Overview

No overview available.

Inscription

Marks and Labels

null

Provenance

This panel, along with NGA 1939.1.42 and 1939.1.43, are stated to have come from the collection of a contessa Giustiniani, Genoa;[1] (Count Alessandro Contini-Bonacossi, Rome); sold July 1930 to the Samuel H. Kress Foundation, New York;[2] gift 1939 to NGA.

Exhibition History
Bibliography
1941
National Gallery of Art. Book of Illustrations. Washington, 1941: 51 (repro.), 236.
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 3, no. 152, as The Presentation in the Temple.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 242, repro. 53, as The Presentation in the Temple.
1944
Frankfurter, Alfred M. The Kress Collection in the National Gallery. New York, 1944: 23, repro., as The Presentation in the Temple.
1949
Brandi, Cesare. Quattrocentisti senesi. Milan, 1949: 243.
1955
Ferguson, George. Signs and Symbols in Christian Art. 2nd ed. New York, 1955: pl. 22.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 36, repro., as The Presentation in the Temple.
1964
Mojzer, Miklós. "Vier sienesische Quattrocento-Tafeln des Christlichen Museums zu Esztergom." Pantheon 22 (1964): 2 (repro.), 6 n. 5.
1965
Boskovits, Miklós, Miklós Mojzer, and András Mucsi. Das Christliche Museum von Esztergom (Gran). Budapest, 1965: 44.
1965
Boskovits, Miklós, Miklós Mojzer, András Mucsi, Alfréd Schiller, Elizabeth Hoch, and Susanna Horn. Christian Art in Hungary: Collections from the Esztergom Christian Museum. Budapest, 1965: 52.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 7.
1966
Boskovits, Miklós. Early Italian Panel Paintings. Budapest, 1966: 40.
1966
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 65-66, fig. 177.
1968
Berenson, Bernard. Italian Pictures of the Renaissance. Central Italian and North Italian Schools. 3 vols. London, 1968: 1:8.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 1, repro.
1971
Carli, Enzo. I pittori senesi. Siena, 1971: 138.
1971
Os, Hendrik W. van. "Andrea di Bartolo’s Assumption of the Virgin." Arts in Virginia 2 (1971): 4.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972: 6, 300, 645.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 10, repro.
1975
Mucsi, András. Katalog der Alten Gemäldegalerie des Christlichen Museums zu Esztergom. Budapest, 1975: 42.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. National Gallery of Art. 2 vols. Washington, 1979: 1:4-5; 2:pl. 4.
1981
Carli, Enzo. La pittura senese del Trecento. 1st ed. Milan, 1981: 238.
1982
Il gotico a Siena: miniature, pitture, oreficerie, oggetti d’arte. Exh. cat. Palazzo Pubblico, Siena. Florence, 1982: 317.
1983
Kasten, Eberhard. "Andrea di Bartolo." In Allgemeines Künstlerlexikon: Die bildenden Künstler aller Zeiten und Völker. Edited by Günter Meissner. 3 vols. Leipzig, 1983-1990: 2(1986):974, 976.
1983
L’Art gothique siennois: enluminure, peinture, orfèvrerie, sculpture. Exh. cat. Musée du Petit Palais, Avignon. Florence, 1983: 284.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 82, no. 39, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 18, repro.
1986
Kanter, Laurence B. "Giorgio di Andrea di Bartolo." Arte cristiana 74 (1986): 21-22, 24, repro. 28.
1986
Maderna, Valentina, ed. Il polittico di Andrea di Bartolo a Brera Restaurato. Exh. cat. Pinacoteca di Brera, Milan. Florence, 1986: 17.
1991
Chelazzi Dini, Giulietta. "Andrea di Bartolo." In Enciclopedia dell’arte medievale. Edited by Istituto della Enciclopedia italiana. 12 vols. Rome, 1991-2002: 1(1991):595.
1992
Kasten, Eberhard. "Andrea di Bartolo." In Allgemeines Künstlerlexikon: Die bildenden Künstler aller Zeiten und Völker. Edited by Günter Meissner. 87+ vols. Munich and Leipzig, 1992+: 3(1992):512, 514.
1994
Lorentz, Philippe. "De Sienne a Strasbourg: posterité d’une composition d’Ambrogio Lorenzetti, la Nativité de la Vierge de l’Hôpital Santa Maria della Scala à Sienne." In Hommage à Michel Laclotte: Etudes sur la peinture du Moyen Age et de la Renaissance. Edited by Luciano Bellosi, Pierre Rosenberg, Cécile Scailliérz, and Dominique Thiébault. Milan and Paris, 1994: 130-131 n. 45.
1997
Chelazzi Dini, Giulietta, Alessandro Angelini, and Bernardina Sani. Sienese Painting From Duccio to the Birth of the Baroque. New York, 1997: 200-201.
1997
Chelazzi Dini, Giulietta. "La cosidetta crisi della metà del Trecento (1348-1390)." In Pittura senese. Edited by Giulietta Chelazzi Dini, Alessandro Angelini and Bernardina Sani. 1st ed. Milan, 1997: 200.
1998
Frinta, Mojmír S. Punched Decoration on Late Medieval Panel and Miniature Painting. Prague, 1998: 69.
2008
Entre tradition et modernité: peinture italienne des XIVe et XVe siècles. Exh. cat. Galerie G. Sarti, Paris; Fürstlich Liechtensteinsche Gemäldegalerie, Vienna. Paris, 2008: 117.
2009
Bellosi, Luciano, ed. La collezione Salini: dipinti, sculture e oreficerie dei secoli XII, XIII, XIV e XV. 2 vols. Florence, 2009: 1:238.
Technical Summary