National Gallery of Art - THE COLLECTION
image of Bartolomé Sureda y Miserol Francisco de Goya (artist)
Spanish, 1746 - 1828
Bartolomé Sureda y Miserol, c. 1803/1804
oil on canvas
overall: 119.7 x 79.3 cm (47 1/8 x 31 1/4 in.) framed: 137.8 x 98.4 cm (54 1/4 x 38 3/4 in.)
Gift of Mr. and Mrs. P.H.B. Frelinghuysen in memory of her father and mother, Mr. and Mrs. H.O. Havemeyer
1941.10.1
On View
From the Tour: Francisco de Goya
Object 5 of 9

1867Yriarte, Charles. Goya, sa biographie et le caralogue de l'oeuvre. Paris, 1867: 148.
1887Viñaza, Conde de la (Cipriano Muñoz y Manzano). Goya: su tiempo, su vida, sus obras. Madrid, 1887: 263, no. 120.
1902Lafond, Paul. Goya. Paris, 1902: 138, no. 214.
1903Loga, Valerian von. Francisco de Goya. Berlin, 1903: 204.
1908Calvert, Albert. Goya: An Account of His Life and Works. London, 1908: 140, no. 237.
1916Beruete y Moret, Aureliano de. Goya, pintor de retratos. Madrid, 1915: 174 (Also English ed. Translated by Selwyn Brinton. London, 1922: 208).
1924Mayer, August L. Francisco de Goya. Munich, 1923. Translated by Robert West [pseud.]. London, 1924: 166, no. 427.
1928Desparmet Fitz-Gerald, Xavier. L'oeuvre peint de Goya. 4 vols. Paris, 1928-1950: 2:220, no. 509, pl. 423.
1931H.O. Havemeyer Collection: Catalogue of Paintings, Prints, Sculpture and Objects of Art. Portland, Maine, 1931: 313, repro. 312.
1942Book of Illustrations. National Gallery of Art, Washington, 1942: 251, repro. 212, as Don Bartolomé Sureda by Francisco José de Goya y Lucientes.
1945Cook 1945, 156-160, fig. 5.
1960Evans, Grose. Spanish Painting in the National Gallery of Art. Washington, D.C., 1960 (Booklet Number Ten in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 38, color repro.
1961Havemeyer, Louisine W. Sixteen to Sixty: Memoirs of a Collector. New York, 1961: 136.
1963Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 321, repro.
1964Trapier, Elizabeth du Gué. Goya and His Sitters. New York, 1964: 31-33, fig. 55.
1965Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 60, as Don Bartolomé Sureda.
1968European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 52, repro., as Don Bartolomé Sureda.
1970Gassier, Pierrre, and Juliet Wilson. Vie et oeuvre de Francisco Goya. Paris, 1970: 158, repro. 198, no. 813. Translated by Christine Hauch and Juliet Wilson. New York, 1971.
1971Gudiol y Ricart, José. Goya: 1746-1828; Biography, Analytical Study and Catalogue of His Paintings. Translated by Kenneth Lyons. 4 vols. New York, 1971: 1: 311, no. 533, fig. 839.
1974de Angelis, Rita. L'opera pittorica completa di Goya. Milan, 1974: 119, no. 445, repro. in reverse color pl. 30.
1975European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 158, as Don Bartolomé Sureda.
1979Salas, Xavier de. Goya. London, 1979: color repro. 95; 102, no. 378, repro.
1984Camón Aznar, José. Francisco de Goya. 4 vols. Saragossa, 3: 159, color repro. 161.
1984Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 404, no. 576, color repro., as Son Bartolomé Sureda.
1985European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 183, repro., as Don Bartolome Sureda
1990Brown, Jonathan, and Richard G. Mann. Spanish Paintings of the Fifteenth through Nineteenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1990: 12-15, color repro. 13.
1992National Gallery of Art. National Gallery of Art, Washington. New York, 1992: 92, repro.
2000Bartolomé Sureda (1769-1851): Arte e industria en la ilustración tardía. Exh. cat. Museo Municipal de Madrid, 2000: 183, repro. [not included in the exhibition].
2001Southgate, M. Therese. The Art of JAMA II: Covers and Essays from The Journal of the American Medical Association. Chicago, 2001: 66-67, 209, color repro.
2004Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 268-269, no. 217, color repro.

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