Overview

No overview available.

Inscription

center reverse: W [or M]

Marks and Labels

Kann collection labels 14, 183 overlaying (now in object folder, NGA Curatorial Records)

Provenance

Maurice Kann, Paris. (Duveen Brothers), 1908, as part of the Kann collection; purchased February 1910 by Peter A. B. Widener, Elkins Park, Pennsylvania; inheritance from the Estate of Peter A. B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, 1942.

Exhibition History
1982
Sixteenth-Century Italian Maiolica; Selections from the Arthur M. Sackler Collection and the National Gallery of Art's Widener Collection, National Gallery of Art, Washington, D.C., 1982-1983, no. 55.
Bibliography
1935
Inventory of the Objects d'Art at Lynnewood Hall, Elkins Park, Pennsylvania, The Estate of the Late P.A.B. Widener. Philadelphia, 1935: 63, as Urbino, with Gubbio luster, c. 1540.
1942
Works of Art from the Widener Collection. Foreword by David Finley and John Walker. National Gallery of Art, Washington, 1942: 13, as Urbino, with Gubbio luster, about 1540.
1982
NGA 1982-1983, no. 55.
1983
Wilson, Carolyn C. Renaissance Small Bronze Sculpture and Associated Decorative Arts at the National Gallery of Art. Washington, 1983: 123, no. 9, as Urbino, with Gubbio luster, c. 1535/1540.
1993
Distelberger, Rudolf, Alison Luchs, Philippe Verdier, and Timonthy H. Wilson. Western Decorative Arts, Part I: Medieval, Renaissance, and Historicizing Styles including Metalwork, Enamels, and Ceramics. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1993: 232-233, repro. 232.
Technical Summary

Earthenware, covered front and back with a pockmarked off-white tin glaze. The painting is in blue, green, yellow, orange, brown, black, and white, with golden-brown and orange-red luster. There are four neat kiln-support marks on the rim near the edge. The edge is extensively chipped.