National Gallery of Art - THE COLLECTION
image of Susanna Fourment and Her Daughter Sir Anthony van Dyck (painter)
Flemish, 1599 - 1641
Susanna Fourment and Her Daughter, 1621
oil on canvas
overall: 172 x 117 cm (67 11/16 x 46 1/16 in.) framed: 204.5 x 149.9 x 12.7 cm (80 1/2 x 59 x 5 in.)
Andrew W. Mellon Collection
1937.1.48
On View
From the Tour: Sir Anthony van Dyck
Object 3 of 15

Provenance

Probably Anna Theresia van Halen; (her sale, Antwerp, 19 August 1749, no. 1); Gaillard de Gagny (receiver of finances), Grenoble;[1] (his estate sale, Pierre Remy, Paris, 29 March 1762, no. 9); purchased by Jean-Henri Eberts for Markgräfin Karoline Luise von Baden [1723-1783]; (her sale, Amsterdam, 6 March 1769, no. 3); Etienne-François, duc de Choiseul [1719-1785], Paris and Château de Canteloup, Touraine; (his sale, at his residence, Paris, 6-10 April 1772, no. 1); purchased through (Augustin Ménageot, Paris) by Prince Alexander M. Golitzyn for Catherine II, empress of Russia [1729-1796], for the Imperial Hermitage Gallery, Saint Petersburg;[2] purchased March 1930, as a painting by Peter Paul Rubens, through (Matthiesen Gallery, Berlin; P. & D. Colnaghi & Co., London; and M. Knoedler & Co., New York) by Andrew W. Mellon, Pittsburgh and Washington, D.C.; deeded 30 March 1932 to The A.W. Mellon Educational and Charitable Trust, Pittsburgh;[3] gift 1937 to NGA.

[1] The sale of the collection of Anna Theresia van Halen is described by Gerard Hoet, Catalogues of naamlyst van schilderyen, met derzelver pryzen, zedert een langen reeks van jaaren zoo in Holland als op andere plaatzen in het openbaar verkogt, benevens een verzameling van listen van verscheyden nog in wezen zynde cabinetten, 3 vols., The Hague, 1752-1770: 2:256. The provenance back to the Gaillard de Gagny sale is described by Jan Lauts, "Einiges über Markgräfin Karoline Luise von Baden als Gemäldesammlerin," Jahrbuch der Staatlichen Kunstsammlungen in Baden-Württemberg 15 (1978): 49, 53-56.

[2] Eberts in 1762 purchased the painting for 2,050 livres, while Ménageot in 1772 bought it for 7,380 livres. Dr. Nicole Willk-Brocard, in a letter of 19 January 1997, kindly provided information about Ménageot and his role in the sale (in NGA curatorial files); see also her article, "Augustin Ménageot (ca. 1700-1784), Marchand de Tableaux, Quelques Jalons," Gazette des Beaux-Arts (April 1998): 161-182.

[3] Mellon purchase date and date deeded to Trust according to Mellon collection files in NGA curatorial records and David Finley's notebook (donated to the National Gallery of Art in 1977 and now in Gallery Archives).

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