National Gallery of Art - THE COLLECTION
image of The Cottage Dooryard Adriaen van Ostade (artist)
Dutch, 1610 - 1685
The Cottage Dooryard, 1673
oil on canvas
overall: 44 x 39.5 cm (17 5/16 x 15 9/16 in.) framed: 74.3 x 69.2 x 7.6 cm (29 1/4 x 27 1/4 x 3 in.)
Widener Collection
On View
From the Tour: Johannes Vermeer and Dutch Scenes of Daily Life in the 1600s
Object 3 of 8


Adriaen Swalmius [1689-1747], Schiedam;[1] (sale, Rotterdam, 15 May 1747, no. 2); Jacob de Roore [1686-1747], Antwerp; (sale, The Hague, 4 September 1747, no. 84); Pieter Bisschop [c. 1690-1758] and Jan Bisschop [1680-1771], Rotterdam; purchased 1771 with the Bisschop collection by Adrian Hope [1709-1781] and his nephew, John Hope [1737-1784], Amsterdam; by inheritance after Adrian Hope's death to John Hope, Amsterdam and The Hague; by inheritance to his sons, Thomas Hope [1769-1831], Adrian Elias Hope [1772-1834], and Henry Philip Hope [1774-1839], Bosbeek House, near Heemstede, and, as of 1794, London, where the collection was in possession John's cousin, Henry Hope [c. 1739-1811]; by inheritance 1811 solely to Henry Philip Hope, Amsterdam and London, but in possession of his brother, Thomas Hope, London; by inheritance 1839 to Thomas' son, Henry Thomas Hope [1808-1862], London; by inheritance to his wife, née Adèle Bichat [d. 1884], London; by inheritance to her grandson, Henry Francis Hope Pelham-Clinton-Hope, 8th duke of Newcastle-under-Lyme [1866-1941], London; sold 1898 to (Asher Wertheimer, London); sold 1899 to Peter A.B. Widener, Lynnewood Hall, Elkins Park, Pennsylvania; inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, Pennsylvania; gift 1942 to NGA.

[1] For a detailed discussion of the provenance, see Ben Broos, Great Dutch Paintings from America, exh. cat. Mauritshuis, The Hague; Fine Arts Museums of San Francisco, Zwolle and The Hague, 1990: 355-359.

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