Anonymous Artist (painter) Sir Peter Paul Rubens (related artist) Flemish, 1577 - 1640 The Assumption of the Virgin, probably mid 1620s oil on panel overall (image only, without wooden shims): 123.5 x 92 cm (48 5/8 x 36 1/4 in.) overall (with wooden shims): 125.4 x 94.4 cm (49 3/8 x 37 3/16 in.) framed: 157.5 x 125.7 x 8.3 cm (62 x 49 1/2 x 3 1/4 in.) Samuel H. Kress Collection 1961.9.32 On View |
Object 7 of 8
| 1857 | Waagen, Gustav Friedrich. Galleries and Cabinets of Art in Great Britain: Being an Account of more than Forty Collections of Paintings, Drawings, Sculptures, Mss., &c.&c.. London, 1857: 240, as by one of Rubens' workshop assistants. |
| 1890 | Rooses 1896-1892, 2(1888): 179. |
| 1950 | Burchard, Ludwig. A Loan Exhibition of Works by Peter Paul Rubens, Kt.. Exh. cat. Wildenstein & Co., London, 1950: 2. |
| 1953 | Haverkamp-Begemann, Egbert. Olieverfschetsen van Rubens. Exh. cat. Museum Boymans-van Beuningen. Rotterdam, 1953: 71. |
| 1956 | Paintings and Sculpture from the Kress Colllection Acquired by the Samuel H. Kress Foundation 1951-56. Introduction by John Walker, text by William E. Suida and Fern Rusk Shapley. National Gallery of Art. Washington, 1956: 156, no. 60, repro. |
| 1959 | Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 293, repro. |
| 1965 | Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 118. |
| 1968 | European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 105, repro. |
| 1972 | Baudouin, Frans. "Altars and Altarpieces before 1620." In John Rupert Martin, ed. Rubens before 1620. Princeton, 1972: 71, attribution questioned. |
| 1975 | European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 314, repro. |
| 1977 | Pope-Hennessy, John. "Completing the Account." Review of Colin Eisler, Paintings from the Samuel H. Kress Collection, London 1977. Times Literary Supplement no. 3927 (17 June 1977). |
| 1977 | Eisler, Colin. Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian. Oxford, 1977: 111-112, no. K1871, fig. 100, as after Rubens. |
| 1980 | Held, Julius S. The Oil Sketches of Peter Paul Rubens. A Critical Catalogue. 2 vols. Princeton, 1980: 1:514, as a copy. |
| 1984 | Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 252, no. 318, color repro. |
| 1984 | Freedberg, David. Rubens, the Life of Christ after the Passion (Corpus Rubenianum Ludwig Burchard, Part 7). London, Oxford, and New York, 1984: 180-181, no. 43b, repro., fig. 100, as a copy after print by Schelte à Bolswert. |
| 1985 | European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 361, repro. |
| 1993 | Broos, Ben. Intimacies & Intrigues: History Painting in the Mauritshuis. The Hague, 1993: 305, as a copy after print by Schelte à Bolswert. |
| 1997 | Mittler, Gene and Rosalind Ragans. Understanding Art. New York, Ohio, California, and Illinois, 1997: 186, no. 12-4, repro. |
| 1998 | Apostolos-Cappadona, Diane. "Virgin/Virginity." In Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art. Chicago, 1998: 905. |
| 2005 | Wheelock, Jr., Arthur K. Flemish Paintings of the Seventeenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2005: 218-222, color repro. |
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