National Gallery of Art - THE COLLECTION
image of Morse with the Trinity French 15th Century (Trinity and Angels); European 19th Century (setting)
French 15th Century (artist)
European 19th Century (artist)
Morse with the Trinity, c. 1400/1410 (Trinity and Angels); 1884/1897 (setting)
gold, enamel, and pearls
overall (diameter): 12.6 cm (4 15/16 in.) overall (each angel, height): 0.7 cm (1/4 in.) overall (God the Father, height): 5.9 cm (2 5/16 in.) overall (Christ, height): 3.2 cm (1 1/4 in.)
Widener Collection
1942.9.287
On View
From the Tour: Medieval Metalwork and Enamels
Object 8 of 8

1897Catalogue of a Collection of European Enamels from the Earliest Date to the End of the XVII Century. Exh. cat. Burlington Fine Arts Club, London, 1897: no. 242b, pl. LXIII.
1923Swarzenski, Georg. "Insinuationes Divinae Pietatis." Festschrift für Adolf Goldschmidt zum 60. Geburtstag am 15. Januar 1923. Leipzig, 1923: 65-74, especially 69-71.
1935Inventory of the Objects d'Art at Lynnewood Hall, Elkins Park, Pennsylvania, The Estate of the Late P.A.B. Widener. Philadelphia, 1935: 32, as North Italian (Milanese).
1935Kohlaussen, Heinrich. "Gotisches Kunstgewerbe." In Helmut Theodor Bossert, ed. Geschichte des Kunstgewerbes aller Zeiten und Volker. 6 vols. Berlin, 1928-1935, 5 (1932):388, pl. XXI.
1942Works of Art from the Widener Collection. Foreword by David Finley and John Walker. National Gallery of Art, Washington, 1942: 10, as North Italian (Milanese) 16th Century, Morse of wrought gold and enamel.
1947Krautheimer, Richard. "Ghiberti and Master Gusmin." The Art Bulletin 29, no. 1 (January 1947): 33-34, figs. 4, 5.
1949Seymour, Charles. Masterpieces of Sculpture from the National Gallery of Art. Washington and New York, 1949: 12, 172-173, note 9, repro. 40-42.
1951Panofsky, Erwin. "A Parisian Goldsmith's Model of the Early Fifteenth Century." In Otto Goetz, ed. Beiträge für Georg Swarzenski. Chicago and Berlin, 1951: 70-84, especially 80.
1952Christensen, Erwin O. Objects of Medieval Art from the Widener Collection. National Gallery of Art, Washington, D.C., 1952: 25, 28, 31, repro. 29.
1954Müller, Theodor, and Erich Steingräber. "Die französische Goldemailplastik um 1400." Münchner Jahrbuch der bildenden Kunst 3d ser., 5 (1954): 29-79, especially 36, 38, 67-68, no. 5; figs. 9, 62.
1957Shapley, Fern Rusk. Comparisons in Art: A Companion to the National Gallery of Art, Washington, DC. London, 1957 (reprinted 1959): pl. 8
1957Steingräber, Erich. Antique Jewelry. New York, 1957: 59-61, fig. 88.
1966Braun-Reichenbacher, Margot. Das Ast- und Laubwerk: Entwicklung, Markmale und Bedeutung einer Spätgotischen Ornamentform. Nuremberg, 1966: 5, repro. 1.
1966Müller, Theodor. Sculpture in the Netherlands, Germany, France and Spain 1400-1500. Baltimore 1966: 21.
1967Richard, R. L. "Trinity, Holy." In New Catholic Encyclopedia. 16 vols. New York, 1967: 14:302, fig. 2.
1969Kohlhaussen, Heinrich. Europäische Kunsthandwerk des Mittelalters. 3 vols. Frankfurt am Main, 1969-1972: 2:xxvi, no. 11.
1975Verdier, Philippe. "La Trinité debout de Champmol." In Etudes d'art français offertes à Charles Sterling. Albert Châtelet and Nicole Reynaud, eds. Paris, 1975: 65-90, especially 69, fig. 48.
1976De Winter, Patrick M. "The Patronage of Philippe le Hardi, Duke of Burgundy (1364-1404)." 5 vols. Ph.D. dissertation, Institute of Fine Arts, New York University, 1976, 1:179.
1984Eikelmann, Renate. "Franko-Flämische Emailplastik des Spätmittelalters." Ph.D. dissertation, Ludwig-Maximilians-Universität, Munich, 1984: 53-54, 380-384, no. 25, 609, 684-686, 814-815, repro. 167.
1986Hackenbroch, Yvonne. "Reinhold Vasters, Goldsmith." Journal of the Metropolitan Museum of Art 19/20 (1986): 169-170; 80, fig. 8.
1993Distelberger, Rudolf, Alison Luchs, Philippe Verdier, and Timonthy H. Wilson. Western Decorative Arts, Part I: Medieval, Renaissance, and Historicizing Styles including Metalwork, Enamels, and Ceramics. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1993: 48-53, color repro. 49.

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Artist Information (European 19th Century)
Artist Information (French 15th Century)
Conservation Notes
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