Five Plates, Two Poles

1971

Richard Serra

Sculptor, American, 1938 - 2024

This free-standing, abstract sculpture is made of five square or rectangular bronze-colored plates braced by two long poles that lie on a pale pink marble floor. In this photograph, we see one pole at the foot of three of the plates, which lean against each other at different angles. The sheets and poles are mottled with bronze and brown, and the surface is textured, as if it would be a little rough to the touch. At least two of the plates sit in grooves notched into the pole on the floor. In our view, the sculpture sits in front of a two-story bank of windows, which continue off the top edge of the photograph. The sculpture almost entirely blocks the lower story of windows. The walls to either side of the windows meet at an acute angle along the right edge of the windows. The walls and floor are both covered with pale pink marble.
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Beginning in the late 1960s, Richard Serra created works that offer an intense encounter with the properties of weight, mass, gravity, and balance. Largely produced in lead and steel—materials familiar to him from early jobs in industrial mills—Serra's art departs from the history of sculpture as a carved, modeled, cast, or constructed object sitting on a pedestal. Since 1971 he has produced works that occupy large indoor and outdoor sites, requiring the visitor to walk around and through them in order to grasp their full presence.

Serra's primary concerns first emerged in the "props" that he created in 1968–1969, in which lead and steel elements leaned against a wall, seemingly precarious. These were followed by seven larger plate-and-pole works from 1970–1971, a group to which Five Plates, Two Poles belongs. The plate-and-pole pieces elaborate the props' emphasis on gravity and tension with more complex configurations, using unsupported two-inch-thick, eight-foot-square steel plates and twelve-foot-long, seven-inch-diameter slotted poles that rest on the ground. Walking around Five Plates, Two Poles, one grasps a sequence of shifting planar and spatial relationships heightened by scale and weight.

The Gallery's Five Plates, Two Poles was originally conceived and fabricated for the exhibition Art and Technology at the Los Angeles County Museum of Art in 1971. Weighing nearly 15 tons, it is the largest and most complex of the group. Unlike the other plate-and-pole works, made with Corten steel, this piece is executed in hot-rolled steel and is therefore suitable only for indoor display.

On View

NGA, East Building, EG-100, E


Artwork overview

  • Medium

    hot-rolled steel

  • Credit Line

    Gift of The Morris and Gwendolyn Cafritz Foundation

  • Dimensions

    overall installed: 243.84 x 548.64 x 701.04 cm (96 x 216 x 276 in.)
    gross weight: 29281 lb. (13281.774 kg)
    gross weight (each plate): 5227 lb. (2370.952 kg)
    gross weight (each pole): 1573 lb. (713.508 kg)

  • Accession

    2001.27.1

  • Copyright

    © 2001 Richard Serra


Artwork history & notes

Provenance

(Leo Castelli Gallery, New York); Saatchi collection, London; repurchased 1992 by Richard Serra; purchased 22 February 2001 through (Gagosian Gallery, New York) by NGA.[1]
[1] The sculpture was originally conceived and fabricated for the 1971 exhibition Art and Technology at the Los Angeles County Museum of Art. For structural reasons, the two pole elements were refabricated in 1985.

Associated Names

Exhibition History

1971

  • Art and Technology, Los Angeles County Museum of Art, 1971.

1993

  • Gravity & Grace: The Changing Condition of Sculpture 1965-1975, Hayward Gallery, London, 1993, unnumbered catalogue, repro.

1996

  • Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline, Solomon R. Guggenheim Museum, New York, 1996, fig. 215.

Bibliography

2021

  • Sturman, Shelley, and Molly Donovan. "The Artist as Primary Source of the Conservation of Contemporary Sculpture." Facture: conservation, science, art history 5 (2021): 174-202, fig. 16, fig. 17.

Wikidata ID

Q63862042


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