Overview

No overview available.

Inscription

Marks and Labels

19th century handwritten label reading "Armoiries 11" [likely transferred from a different piece]; Spitzer sale labels

Provenance

Frédéric Spitzer [1815-1890], Paris; (his estate sale, Paris, 17 April-16 June 1893, no. 1192, as Gubbio, sold for 5950 francs). Maurice Kann [d. 1906], Paris; purchased 1908 with the entire Kann collection by (Duveen Brothers, Inc., London, New York, and Paris); purchased February 1910 by Peter A.B. Widener, Elkins Park, Pennsylvania;[1] inheritance from the Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, 1942.

Exhibition History

Bibliography

1892
Molinier 1892, no. 155, repro., as Gubbio, end of fifteenth century.
1935
_Inventory of the Objects d'Art at Lynnewood Hall, Elkins Park, Pennsylvania, The Estate of the Late P.A.B. Widener. Philadelphia, 1935: 58, as Gubbio, under Deruta influence, c. 1510.
1942
_Works of Art from the Widener Collection. Foreword by David Finley and John Walker. National Gallery of Art, Washington, 1942: 13, as Gubbio, under Deruta influence, about 1510.
1993
Distelberger, Rudolf, Alison Luchs, Philippe Verdier, and Timonthy H. Wilson. Western Decorative Arts, Part I: Medieval, Renaissance, and Historicizing Styles including Metalwork, Enamels, and Ceramics. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1993: 161-162, repro. 161.

Technical Summary

Earthenware, covered front and back with a pinkish white tin glaze. The painting is in blue and slightly bubbled green, with golden-brown and red luster. The sides of the well on the front are stained orange-red by diffusion of the luster. On the reverse near the edge are depressions made by the potter's fingers. One small kiln-support mark is visible on the front near the edge. There is wear and chipping to the inner and outer edges of the rim.

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