National Gallery of Art - THE COLLECTION
image of María Teresa de Borbón y Vallabriga, later Condesa de Chinchón Francisco de Goya (artist)
Spanish, 1746 - 1828
María Teresa de Borbón y Vallabriga, later Condesa de Chinchón, 1783
oil on canvas
overall: 134.5 x 117.5 cm (52 15/16 x 46 1/4 in.) framed: 154.3 x 136.8 x 5.7 cm (60 3/4 x 53 7/8 x 2 1/4 in.)
Ailsa Mellon Bruce Collection
1970.17.123
Not on View
From the Tour: Francisco de Goya
Object 1 of 9

Provenance

Commissioned by the Infante Don Luis de Borbón [1727-1785], Palace of Arenas de San Pedro, near Avila; by inheritance to his daughter, the sitter [1779-1828], Palace at Boadilla del Monte, near Madrid;[1] by inheritance to her only child, Carlota Luisa de Godoy y Borbón [1800-1886], Condesa de Chinchón, Duquesa de Alcudia y de Sueca, Boadilla del Monte, in whose possession it was recorded in 1867 and 1886;[2] by inheritance to her son, Adolfo Ruspoli [1822-1914], Duque de Sueca, Conde de Chinchón;[3] possibly bought in or purchased by the family at his (liquidation sale, Paris, 7 February 1914);[4] his daughter, Maria Teresa Ruspoli y Alvarez de Toledo, wife of Henri-Melchior Cognet Chappuis, Comte de Maubou de la Roue, Paris;[5]; her nephew, Don Camilo Carlos Adolfo Ruspoli y Caro [1904-1975], Conde de Chinchón, Duque de Alcudia y de Sueca, Madrid, by 1951.[6] Sold by the family by March 1957 to (Wildenstein & Co., New York);[7] purchased 2 March 1959 by Ailsa Mellon Bruce, New York;[8] gift to NGA 1970.

[1]Pierre Gassier, "Les portraits peints par Goya pour l'Infant Don Luis de Borbón à Arenas de San Pedro", Revue de l'Art 43 (1979): 21, note 24. [2] Charles Yriarte, Goya: sa biographie et le catalogue de l'oeuvre (Paris, 1867): 138; El Conde de la Viñaza, Goya: su tiempo, su vida, sus obras (Madrid, 1887): 225, no. 29. See also Gassier 1979, 21, note 26. Biographical information on the Condesa and her descendants is given by Almanach de Gotha (Leipzig, 1939): 614-615; Juan Moreno de Guerra y Alonso, Guía de la grandeza (Madrid, 1917): 52; World Nobility and Peerage, vol. 87 (London, 1955): 158, 171; Domingo Araujo Affonso, Robert Cuny, Alberto de Mestas, Simon Konarski, and Hervé Pincteau, Le sang de Louis XIV, 2 vols. (Braga, 1961), 1:192; 2:492-497. [3] Recorded in his possession by Richard Oertel, Francisco de Goya (Leipzig, 1907): 54 and Albert F. Calvert, Goya: An Account of his Life and Peace (London, 1908): 60. Also noted in 29 November 1988 letter from Ay-Whang Hsia of Wildenstein & Co., New York, NGA curatorial files. [4] According to Cleveland Museum of Art records (European Paintings of the 16th, 17th, and 18th Centuries; Cleveland, 1982; p. 486) for Goya's Portrait of the Infante Don Luis de Borbón, which has the same provenance as the NGA portrait, Adolfo Ruspoli died in Paris on 4 February 1914, after which his estate was liquidated on 7 February 1914. Xavier Desparmet Fitz-Gerald, L'oeuvre peint de Goya ,4 vols. (Paris, 1928-1950):2:13, no. 292 claims that this painting was in the liquidation sale. Perhaps it was bought in or purchased by the family at this time. [5] 29 November 1988 letter from Wildenstein's. [6] 29 November 1988 letter from Wildenstein's. [7] 29 November 1988 letter from Wildenstein's. [8] Purchase date from Wildenstein's is noted in the Ailsa Mellon Bruce notebook, NGA curatorial files.

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