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Marks and Labels
Sigismond Bardac, Paris, before 1913, as "dinanderie," twelfth century; (Arnold Seligmann), 1913[?]-1916; purchased 22 April 1916 by Joseph Widener, Elkins Park, Pennsylvania, as Flemish, thirteenth century; inheritance from the Estate of Peter A. B. Widener by gift through power of appointment of Joseph E. Widener, after purchase by funds of the estate, 1942.
- Master Bronzes Selected from Museums and Collections in America, The Buffalo Fine Arts Academy, Albright Art Gallery, 1937, no. 113, repro., as Flemish, thirteenth century.
- Exhibition of Arts of the Middle Ages, Museum of Fine Arts, Boston, 1940, 82, no. 290, pl. XXXIII, as English or Scandinavian, thirteenth century.
- Leman, Henri. Collection Sigismond Bardac. Faiences italiennes du XV siècle, objets de haute curiosité, Moyen Age et Renaissance. Paris, 1913: no. 31, as "dinanderie, XIIe siécle".
- Falke, Otto von. "Reiteraquamanilien I." Pantheon 1 (1928): 248.
- Falke, Otto von. "Reiteraquamanilien III Teil. Die Jägergruppe." Pantheon 4 (1929): 426-430, especially 427, 430, fig. 9.
- Falke, Otto von, and Erich Meyer. Bronzegeräte des Mittelalters I. Romanische Leuchter und Gefässe; Giessgefässe der Gotik. Berlin, 1935: 44, 107, no. 288, fig. 255.
- _Inventory of the Objects d'Art at Lynnewood Hall, Elkins Park, Pennsylvania, The Estate of the Late P.A.B. Widener. Philadelphia, 1935: 30, as Flemish (Dinant), thirteenth century.
- Davis, Robert Tyler. "An Odyssey of Bronze Statuettes." Art News 35 (February 1937): 9-13, 25, repro. 12, as Flemish, thirteenth century.
- _Master Bronzes Selected from Museums and Collections in America. Exh. cat. The Buffalo Fine Arts Academy, Albright Art Gallery, Buffalo, New York, 1937: no. 113, as Flemish thirteenth century.
- Swarzenski, Georg. "Arts of the Middle Ages." Art News 38 (February 1940): 8-12, 23, repro. 11.
- _Works of Art from the Widener Collection. Foreword by David Finley and John Walker. National Gallery of Art, Washington, 1942: 9, as Flemish (Dinant), 13th century, Coquemar, in the form of an equestrian figure.
- Seymour, Charles. Masterpieces of Sculpture from the National Gallery of Art. Washington and New York, 1949: 4, 11, 171-172, note 4, repro. 32, 33.
- Christensen, Erwin O. Objects of Medieval Art from the Widener Collection. National Gallery of Art, Washington, D.C., 1952: 22-24, 30.
- _Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 154.
- _European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 136, repro.
- King, Marian. Adventures in Art: National Gallery of Art, Washington, D.C. New York, 1978: 98-99, pl. 62.
- _Ex aere solido; Bronzen von der Antike bis zur Gegenwart. Exh. cat. (Essay by Dietrich Kötzche) Organized by Stiftung Preussischer Kulturbesitz, Berlin, Münster, Saarbrucken, Hanover, Berlin, 1983: 81, no. 45.
- Distelberger, Rudolf, Alison Luchs, Philippe Verdier, and Timonthy H. Wilson. Western Decorative Arts, Part I: Medieval, Renaissance, and Historicizing Styles including Metalwork, Enamels, and Ceramics. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1993: 28-32, color repro. 29.
- _Speculum (July 2003): cover repro.
 The left front leg, more silvery in color than the body, is joined to it with a pin and solder; its alloy, different from that of the body, is brass, composed of 89 percent copper, 9 percent zinc, and small amounts of iron, silver, antimony, and tin (report cited in note 2). The right front foot, grayish in color, thin, and curved inward, also appears to be a replacement.
 Report of 2 March 1987, in NGA conservation laboratory files.
Work of Art
Work of Art
- Event Name
- March 1–June 1
- Mon, Tues, and Wed at 1:00
- March 5, 2012 at 2:00
March 7, 2012 at 4:00
- East Building, Auditorium
- Name of docent
- 60 minutes
- Registration for this event begins on April 1, 2012 at noon.
- Download the program notes (100k)
- Italian Collection