenich-Richartz, E. "Hugo van der Goes. Eine Studie zur Geschichte der altvlämischen Malerschule." Zeitschrift für christliche Kunst 9 (1897): 385.
1899	Friedländer, Max J. In Ausstellung von Kustwerken des Mittelalters und der Renaissance aus Berliner Privatbesitz. Exh. cat. Kunstgeschichtlichen Gesellschaft, Berlin, 1899: 7.
1900	Wauters, A. J. Le Musée de Bruxelles. Tableaux anciens. Notice, guide et catalogue. Brussels, 1900: 60-61.
1902	Hulin de Loo, Georges. Bruges. Exposition des tableaux flamands des XIVe, XVe, et XVIe siècles. Catalogue crtique. Ghent, 1902: 25, no. 108.
1902	Hymans, Henri. "L'Exposition des primitifs flamands à Bruges." GBA 28 (1902): 294, repro. 293. (Repr. as a book, Paris, 1902: 62, repro. 59.)
1903	Friedländer, Max J. "Die Brügger Leihausstellung von 1902." Repertorium für Kunstwissenschaft 26 (1903): 71.
1903	Friedländer, Max J. Meisterwerke der niederländischen Malerei des XV. und XVI. Jahrhunderts auf der Ausstellung zu Brügge 1902. Munich, 1903: 6, no. 12, pl. 12.
1903	Weale, W. H. James. "The Early Painters of the Netherlands as Illustrated by the Bruges Exhibition of 1902." The Burlington Magazine 1 (1903): 202, repro. 209.
1906	Voll, Karl. Die alniederlädische Malerei von Jan van Eyck bis Memling. Leipzig, 1906: 73, 289.
1907	Reinach, Salomon. Répertoire de peintures du moyen âge et de la Renaissance (1280-1580). 2 vols. Paris, 1907: 2:484, no. 2, repro.
1908	Laban, Ferdinand. "Ein neuer Roger. Begleitworte zu seiner Veröffentlichung." Zeitschrift für bildende Kunst N.F. 19 (1908): 58, 60, 64, repro. 55.
1913	Winkler, Friedrich. Der Meister von Flémalle und Rogier van der Weyden. Strasbourg, 1913: 53-55, 176.
1916	Friedländer, Max J. Von Eyck bis Brugel. Berlin, 1916: 175.
1921	Conway, Sir Martin. The Van Eycks and their Followers. London, 1921: 136.
1923	Burger, Willy. Roger van der Weyden. Leipzig, 1923: 50-51, 70, pl. 48b.
1924	Friedländer 1924, 2:41, 101, no. 29A, pl. 28 (vol. 2, 1967: 26, 66, no. 29A, pl. 55).
1925	ArtN 24 (10 October, 1925): 6.
1925	ArtN 24 (24 October, 1925): 1.
1926	ArtN 24 (30 January, 1926): 1, repro.
1926	ArtN 24 (2 January, 1926): 3.
1926	ArtN 24 (23 January, 1926): 6.
1926	Destrée, Jules. "Roger van der Weyden (Roger de la Pasture)." Revue de l'Art 49 (1926): repro. 145.
1926	Holmes, Sir Charles. "Portraits by Roger van der Weyden." The Burlington Magazine 48 (1926): 122-128, pl. B.
1926	Hulin de Loo, Georges. "Robert Campin or Rogier van der Weyden? Some Portraits Painted between 1432 and 1444." The Burlington Magazine 49 (1926): 273.
1926	Stein, Wilhelm. "Die Bildnisse von Roger van der Weyden." Jahrbuch der königlich Preussischen Kunstsammlungen (Jahrbuch der Berliner Museen) 47 (1926): 13-14.
1927	Demonts, Louis. "L'Exposition d'art flamand à la Royal Academy de Londres." Gazette des Beaux-Arts 15 (1927): 262.
1928	Hulin de Loo, Georges. "Hans Memlinc in Rogier van der Weyden's Studio." The Burlington Magazine 52 (1928): 172-177, pl. 4B.
1928	Jamot, Paul. "Roger van der Weyden et le prétendu Maître de Flémalle." Gazette des Beaux-Arts 18 (1928): 276-277, repro. 281.
1929	Burrows, Carlyle. "Exhibitions of Flemish Primitive Painting." Parnassus 1 (November, 1929): 6-9, repro.
1929	Singleton, Esther. Old World Masters in New World Collections. New York, 1929: 166-168, repro.
1930	Destrée, Jules. Roger de la Pasture van der Weyden. Paris and Brussels, 1930: 180-181, pl. 137.
1935	Tietze, Hans. Meisterwerke europäischer Malerei in Amerika. Vienna, 1935: 127, repro. 333.
1937	Cortissoz, Royal. An Introduction to the Mellon Collection. Privately printed, 1937: 34-35.
1938	Hulin de Loo, Georges. "Rogier van der Weyden." In Biographie Nationale de Belgique. 29 vols. Brussels, 1938: 27:col. 241.
1938	Schöne, Wolfgang. Dieric Bouts und seine Schule. Berlin and Leipzig, 1938: 61.
1939	Mather, Frank Jewett, Jr. Western European Painting of the Renaissance. New York, 1939: 77, fig. 43.
1941	"World Masterpieces Lend Supreme Distinction to National Gallery of Art." Washington Star. 16 March 1941:F6
1941	Duveen Pictures in Public Collections of America. New York, 1941: no. 169, repro.
1941	Held, Julius S. "Masters of Northern Europe, 1430-1660, in the National Gallery." Art News 40 (June, 1941): 11, repro. 13.
1941	Tolnay, Charles de. "Flemish Paintings in the National Gallery of Art." Magazine of Art 34 (1941): 186, 200, fig. 18.
1941	Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 214.
1942	Winkler, F[riedrich]. "Rogier van der Weyden." In Thieme-Becker 1942, 35:472, 475.
1942	Book of Illustrations. National Gallery of Art, Washington, 1942: 240, repro. 42.
1944	Cairns, Huntington and John Walker, eds., Masterpieces of Painting from the National Gallery of Art. New York, 1944: 86, color repro.
1945	Davies, Martin. National Gallery Catalogues. Early Netherlandish School. London, 1945: 112, under no. 1433 (2d ed. 1955: 127; 3d ed. 1968: 171).
1948	Davenport, Millia. The Book of Costume. 2 vols. New York, 1948: 1:306, no. 819, repro.
1948	Musper, Theodore. Untersuchungen zu Rogier van der Weyden und Jan van Eyck. Stuttgart, 1948: 23-24, 59, fig. 66.
1948	Puyvelde, Leo van. The Flemish Primitives. Brussels, 1948: 27, pl. 45.
1949	Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 55, repro.
1950	Winkler, Friedrich. "Rogier van der Weyden's Early Portraits." The Art Quarterly 13 (1950): 215.
1951	Beenken, Hermann. Rogier van der Weyden. Munich, 73-75, fig. 92.
1952	Tolnay, Charles de. "Remarques sur la Joconde." La Revue des Arts 2 (1952): 23-24.
1953	Panofsky, ENP 1953, 292, 295, 477, fig. 367.
1954	Davies, Martin. Primitifs Flamands. Corpus. The National Gallery, London. 3 vols. Brussels and Antwerp, 1954: 2:198, under no. 60.
1954	Tietze, Hans. Treasures of the Great National Galleries. New York, 1954: 112, 124, pl. 196.
1956	Walker, John. National Gallery of Art, Washington. New York, 1956: 36, repro.
1957	Shapley, Fern Rusk. Comparisons in Art: A Companion to the National Gallery of Art, Washington, DC. London, 1957 (reprinted 1959): pl. 59
1960	Broadley, Hugh T. Flemish Painting in the National Gallery of Art. Washington, D.C., 1960 (Booklet Number Five in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 16, color repro.
1960	The National Gallery of Art and Its Collections. Foreword by Perry B. Cott and notes by Otto Stelzer. National Gallery of Art, Washington (undated, 1960s): 25, color repro. 11.
1963	Walker, John. National Gallery of Art, Washington, D.C.. New York, 1963 (reprinted 1964 in French, German, and Spanish): 100, repro.
1965	Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 139
1966	Frinta, Mojmír S. The Genius of Robert Campin. The Hague, 1966: 81.
1966	Cairns, Huntington and John Walker, eds., A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 1:80, color repro.
1967	Eckardt, Götz. Die Schönheit der Frau in der europäischer Malerei. Berlin, 1967: 11, pl. 11.
1968	Cuttler, Northern Painting 1968, 125, fig. 145.
1968	Whinney, Margaret. Early Flemish Painting. New York and Washington, 1968: 66, pl. 29.
1968	European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 126, repro.
1970	Blum, Shirley Neilsen. Review of The Genius of Robert Campin by Mojmír Frinta. In The Art Bulletin 52 (1970): 435.
1971	Fingerlin, Ilse. Gürtel des hohen und späten Mittelaters. Munich, 1971: 198.
1971	Schulz, Anne Markham. "The Columba Altarpiece and Roger van der Weyden's stylistic development." Münchner Jahrbuch der bildenden Kunst, series 3.22 (1971): 104, fig. 39.
1972	Davies, Martin. Rogier van der Weyden. London, 1972: 222, 241, pl. 107.
1972	Schabacker, Peter H. Review of Rogier van der Weyden by Martin Davies. In The Art Quarterly 35 (1972): 424.
1973	Campbell, Lorne. Review of Rogier van der Weyden by Martin Davies. In Apollo 98 (1973): 64.
1974	Künstler, Gustav. "Vom Entstehen des Einzelbildnisses und seiner frühen Entwicklung in der flämischen Malerei." Wiener Jahrbuch für Kunstgeschichte N.S. 27 (1974): 47-48, fig. 13.
1975	Kerber, Ottmar. "Rogier van der Weyden." Giessener Beiträge zur Kunstgeschichte 3 (1975): 48-49, 61.
1975	European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 374, repro. 375.
1977	Eisler, Colin. Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian. Oxford, 1977: 58, under K2088 (1961.9.28).
1979	Campbell, Lorne. "L'art du portrait dans l'oeuvre de Van der Weyden." In Rogier van der Weyden. Rogier de le Pasture. Exh. cat. Musée Communal de Bruxelles, 1979: 58, 62, repro. 60.
1979	Watson, Ross. National Gallery of Art. London, 1979: 47, pl. 31, color repro.
1980	Campbell, Lorne. Van der Weyden. New York, 1980: 9-10, 78, pl. 7.
1980	Scott, Margaret. The History of Dress Series. Late Gothic Europe, 1400-1500. London, 1980: 163, 165, 167, 241, fig. 93.
1984	Walker, John. National Gallery of Art, Washington. (rev. ed.) New York, 1984: 126, no. 116, color repro.
1985	European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 435, repro.
1986	Hand, John Oliver and Martha Wolff. Early Netherlandish Painting. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1986: 241-246, color repro. 243.
1992	National Gallery of Art, Washington. National Gallery of Art, Washington, 1992: 39, repro.
1995	Stokstad, Marilyn. Art History, New York. 1995, 628, fig. 17-13, repro. (Rev. ed. 1999: 630-632, fig. 17-16, repro.)
1997	Dworetzky, John P., Psychology, 1997, no. 280-281, repro.
2001	Virtue and Beauty: Leonardo's Ginevra de' Benci and Renaissance Portraits of Women. Exh. cat. National Gallery of Art, Washington, 2001-2002: no. 13.

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