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Louis-Charles Timbal [1821-1880], Paris. Baron Arthur de Schickler [1828-1919], Paris, and Martinvast, Normandy (near Cherbourg); by inheritance to his daughter, Marguerite, Comtesse Hubert de Pourtalès [1870-1956], Paris, and Martinvast, Normandy. Clarence H. Mackay [1874-1938], Roslyn, New York by 1926;[1] probably his estate; sold (Jacques Seligmann and Co., New York); (Duveen Brothers, Inc., New York); purchased 1939 by the Samuel H. Kress Foundation, New York; gift 1943 to NGA.

Valentiner, W.R. The Clarence H. Mackay Collection. New York, 1926: 6, 9, no. 13, repro.
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 229-230, no. A-49, as by Antonio Pollaiuolo.
Book of Illustrations. National Gallery of Art, Washington, 1942: 254, repro. 232, as by Antonio Pollaiuolo.
Swarzenski, Georg. "Some Aspects of Italian Quattrocento Sculpture in the National Gallery." Gazette des Beaux-Arts 6th series, 24 (November 1943): 296 fig. 11 (detail), 297, as by Antonio Pollaiuolo.
Duveen Brothers, Inc. Duveen Sculpture in Public Collections of America: A Catalog Raisonné with illustrations of Italian Renaissance Sculptures by the Great Masters which have passed through the House of Duveen. New York, 1944: figs. 133-135, as Virginio Orsini, Lord of Monterotondo, by Antonio del Pollaiuolo.
Frankfurter, Alfred M. The Kress Collection in the National Gallery. New York, 1944: 10, repro., as by Antonio Pollaiulo.
Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 185, repro., as by Antonio Pollaiuolo.
Middeldorf, Ulrich. Sculptures from the Samuel H. Kress Collection: European Schools XIV-XIX Century. London, 1976: 33.
Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 176, repro.