National Gallery of Art :: The Collection :: A Naval Encounter between Dutch and Spanish Warships
  • Overview
  • Inscription
  • Provenance
  • Bibliography

Overview

In 1995 two marine paintings, Dutch Warship Attacking a Spanish Galley and Spanish Galleon Firing its Cannons were bequeathed to the National Gallery of Art. Technical examinations determined that the two panels originally had formed a single painting that was subsequently cut in half to form two separate works. Dendrochronological analysis revealed that the two horizontally-joined oak panel boards from each segment came from the same two trees. This technical information coupled with compositional evidence, such as corresponding cloud and wave patterns on the two segments, demonstrated that the two panels had once formed a continuous larger composition with the Spanish Galleon Firing its Cannons panel on the left and the Dutch Warship Attacking a Spanish Galley panel on the right. Fortunately, the two panels had remained together throughout their history, and after they were conserved in 2009-2010 they were brought together to recreate the original appearance of Verbeeck's work. This reconstructed painting vividly depicts an intense naval engagement, characteristic of Dutch battles against Spain during the long Dutch Revolt. At right, a Dutch warship under full sail has attacked a small Spanish galley that is sinking in the stormy sea. The Dutch ship is alive with triumphant activity, from the commander and trumpeter standing on the poop deck beneath the red flag, to the sailors scurrying up the rigging and the soldiers reloading their muskets. At left, a Spanish galleon is firing its portside cannons towards the large Dutch warship while trying to hit another Dutch ship with its starboard cannons. The smaller Dutch vessel has already reduced a Spanish galley to a burning wreck. Verbeeck's painting, which the artist signed Cornelis VB on the red, white, and blue Dutch flag atop the main mast, does not appear to represent an actual battle scene but seems to be a nautical metaphor celebrating the victory of the Dutch people over their enemy.

Inscription

on the Dutch flag: Cornelis VB

Marks and Labels

null

Provenance

Henry Villard [1835-1900], New York, by the 1880s; by descent to his granddaughter, Dorothea Villard Hammond [1907-1994], Washington, D.C.; bequest 1995 to NGA.

Exhibition History

Bibliography

2007
Wheelock, Arthur K., Jr., and Michael Swicklik. "Behind the Veil: Restoration of a Dutch Marine Painting Offers a New Look at Seventeenth-Century Dutch Art and History." Bulletin / National Gallery of Art, no. 37 (Fall 2007): 2-13, figs. 1, 11, 12.

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