National Gallery of Art - THE COLLECTION
image of María Teresa de Borbón y Vallabriga, later Condesa de Chinchón Francisco de Goya (artist)
Spanish, 1746 - 1828
María Teresa de Borbón y Vallabriga, later Condesa de Chinchón, 1783
oil on canvas
overall: 134.5 x 117.5 cm (52 15/16 x 46 1/4 in.) framed: 154.3 x 136.8 x 5.7 cm (60 3/4 x 53 7/8 x 2 1/4 in.)
Ailsa Mellon Bruce Collection
1970.17.123
Not on View
From the Tour: Francisco de Goya
Object 1 of 9

Goya’s major portrait commissions began in 1783 when he was thirty-seven. In August and September of that year, Goya painted a suite of family likenesses at the request of the Spanish king Carlos III’s younger brother, including this charming image of the prince’s daughter.

At the lower left, Goya inscribed in Spanish: “The Senorita Doña Teresa, daughter of the Most Serene Infante, Don Luis, at the age of two years and nine months.” The child actually was four and a half; why Goya misstated his royal sitter’s age is unknown. As an adult, Teresa was married to Manuel Godoy, the infamously corrupt prime minister to Carlos IV. Her support of Spanish independence during the Napoleonic wars brought her great popularity.

Teresa stands on the terrace of her father’s country palace near Avila, in the mountains west of Madrid. Goya adapted this format from Spain’s seventeenth-century court artist, Diego de Velázquez, who had portrayed royal children outdoors with dogs. Goya worked rapidly, often improvising his designs; this and the loose, fluid brushstrokes also follow Velázquez’ example.

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