George Romney (artist) British, 1734 - 1802 Mrs. Thomas Scott Jackson, c. 1770/1773 oil on canvas overall: 239 x 147 cm (94 1/8 x 57 7/8 in.) Andrew W. Mellon Collection 1937.1.94 |
Object 11 of 12
| 1904 | Ward, Humphry and William Roberts. Romney. 2 vols. London, 1904: 1:105, 106; 2:84. |
| 1907 | Roberts, William. Pictures in the Collection of J. Pierpont Morgan at Prince's Gate & Dover House, London: English School. London, 1907: unpaginated. |
| 1941 | Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 171, as Lady Broughton. |
| 1942 | Book of Illustrations. National Gallery of Art, Washington, 1942: 241, repro. 18, as Lady Broughton. |
| 1949 | Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 114, repro., as Lady Broughton. |
| 1965 | Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 116, as Lady Broughton. |
| 1966 | Henderson [later Jaffé], Patricia. George Romney. Maestri del colore series, no. 250. Milan, 1966: color pls. 10-11. |
| 1968 | European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 103, repro., as Lady Broughton. |
| 1969 | Watson, Ross. "British Paintings in the National Gallery of Art." The Connoisseur 172 (1969): 55-56, repro. 55. |
| 1975 | European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 308, repro., as Lady Broughton. |
| 1975 | Walker, John. National Gallery of Art, Washington. New York, 1975: no. 510, color repro. |
| 1984 | Walker, John. National Gallery of Art, Washington. (rev. ed.) New York, 1984: 365, no. 508, color repro., as Lady Broughton. |
| 1985 | European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 354, repro., as Lady Broughton. |
| 1992 | Hayes, John. British Paintings of the Sixteenth through Nineteenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1992: 230-232, color repro. 231. |
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