- Inscription
- Provenance
- Exhibition History
- Bibliography
Overview
No overview.
Inscription
by later hand, on reverse, preserved from original panel, now lost: LORENZO DI Credi Pittore eccmo MCCCCLXXXVIII AETATIS SVE XXXII ME VIII (Lorenzo di Credi, most excellent painter, 1488, age 32 years, 8 months)
Marks and Labels
null
Provenance
Probably private collections, Florence, until at least the mid-eighteenth century. possibly anonymous collection, Rome, before 1895.[1] William Beattie, Glasgow, Scotland, by 1901.[2] (Arthur J. Sulley & Co., London); sold 16 January 1911 to Peter A.B. Widener, Lynnewood Hall, Elkins Park, Pennsylvania;[3] inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, Pennsylvania; gift 1942 to NGA.
Exhibition History
- 1901
- Early Italian Portraits, Lawrie & Co., London, 1901.
- 1933
- A Century of Progress Exhibition of Paintings and Sculpture, Art Institute of Chicago, 1933, no. 114, as Self-Portrait by Lorenzo di Credi.
- 2011
- Perugino - Raffaels Meister, Bayerisches Staatsgemäldesammlungen - Alte Pinakothek, Munich, 2011-2012, no. 25, repro.
Bibliography
- 1916
- Berenson, Bernard, and William Roberts. Pictures in the Collection of P.A.B. Widener at Lynnewood Hall, Elkins Park, Pennsylvania: Early Italian and Spanish Schools. Philadelphia, 1916: unpaginated, repro., as Portrait of Himself in His Thirty-Third Year.
- 1923
- Paintings in the Collection of Joseph Widener at Lynnewood Hall. Intro. by Wilhelm R. Valentiner. Elkins Park, Pennsylvania, 1923: unpaginated, repro., as Portrait of Himself in His Thirty-Third Year.
- 1931
- Paintings in the Collection of Joseph Widener at Lynnewood Hall. Intro. by Wilhelm R. Valentiner. Elkins Park, Pennsylvania, 1931: 146, repro., as Portrait of Himself in His Thirty-Third Year.
- 1942
- Works of Art from the Widener Collection. Foreword by David Finley and John Walker. National Gallery of Art, Washington, 1942: 5.
- 1948
- Paintings and Sculpture from the Widener Collection. National Gallery of Art, Washington, 1948 (reprinted 1959): 7, repro.
- 1957
- Shapley, Fern Rusk. Comparisons in Art: A Companion to the National Gallery of Art, Washington, DC. London, 1957 (reprinted 1959): pl. 77
- 1963
- Walker, John. National Gallery of Art, Washington, D.C.. New York, 1963 (reprinted 1964 in French, German, and Spanish): 300, repro.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 77
- 1968
- European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 68, repro.
- 1975
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 200, repro.
- 1979
- Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: I:272-273, II:pl. 187
- 1984
- Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 104, no. 74, color repro.
- 1985
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 233, repro.
- 2003
- Boskovits, Miklós, and David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, D.C., 2003: 557-561, color repro.
Related Works
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Work of Art
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- c. 1430/1435 – 1516
- Mrs. Thomas Scott Jackson
- c. 1770/1773
- oil on canvas
- overall: 74.8 x 356.2 cm (29 7/16 x 140 1/4 in.)
- framed: 104.1 x 385.1 x 10.5 cm (41 x 151 5/8 x 4 1/8 in.)
- Andrew W. Mellon Collection
- 1937.1.94
- • On View
-
Work of Art
- Giovanni Bellini
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- c. 1430/1435 – 1516
- Lady Elizabeth Delmé and Her Children
- 1777-1779
- oil on canvas
- overall: 74.8 x 356.2 cm (29 7/16 x 140 1/4 in.)
- framed: 104.1 x 385.1 x 10.5 cm (41 x 151 5/8 x 4 1/8 in.)
- Andrew W. Mellon Collection
- 1937.1.95
- • On View
Related Resources
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Event Type
- Event Name
- March 1–June 1
- Mon, Tues, and Wed at 1:00
- March 5, 2012 at 2:00
March 7, 2012 at 4:00 - East Building, Auditorium
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