National Gallery of Art - THE COLLECTION
image of Woman Holding a Balance Johannes Vermeer (artist)
Dutch, 1632 - 1675
Woman Holding a Balance, c. 1664
oil on canvas
painted surface: 39.7 x 35.5 cm (15 5/8 x 14 in.) stretcher size: 42.5 x 38 cm (16 3/4 x 14 15/16 in.) framed: 62.9 x 58.4 x 7.6 cm (24 3/4 x 23 x 3 in.)
Widener Collection
1942.9.97
On View
From the Tour: Johannes Vermeer and Dutch Scenes of Daily Life in the 1600s
Object 7 of 8

1866Thoré, Théophile E. J. (William Bürger). "Van der Meer de Delft." Gazette des Beaux-Arts 21 (October–December 1866): 328, 459-460, 554-556, no. 27.
1888Havard, Henry. Van der Meer de Delft. Paris, 1888: 37, no. 30.
1907Hofstede de Groot, Cornelis. A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century. 8 vols. Translated by Edward G. Hawke. London, 1907-1927: 1(1907):586-587, no. 10.
1907Hofstede de Groot, Cornelis. Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII. Jahrhunderts. 10 vols. Esslingen and Paris, 1907-1928: 1(1907):592, no. 10.
1910Hofstede de Groot, Cornelis. "A Newly Discovered Picture by Vermeer of Delft." The Burlington Magazine 18 (December 1910): 133–134.
1911Bode, Wilhelm von. "Jan Vermeer und Pieter de Hooch als Konkurrenten." Jahrbuch der Königlich Preussischen Kunstsammlungen 32 (1911): 1-2, repro.
1911Plietzsch, Eduard. Vermeer van Delft. Leipzig, 1911: 49-50, 98, 119, no. 35.
1912Frimmel, Theodor von. "A Woman Weighing Pearls by Vermeer of Delft." The Burlington Magazine 22 (October 1912): 48-49.
1913Frimmel, Theodor von. Lexikon der Wiener Gemäldesammlungen. 2 vols. Munich, 1913: 1:248-249, pl. 37.
1913Hofstede de Groot, Cornelis, and Wilhelm R. Valentiner. Pictures in the collection of P. A. B. Widener at Lynnewood Hall, Elkins Park, Pennsylvania: Early German, Dutch & Flemish Schools. Philadelphia, 1913: unpaginated, repro., as A Woman Weighing Gold.
1913Hale, Philip L. Jan Vermeer of Delft. Boston, 1913: 238, no. 1, 265-267, 350-351, 369, 373, repro.
1919Bode, Wilhelm von. Die Meister der holländischen und vlämischen Malerschulen. 2nd ed. Leipzig, 1919: 86-89, repro.
1921Vanzype, Gustave. Jan Vermeer de Delft. Brussels and Paris, 1921: 73, repro.
1923Paintings in the Collection of Joseph Widener at Lynnewood Hall. Intro. by Wilhelm R. Valentiner. Elkins Park, Pennsylvania, 1923: unpaginated, repro., as A Woman Weighing Gold.
1924Hausenstein, Wilhelm. "Vermeer van Delft." Das Bild Atlanten zur Kunst 10 (1924): 26, fig. 17.
1925Valentiner, Wilhelm R. Loan Exhibition of Dutch Paintings of the Seventeenth Century. Exh. cat. Detroit Institute of Arts Detroit, 1925: no. 33, repro.
1925Lloyd, David. "The Vermeers in America." International Studio 82 (November 1925): 124, repro. 128.
1927Valentiner, Wilhelm R. "Pieter de Hooch, Part II." Art in America 15, no. 2 (February 1927): 74.
1927Ricci, Seymour de. "Le quarante-et-unième Vermeer." Gazette des Beaux-Arts 69 (1927): 306.
1929Lucas, Edward Verrall. Vermeer the Magical. London, 1929: 28-29, repro.
1931Paintings in the Collection of Joseph Widener at Lynnewood Hall. Intro. by Wilhelm R. Valentiner. Elkins Park, Pennsylvania, 1931: 50, repro., as A Woman Weighing Gold.
1933Frankfurter, Alfred M. "Art in the Century of Progress." The Fine Arts 20, no. 2 (June 1933): repro. 24.
1933Rich, Daniel Catton, ed. A Century of Progress: Exhibition of Paintings and Sculpture. Exh. cat. Art Institute of Chicago. Chicago,1933: 13, no. 80.
1935Tietze, Hans. Meisterwerke europäischer Malerei in Amerika. Vienna, 1935: 187, 337, repro. .
1937Hale, Philip Leslie. Vermeer. Edited by Frederick W. Coburn and Ralph T. Hale. Boston and New York, 1937: 140-142, pl. 27.
1938Rudolph, Herbert. "‘Vanitas.’ Die Bedeutung mittelalterlicher und humanistischer Bildinhalte in der niederländischen Malerei des 17. Jahrhunderts." In Festschrift für Wilhelm Pinder zum sechzigsten Geburtstage. Leipzig, 1938: 407 fig. 2, 408-412, 433.
1939Tietze, Hans. Masterpieces of European Painting in America. New York, 1939: no. 187, repro.
1939Plietzsch, Eduard. Vermeer van Delft. Munich, 1939: 31, 56, 58, no. 9, pl. 36.
1939Vries, Ary Bob de. Jan Vermeer van Delft. Bibliotheek der Nederlandsche Kunst. Amsterdam, 1939: 46, 58, 76, 86-87, no. 23, pl. 48.
1940Goldscheider, Ludwig. The Paintings of Jan Vermeer. Oxford and New York, 1940: 13, pl. 33.
1942National Gallery of Art. Works of art from the Widener collection. Washington, 1942: 7, no. 693, as A Woman Weighing Gold.
1944Cairns, Huntington, and John Walker, eds., Masterpieces of Painting from the National Gallery of Art. Translated. New York, 1944: 104, color repro., as Woman Weighing Gold.
1945Vries, Ary Bob de. Jan Vermeer van Delft. Basel, 1945: 56-57, 114-115, no. 23, pl. 49.
1946Blum, André. Vermeer et Thoré-Bürger. Geneva, 1946: 30, 42, 60, 135, 171-172, no. 27.
1948Vries, Ary Bob de. Jan Vermeer van Delft. Translated by Robert Allen. Revised ed. London and New York, 1948: 39, 48, 87-88, pl. 17.
1948National Gallery of Art. Paintings and Sculpture from the Widener Collection. Washington, 1948: 65, repro., as A Woman Weighing Gold.
1949Thienen, Frithjof van. Jan Vermeer of Delft. Masters of Painting. New York, 1949: 19, 23, no. 23, repro.
1950Swillens, P. T. A. Johannes Vermeer: Painter of Delft, 1632–1675. Translated by C.M. Breuning-Williamson. Utrecht, 1950: 57-58, no. 20, 72, 78, 84, 86, 88, 105, 118, pl. 20.
1951Whittet, G. S. "A Gallery of Art Dealers: P. & D. Colnaghi." The Studio 142 (October 1951): 118.
1952Gowing, Lawrence. Vermeer. London, 1952: 44, 53, 135-136, pls. 44-46.
1952Malraux, André, ed. Vermeer de Delft. Paris, 1952: 16, repro., 62, no. xii, color repro.
1954Bloch, Vitale. Tutta la Pittura di Vermeer di Delft. Milan, 1954: 21, 33, pls. 38, 39 (detail) .
1956Walker, John. National Gallery of Art, Washington. New York, 1956: 44, color repro., as A Woman Weighing Gold.
1957Shapley, Fern Rusk. Comparisons in Art: A Companion to the National Gallery of Art, Washington, DC. London, 1957 (reprinted 1959): pl. 53, as A Woman Weighing Gold.
1958Goldscheider, Ludwig. Jan Vermeer: The Paintings. London, 1958: 22, 138, no. 21, pl. 51, color pl. 52.
1959National Gallery of Art. Paintings and Sculpture from the Widener Collection. Reprint. Washington, DC, 1959: 65, repro., as A Woman Weighing Gold.
1960Baird, Thomas P. Dutch Painting in the National Gallery of Art. Ten Schools of Painting in the National Gallery of Art 7. Washington, 1960: 36, color repro., asA Woman Weighing Gold.
1960The National Gallery of Art and Its Collections. Foreword by Perry B. Cott and notes by Otto Stelzer. National Gallery of Art, Washington (undated, 1960s): 26, color repro. 14, as Woman Weighing Gold.
1963Bloch, Vitale. All the Paintings of Jan Vermeer. Translated by Michael Kitson. The Complete Library of World Art 15. New York, 1963: 21, 33, pls. 38, 39 (detail).
1963Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 100, repro., as A Woman Weighing Gold.
1963Gimpel, René. Journal d'un collectionneur, marchand de tableaux. Paris, 1963: 234, 415.
1965National Gallery of Art. Summary Catalogue of European Paintings and Sculpture. Washington, 1965: 135, as A Woman Weighing Gold.
1966Descargues, Pierre. Vermeer. Translated by James Emmons. Geneva, 1966: 93, 131, color repros. 87, 92.
1966Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 2: 256, color repro., as Woman Weighing Gold.
1966Rosenberg, Jakob, Seymour Slive, and Engelbert H. ter Kuile. Dutch Art and Architecture: 1600-1800. Pelican History of Art. Batlimore, 1966: 121-122, pl. 91b.
1967Bianconi, Piero. The Complete Paintings of Vermeer. New York, 1967: 92, no. 24, color pl. xix.
1967Koningsberger, Hans. The World of Vermeer 1632-1675. New York, 1967: 148, 152, 153, color repro.
1968National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 122, repro., as A Woman Weighing Gold.
1968Kühn, Hermann. "A Study of the Pigments and the Grounds Used by Jan Vermeer." Report and Studies in the History of Art 2 (1968-1969):191-192, no. 17.
1970Walicki, Michal. Jan Vermeer van Delft. Dresden, 1970: 32-37, fig. 49.
1971Carstensen, Richard, and Marielene Putscher. "Ein Bild von Vermeer in medizinhistorischen Sicht." Deutsches Ärzteblatt-Ärtzliche Mitteilungen 68 (December 1971): 1-6, repro.
1972Kahr, Madlyn Millner. "Vermeer's Girl Asleep." Metropolitan Museum Journal 6 (1972): 129 n. 29.
1973Mistler, Jean. Vermeer. Collection Le Peintre et l’Homme. Paris, 1973: no. 19, repro.
1973Walsh, John, Jr. "Vermeer." Bulletin of the Metropolitan Museum of Art 31, no. 4 (Summer 1973): unpaginated, fig. 75, as Woman with Scales.
1974Grimme, Ernst Günther. Jan Vermeer van Delft. Cologne, 1974: 54, no. 17, figs. 11, 12 (detail).
1975Blankert, Albert. Johannes Vermeer van Delft, 1632-1675. Utrecht, 1975: 62-64, 82, 149-150, no. 15, color repro.
1975Dudok van Heel, S. A. C. . "De Kunstverzamelingen van Lennep met de Arundeltekeningen." Amstelodamum 67 (1975): 162.
1975National Gallery of Art. European paintings: An Illustrated Summary Catalogue. Washington, 1975: 362, no. 693, repro., as A Woman Weighing Gold.
1976Alpers, Svetlana. "Describe or Narrate? A Problem in Realistic Representation." New Literary History 8, no. 1 (Autumn 1976): 25-26, 37, fig. 12.
1976Wright, Christopher. Vermeer. London, 1976: 13-14, 74, 76, 78, 81, fig. 25.
1976Harbison, Craig. "Reformation Iconography: Problems and Attitudes." Print Review (Tribute to Wolfgang Stechow) 5 (Autumn 1976): 83, fig. 8.
1977Silver, Larry. "Power and Pelf: A New-Found "Old Man" by Massys." Simiolus: Netherlands Quarterly for the History of Art 9, no. 2 (1977): 84-85.
1977Menzel, Gerhard W. Vermeer. Leipzig, 1977: 48, 56-57, color repro., detail.
1977Wheelock, Arthur K., Jr. "Review of Albert Blankert's Johannes Vermeer van Delft, 1632-1675." The Art Bulletin 59, no. 3 (1977): 439-441.
1977Martin, John Rupert. Baroque. London, 1977: 132-133, fig. 99.
1978Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford, 1978: 22, 41-44, 49, 54, 67, 161-162, no. 15, color repro.
1978Picture Gallery Staatliche Museen Preussischer Kulturbesitz Berlin: Catalogue of Paintings 13th-18th Century. Translated by Linda B. Parshall. 2nd rev. ed. Berlin-Dahlem, 1978: 212.
1978Gemäldegalerie Staatliche Museen Preussischer Kulturbesitz. Catalogue of Paintings: 13th-18th Century. Translated by Linda B. Parshall. 2nd revised ed. Berlin-Dahlem, 1978: 212.
1979Watson, Ross. The National Gallery of Art, Washington. New York, 1979: 75, pl. 61.
1979Snow, Edward A. A Study of Vermeer. Berkeley, 1979: 10, 34-36, 38, 44, 60, 62, 97, 126, 132-136, 138, 174-176, color repro. fig. 13; color details figs. 26, 51, 52.
1980Reuterswärd, Patrik. "Om realismen i holländsk bildtradition." Konsthistorisk Tidskrift 49 (June 1980): 8, fig. 8.
1980Seth, Lennart. "Vermeer och van Veens ‘Amorum Emblemata’." Konsthistorisk tidskrift 49, no. 1 (June 1980): 24.
1980Sutton, Peter C. Pieter de Hooch: Complete Edition with a Catalogue Raisonné. Oxford, 1980: 45, 68 n. 37, fig. 32.
1981Wheelock, Arthur K., Jr. Jan Vermeer. New York, 1981: 41-42, 106-109, color pls. 22, 23 (detail).
1981Slatkes, Leonard J. Vermeer and His Contemporaries. New York, 1981: 55-56, color repro., color detail.
1983Salomon, Nanette. "Vermeer and the Balance of Destiny." In Essays in Northern European Art Presented to Egbert Haverkamp-Begemann on His Sixtieth Birthday. Edited by Anne-Marie Logan. Doornspijk, 1983: 216-221, repro.
1984Rosenberg, Jakob, Seymour Slive, and Engelbert H. ter Kuile. Dutch Art and Architecture. The Pelican History of Art. Revised ed. Harmondsworth, 1984: 121-122, pl. 91b.
1984Gaskell, Ivan. "Vermeer, Judgment and Truth." The Burlington Magazine 126 (September 1984): 557-561, repro.
1984Sutton, Peter C. Masters of Seventeenth-Century Dutch Genre Painting. Edited by Jane Iandola Watkins. (Exh. cat. Philadelphia Museum of Art; Gemäldegalerie, Staatliche Museen Preussischer Kulturbesitz, Berlin; Royal Academy of Arts, London). Philadelphia, 1984: no. 118.
1984Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 301, no. 400, color repro.
1985Wyss, Beat. Trauer der Vollendung: von der Ästhetik des Deutschen Idealismus zur Kulturkritik an der Moderne. Münich, 1985: 98-101, repro.
1985National Gallery of Art. European Paintings: An Illustrated Catalogue. Washington, 1985: 421, repro.
1986Sutton, Peter C. A Guide to Dutch Art in America. Grand Rapids and Kampen, 1986: 311, repro.
1986Aillaud, Gilles, Albert Blankert, and John Michael Montias. Vermeer. Paris, 1986: 49, 51, 112, 114, 116, no. 15, 183-185, pl. 15.
1988Bialostocki, Jan. "Mere Imitation of Nature or Symbolic Image of the World? Problems in the Interpretation of Dutch Painting of the XVIIth Century." In The Message of Images: Studies in the History of Art. Vienna, 1988: 171, fig. 129.
1988Reuterswärd, Patrik. "Vermeer. Ett försvar för ögats vittnesbörd." Konsthistorisk Tidskrift 57, part 2 (1988): 55-59, fig. 2.
1988Wheelock, Arthur K., Jr. Jan Vermeer. Masters of Art. 2nd rev. ed. New York, 1988: 82, color repro.
1989Montias, John Michael. Vermeer and His Milieu: A Web of Social History. Princeton, 1989: 162, 182, 191, 255-256, 261, fig. 30.
1990Liedtke, Walter A. "Dutch Paintings in America: The Collectors and their Ideals." In Great Dutch Paintings from America. Edited by Ben P.J. Broos. Exh. cat. Royal Picture Gallery Mauritshuis, The Hague; Fine Arts Museums of San Francisco. Zwolle, 1990: 43.
1990Liedtke, Walter A. "Dutch Paintings in America: The Collectors and their Ideals." In Great Dutch Paintings from America. Edited by Ben P.J. Broos. Exh. cat. Royal Picture Gallery Mauritshuis, The Hague; Fine Arts Museums of San Francisco. The Hague and Zwolle, 1990: 43.
1990Cunnar, Eugene R. "The Viewer’s Share: Three Sectarian Readings of Vermeer’s Woman with a Balance." Exemplaria 2 (1990): 501-536.
1991Bal, Mieke. Reading "Rembrandt": beyond the word-image opposition. Cambridge new art history and criticism. Cambridge, 1991: 1-4, 19-23, 177, repro. 0.1.
1991Kopper, Philip. America's National Gallery of Art: A Gift to the Nation. New York, 1991: 195.
1991Martz, Louis L. From Renaissance to Baroque: essays on literature and art. Columbia, Missouri, 1991: 32-33, fig. 12.
1991Nash, John. Vermeer. London, 1991: 24, 26, 28, 39, 98-99, color repro.
1992Fiero, Gloria K. The Age of the Baroque and the European Enlightenment. The Humanist Tradition 4. Dubuque, 1992: 47-48, fig. 22.10.
1992National Gallery of Art. National Gallery of Art, Washington. New York, 1992: 137, repro.
1992Lucie-Smith, Edward. Art and Civilization. New York, 1992: 300-301, fig. 17.10.
1993Stoichita, Victor I. L'Instauration du tableau: Métapeinture à l'aube des temps modernes. Paris, 1993: 176-177, fig. 75.
1993Schneider, Norbert. Jan Vermeer 1632-1675: Verhüllung der Gefühle. Cologne, 1993: 95, no. 59.
1994Brunette, Peter, and David Wills. Deconstruction and the Visual Arts: Art, Media, Architecture. Cambridge, England, 1994: 51, fig. 1.
1994Asemissen, Hermann Ulrich, and Gunter Schweikhart. Malerei als Thema der Malerei. Berlin, 1994: 232-233, fig. 29.
1994Knafou, Rémy. Vermeer: mystère du quotidien. Paris, 1994: 38-39, repro.
1995Bailey, Martin. Vermeer. London, 1995: 72-74, repro.
1995Wheelock, Arthur K., Jr. Dutch Paintings of the Seventeenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, 1995: 371-377, color repro. 373.
1995Fiero, Gloria K. The Age of the Baroque and the European Enlightenment. The Humanistic Tradition 4. 2nd ed. Madison, 1995: 55, fig. 22.10.
1995Bailey, Martin. "The Painter of Light." Silver Kris - The Travel Magazine of Singapore Airlines (November 1995): 42-45, repro.
1995Cooper, James F. "Vermeer Illuminates the National Gallery." American Arts Quarterly (Fall 1995): 3-7, repro.
1995Dudat, Helen. "Time stands still in the harmonious world of Vermeer." Smithsonian 26, no. 8 (November 1995): 110.
1995Gregory, Quint [Henry D. Gregory V]. "Vermeer, tout l'oeuvre peint." Connaissance des Arts 522 (November 1996): 80-81, figs. 4, 5 (detail)..
1995Wheelock, Arthur K., Jr. Vermeer and the Art of Painting. New Haven, 1995: 96 color fig. 70, 97-103, detail and conservation figs. 71-73, no. A16, repro. 176.
1995Wheelock, Arthur K., Jr., and Ben P. J. Broos. Johannes Vermeer. Edited by Arthur K. Wheelock, Jr. Exh. cat. National Gallery of Art, Washington; Royal Picture Gallery Mauritshuis, The Hague. Zwolle, 1995: no. 10, repro.
1995Feldman, Edmund Burke. The Artist: A Social History. 2nd ed. Englewood Cliffs, 1995: repro. 190, 191.
1995Slive, Seymour, and Jakob Rosenberg. Dutch painting 1600-1800. Pelican History of Art. Revised and expanded ed. New Haven, 1995: 148.
1995Janson, Horst W., and Anthony F. Janson. History of art. 5th ed. New York, 1995: 38, 39 fig. 23.
1995Wright, Christopher. Vermeer: catalogue raisonné. London, 1995: 56-57, repro.
1996Netta, Irene. Das Phänomen Zeit bei Jan Vermeer van Delft: eine Analyse der innerbildlichen Zeitstrukturen seiner ein- und mehrfigurigen Interieurbilder. Studien zur Kunstgeschichte 105. Hildesheim, 1996: 257, fig. 23.
1996Hertel, Christiane. Vermeer: Reception and Interpretation. Cambridge, 1996: 215-216, repro.
1996Chalumeau, Jean Luc. Vermeer, 1632-1675. Découvrons l'art - XVIIe siècle 1. Paris, 1996: no. 14, repro.
1996Larsen, Erik. Jan Vermeer. Translated by Tania Gargiulo. Biblioteca d'arte. Florence, 1996: 99-101.
1996Kissick, John. Art: Context and Criticism. Madison, 1996: 21-22, fig. 1.7.
1996Kersten, Michiel C.C., and Daniëlle H.A.C. Lokin. Delft masters, Vermeer's contemporaries: illusionism through the conquest of light and space. Exh. cat. Stedelijk Museum Het Prinsenhof, Delft. Zwolle, 1996: 204-206, repro.
1996Wallis, Stephen. "Sketchbook: Knoedler Turns 150." Art & Antiques 19, no. 10 (November 1996): 18.
1997Robinson, James. "Vermeer." Classical Realism Journal 3, no. 2 (1997): 12, 15 fig. 8.
1997Niggemeyer, Margarete, and Hans-Walter Stork. Perlen schimmern auf den Toren: eine Auslegung des Perlensymbols in christlichen und ausserchristlichen Traditionen. Paderborn, 1997: 63, repro.
1997Toman, Rolf. Die Kunst des Barock: Architektur, Skulptur, Malerei. Cologne, 1997: 465, repro.
1997Robinson, James. "Vermeer, II." Classical Realism Journal 4, no. 1 (1997): repro. 46, 48.
1997Gebhardt, Volker. Kunstgeschichte Malerei. Cologne, 1997: no. 127, repro.
1997Gowing, Lawrence. Vermeer. 3rd ed. London, 1997: 135-136, figs. 44-46.
1997Wheelock, Arthur K., Jr. Vermeer: The Complete Works. New York, 1997: 36-37, no. 16, repro.
1997Scholz, Georg. Lyrische Bilder: Gedichte nach Gemälden von Jan Vermeer. Munich, 1997: 42, repro.
1998Fiero, Gloria K. Faith, Reason and Power in the Early Modern World. The Humanistic Tradition 4. 3rd ed. New York, 1998: no. 22.10, repro.
1998Gifford, Melanie E. "Painting Light: Recent Observations on Vermeer's Technique." In Vermeer Studies. Edited by Ivan Gaskell and Michiel Jonker. Studies in the History of Art 55 (1998): 185-199, fig. 1.
1998Wheelock, Arthur K., Jr. A Collector's Cabinet. Exh. cat. National Gallery of Art, Washington, 1998: 24, 26, fig. 14, 32, 68, no. 61.
1998Sutton, Peter C. Pieter de Hooch, 1629-1684. Exh. cat. Dulwich Picture Gallery, London; Wadsworth Atheneum, Hartford. New Haven, 1998: 52-55, repro.
1998Wheelock, Arthur K., Jr. Johannes Vermeer (1632-1675): Sainte Praxède - Saint Praxedis. Collection de Madame Piasecka Johnson. Exh. cat. Musée de La Chapelle de la Visitation, Monaco, 1998: 8, 17 fig. 7, 28.
1998Roberts, Helene E., ed. Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art. 2 vols. Chicago, 1998: 2:749, 753.
1998Schlenke, Hubertus. Vermeer, mit Spinoza gesehen. Berlin, 1998: 52-55, figs. 13a, 13b (detail), 94-99, figs. 21, 21a (detail).
1998Gersch-Nešic, Beth. “Pregnancy." In Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art. Edited by Helene E. Roberts. 2 vols. Chicago, 1998: 2:754.
1999Stokstad, Marilyn. Art History. 2 vols. Rev.ised ed. New York, 1999: 2:795-797, fig. 19-53.
1999Zuffi, Stefano and Francesca Castria, La peinture baroque. Translated from Italian by Silvia Bonucci and Claude Sophie Mazéas. Paris, 1999: 208-209, color repro.
1999Zeki, Semir. Inner vision: an exploration of art and the brain. Oxford, 1999: 27-29, 28 fig. 4.3.
1999Sweet, Christopher. The Essential Johannes Vermeer. New York, 1999: 70-71, repro.
2000Wheelock, Arthur K., Jr. The Public and the Private in the Age of Vermeer. Exh. cat. Osaka Municipal Museum of Art. London, 2000: 10, repro. detail, 13, fig. 4, cat. 33, 182-184, repro., 201, no. 16, repro.
2000Savedoff, Barbara E. Transforming Images: How Photography Complicates the Picture. Ithaca, 2000: 11-14, repro.
2000Chapman, H. Perry. "Women in Vermeer's Home: Mimesis and ideation." Nederlands Kunsthistorisch Jaarboek 51 (2000): 254-257, repro.
2000Kallenberg, Kjell, and Gerry Larsson. Människans hälsa: Livsåskådning och personlighet. Stockholm, 2000: cover repro.
2001Wolf, Bryan Jay. Vermeer and the Invention of Seeing. Chicago, 2001: 167-170, repro.
2001Netta, Irene. Vermeer's world: an artist and his town. Pegasus Library. Munich and New York, 2001: 17, 84, repro.
2001Franits, Wayne E., ed. The Cambridge companion to Vermeer. Cambridge, England, and New York, 2001: 4, 5, 54, 60-63, 68, 69-70, 71-72, 122-125, 141, 143, 144, 147-149, 154, 159-160, 169-170, 180, pl.15.
2001Bal, Mieke. Looking In: The Art of Viewing. Critical voices in art, theory and culture. Amsterdam, 2001: 65-66, repro.
2002Kaufmann, Thomas DaCosta, ed. L'art flamand et hollandais: Belgique et Pays-Bas, 1520-1914. Paris, 2002: repro. 268, 302.
2002Bailey, Anthony. Vermeer. Translated by Bettina Blumenberg. Berlin, 2002: 148-149, repro.
2003Fowler, Alastair. Renaissance realism: narrative images in literature and art. Oxford, 2003: 10, fig. 15.
2003Huerta, Robert D. Giants of Delft: Johannes Vermeer and the natural philosophers: the parallel search for knowledge during the age of discovery. Lewisburg, 2003: 47, 66, 68, repro.
2003Vergara, Alejandro. Vermeer y el interior holandés. Exh. cat. Museo nacional del Prado, Madrid, 2003: 172-173, 254, repro.
2004Wheelock, Arthur K., Jr. "Framing Vermeer." In Collected Opinions: Essays on Netherlandish Art in Honour of Alfred Bader. Edited by Volker Manuth and Axel Rüger. London, 2004: 232-238, repro.
2004Paskow, Alan. The paradoxes of art: a phenomenological investigation. Cambridge, 2004: 174-183, pl. 2.
2004Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 206-207, no. 163, color repro.
2004Cabanne, Pierre. Vermeer. Translated by John Tittensor. Paris, 2004: 164, 180, repro.
2004Salomon, Nanette. Shifting priorities: gender and genre in seventeenth-century Dutch painting. Stanford, 2004: 13-18, fig. 1.
2005Alpers, Svetlana. The vexations of art: Velázquez and others. New Haven and London, 2005: 102-104, repro.
2005Harris, Ann Sutherland. Seventeenth-century art & architecture. Upper Saddle River, New Jersey, 2005: 371, repro.
2005Huerta, Robert D. Vermeer and Plato: painting the ideal. Lewisburg, 2005: 54, 55, repro.
2005Stokstad, Marilyn. Art History. Rev. 2nd ed. Upper Saddle River, 2005: 776, color fig. 19.64.
2005Lopes, Dominic McIver. Sight and sensibility: evaluating pictures. Oxford, 2005: 1-5, repro.
2006Wheelock, Arthur K., Jr. "A Museum Curator’s Perspective." IFAR Journal: International Foundation of Art Research 8, no. 3-4 (2006): 96-97, repro.
2006Franits, Wayne E. Pieter de Hooch: A woman preparing bread and butter for a boy. Getty Museum Studies on Art. Los Angeles, 2006: 30-32, fig. 29, 72 n. 25.
2006Stone, Harriet Amy. Tables of knowledge: Descartes in Vermeer's studio. Ithaca, 2006: 125-131, pl. 14.
2006Dekiert, Marcus. Alte Pinakothek: Holländische und deutsche Malerei des 17. Jahrhunderts. Munich, 2006: 19-21, color fig. 9.
2008Dolnick, Edward. The Forger’s Spell: A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieth Century. New York, 2008: 90-91.
2008Liedtke, Walter A. Vermeer: the complete paintings. Ghent, 2008: no. 19, 118-121, repro.
2008Lopez, Jonathan. The man who made Vermeers: unvarnishing the legend of master forger Han van Meegeren. Orlando, 2008: 53.
2009Gariff, David, Eric Denker, and Dennis P. Weller. The World's Most Influential Painters and the Artists They Inspired. Hauppauge, NY, 2009: 83, color repro.
2010Taylor, Paul. Vermeer, Lairesse and Composition. Hofstede de Groot Lectures 1. Zwolle, 2010: 6, 21, repro.
2011Wheelock, Arthur K., Jr., and Daniëlle H.A.C. Lokin. Human Connections in the Age of Vermeer. Exh. cat. Kyoto Municipal Museum of Art; Miyagi Museum of Art, Sendai; Bunkamura Museum of Art, Tokyo. London, 2011: 46, fig. 14.
2011Henderson, Jasper and Victor Schiferli. Vermeer: The Life and Work of a Master. Amsterdam, 2011: 46-49, color ill.
2011Nuechterlein, Jeanne. Translating Nature Into Art: Holbein, The Reformation, and Renaissance Rhetoric. University Park, Pennsylvania, 2011: 3, fig. 3.
2011Wieseman, Marjorie E. Vermeer's Women: Secrets and Silence. Exh. cat. Fitzwilliam Museum, Cambridge. New Haven, 2011: 82–85, repro.
2011Wheelock, Arthur K., Jr., and Daniëlle H.A.C. Lokin. Communication: Visualizing the Human Connection in the Age of Vermeer. Japanese ed. Exh. cat. Kyoto Municipal Museum of Art; Miyagi Museum of Art, Sendai; Bunkamura Museum of Art, Tokyo. Tokyo, 2011: 46, fig. 14.
2011Wieseman, Marjorie E. Vermeer's Women: Secrets and Silence. Exh. cat. Fitzwilliam Museum, Cambridge. New Haven, 2011: 82-85, repro.
2011Dekiert, Marcus. Vermeer in München: König Max I Joseph von Bayern als Sammler Alter Meister. Exh. cat. Bayerisches Staatsgemäldesammlungen, Alte Pinakothek. Munich, 2011: 48-53, no. 1, color repro.
2012Moser, Benjamin. "Mammonomania: A Reappraisal of Dutch Golden Age Paintings." Harper's 324, no. 1942 (March 2012): 73-75, color repro.
2012Wheelock, Arthur K., Jr., Walter A. Liedtke, and Sandrina Bandera Bistoletti. Vermeer: il secolo d'oro dell'arte olandese. Exh. cat. Scuderie del Quirinale, Rome. Milan, 2012: 26, 27 fig. 5, 72 fig. 29.

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