Georges Seurat (artist) French, 1859 - 1891 The Lighthouse at Honfleur, 1886 oil on canvas Overall: 66.7 x 81.9 cm (26 1/4 x 32 1/4 in.) framed: 94.6 x 109.4 x 10.3 cm (37 1/4 x 43 1/16 x 4 1/16 in.) Collection of Mr. and Mrs. Paul Mellon 1983.1.33 Not on View |
Object 8 of 8
Exhibition History
- 1910
- Manet and the Post-Impressionists, Grafton Galleries, London, 8 November 1910-15 January 1911, no. 55.
- 1929
- First Loan Exhibition, The Museum of Modern Art, New York, 1929, no.60, repro.
- 1931
- The Landscape in French Painting, M. Knoedler and Co., New York, 1931, no. 27, repro.
- 1934
- Renoir - Cezanne and their Contemporaries, Alex. Reid and Lefevre, Ltd. (The Lefevre Galleries), London, 1934, no. 34, repro.
- 1966
- French Paintings from the Collections of Mr. and Mrs. Paul Mellon and Mrs. Mellon Bruce, National Gallery of Art, Washington, 1966, no. 143, repro
- 1980
- Post-Impressionism: Cross-Currents in European and American Painting 1880-1906, National Gallery of Art, Washington, D.C., 1980, no. 89, repro.
- 1986
- Gifts to the Nation: Selected Acquisitions from the Collections of Mr. and Mrs. Paul Mellon, National Gallery of Art, Washington, 1986, unnumbered checklist
- 1986
- The New Painting: Impressionism 1874-1886, National Gallery of Art, Washington; The Fine Arts Museums of San Francisco, 1986
- 1987
- The Aura of Neo-Impressionism: The Holliday Collection, Indianapolis Museum of Art; High Museum of Art, Atlanta; Chrysler Museum of Art, Norfolk, VA, 1986-1987 [Atlanta only]
- 1990
- Französische Impressionisten und ihre Wegbereiter aus der National Gallery of Art, Washington und dem Cincinnati Art Museum, Neue Pinakothek, Munich, 1990, no. 65, repro.
- 1991
- Georges Seurat 1859-1891, Galeries Nationales du Grand Palais, Paris; The Metropolitan Museum of Art, New York, 1991-1992,
- 1999
- An Enduring Legacy: Masterpieces from the Collection of Mr. and Mrs. Paul Mellon, National Gallery of Art, Washington, D.C., 1999-2000, no cat.
- 2007
- Georges Seurat: The Drawings. The Museum of Modern Art, New York, 2007, no. 121, repro.
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