National Gallery of Art - THE COLLECTION
image of Plate with Hero leaping to her death from her tower and the drowned Leander; in the center, a shield of arms Attributed to Francesco Xanto Avelli and a collaborator, probably in Urbino; probably lustered in the workshop of Maestro Giorgio Andreoli of Gubbio, or by Vicenzo Andreoli, Urbino
Francesco Xanto Avelli (ceramist)
Italian, active 1530/1542
Vincenzo Andreoli (ceramist)
Italian
Italian 16th Century (ceramist)
Maestro Giorgio Andreoli of Gubbio (related artist)
Italian, c. 1465/1470 - c. 1553
Plate with Hero leaping to her death from her tower and the drowned Leander; in the center, a shield of arms, 1538
tin-glazed earthenware (maiolica)
overall (diameter): 26.7 cm (10 1/2 in.)
Widener Collection
1942.9.337
On View
From the Tour: Italian Renaissance Ceramics
Object 11 of 25

1847Labarte, J. Description des objets d'art qui composent la collection Debruge Duménil. Paris, 1847: no. 1146.
1935Inventory of the Objects d'Art at Lynnewood Hall, Elkins Park, Pennsylvania, The Estate of the Late P.A.B. Widener. Philadelphia, 1935: 62.
1942Works of Art from the Widener Collection. Foreword by David Finley and John Walker. National Gallery of Art, Washington, 1942: 13, as Urbino (Francesco Xanto Avelli da Rovigo).
1982NGA 1982-1983, no. 53.
1983Wilson, Carolyn C. Renaissance Small Bronze Sculpture and Associated Decorative Arts at the National Gallery of Art. Washington, 1983: 123, no. 1.
1988Fiocco/Gherardi 1988-1989, 2:580.
1993Distelberger, Rudolf, Alison Luchs, Philippe Verdier, and Timonthy H. Wilson. Western Decorative Arts, Part I: Medieval, Renaissance, and Historicizing Styles including Metalwork, Enamels, and Ceramics. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1993: 210-214, color repro. 211.

Full Screen Image
Artist Information (Francesco Xanto Avelli)
Artist Information (Italian 16th Century)
Artist Information (Maestro Giorgio Andreoli of Gubbio)
Artist Information (Vincenzo Andreoli)
Conservation Notes
Exhibition History
Inscription
Location
Narratives
Provenance

«back to gallery»continue tour