National Gallery of Art - THE COLLECTION
image of A Genoese Noblewoman and Her Son Sir Anthony van Dyck (artist)
Flemish, 1599 - 1641
A Genoese Noblewoman and Her Son, c. 1626
oil on canvas
overall: 191.5 x 139.5 cm (75 3/8 x 54 15/16 in.)
Widener Collection
1942.9.91
Not on View
From the Tour: Sir Anthony van Dyck
Object 9 of 15

1913Hofstede de Groot, Cornelis, and Wilhelm R. Valentiner. Pictures in the collection of P. A. B. Widener at Lynnewood Hall, Elkins Park, Pennsylvania: Early German, Dutch & Flemish Schools. Philadelphia, 1913: unpaginated, repro., as Paola Adorno, Marchesa di Brignole-Sala, and her Son.
1923Paintings in the Collection of Joseph Widener at Lynnewood Hall. Intro. by Wilhelm R. Valentiner. Elkins Park, Pennsylvania, 1923: unpaginated, repro., as Paola Adorno, Marchesa di Brignole-Sala and Her Son.
1931Paintings in the Collection of Joseph Widener at Lynnewood Hall. Intro. by Wilhelm R. Valentiner. Elkins Park, Pennsylvania, 1931: 116, repro., as Paola Adorno, Marchesa di Brignole-Sala and Her Son.
1935Tietze, Hans. Meisterwerke europäischer Malerei in Amerika. Vienna, 1935: 156, repro. (English ed., Masterpieces of European Painting in America. New York, 1939: 156, repro.).
1942Works of Art from the Widener Collection. Foreword by David Finley and John Walker. National Gallery of Art, Washington, 1942: 7, as Paola Adorno, Marchesa di Brignole-Sale and Her Son.
1948Paintings and Sculpture from the Widener Collection. National Gallery of Art, Washington, 1948 (reprinted 1959): 70, repro., as Paola Adorno, Marchesa Brignole Sale, and Her Son.
1957Shapley, Fern Rusk. Comparisons in Art: A Companion to the National Gallery of Art, Washington, DC. London, 1957 (reprinted 1959): pl. 82, as Paola Adorno, Marchesa Brignole Sale, and Her Son.
1960The National Gallery of Art and Its Collections. Foreword by Perry B. Cott and notes by Otto Stelzer. National Gallery of Art, Washington (undated, 1960s): 10, repro., as Marchesa Paola Adorno and Her Son.
1963Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 311, repro., as Paola Adorno, Marchesa Brignole Sale, and Her Son.
1965Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 47, as Paolo Adorno, Marchesa Brignole Sale, and Her Son.
1968European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 39, repro., as Paolo Adorno, MArchesa Brignole Sale, and Her Son.
1975European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 120, repro., as Paolo Adorno, Marchesa Brignole Sale, and Her Son.
1984Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 263, no. 332, color repro., as Paola Adorno, Marchesa Brignole Sale, and Her Son.
1985European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 145, repro.
1994Cataldi Gallo, Marzia, "Per una Storia del Costume Genovese nel Primo Quarto del Seicento." Studies in the History of Art 46 (1994): 115.
1994Jaffe, Michael. "On Some Portraits Painted by Van Dyck in Italy, Mainly in Genoa." Studies in the History of Art 46 (1994): 141-142.
2004Barnes, Susan J. Van Dyck: A Complete Catalogue of the Paintings. New Haven, 2004: II.73
2005Wheelock, Arthur K., Jr. Flemish Paintings of the Seventeenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2005: 66-70, color repro.

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